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Makaya McCraven © Nolis Anderson
Features, Interviews, MusicNovember 19, 2021<December 10, 2021

Deciphering the Message: Makaya McCraven on Blue Note and the Art of Remixing

by Mariel Fechik
doomsday - Lizzy McAlpine
Artist to Watch, Columns, Music, ReviewsNovember 19, 2021<November 19, 2021

Artist to Watch: Lizzy McAlpine Celebrates Death with “doomsday”

by Nasim Elyasi
Atwood Magazine's Weekly Roundup | November 19, 2021
Columns, Features, Music, Weekly RoundupNovember 19, 2021<June 23, 2022

Atwood Magazine’s Weekly Roundup: November 19, 2021

by Atwood Magazine Staff
Aquilo © 2021
Features, Music, Reviews, Track-by-TrackNovember 18, 2021<February 7, 2022

“Free, Warm, Home”: Aquilo Find ‘A Safe Place to Be’ in Radiant & Wondrous 3rd Album

by Mitch Mosk
Courtney Barnett © Mia Mala McDonald
Music, ReviewsNovember 18, 2021<November 18, 2021

Review: Courtney Barnett’s ‘Things Take Time, Take Time’ Is a Stunning Display of Lyricism to a Questionable Soundtrack

by Lilly Eason
Glossies © 2021
Music, Music Videos, PremieresNovember 18, 2021<November 18, 2021

Premiere: Glossies’ Erich Tomkinson Summons a Fantasy Romance in “Kinda Wish You’d Call”

by Guest Writer
Kay Slice © Elisabetta Agyeiwaa
Columns, Music, Today's SongNovember 18, 2021<November 18, 2021

Today’s Song: Kay Slice Soars in Radiant Afrofusion Anthem “Slice M Go,” a Soundtrack to Boldness

by Mitch Mosk
Shannon Lauren Callihan © Annie Noelker
Features, Music, Reviews, Track-by-TrackNovember 18, 2021<November 18, 2021

“Raw, Authentic, & Tasteful”: Shannon Lauren Callihan Opens Up About Debut ‘One Sided’ EP

by Mitch Mosk
Cloudbelly © Georgia Teensma
Artist to Watch, Columns, Debut, Music, ReviewsNovember 17, 2021<November 17, 2021

Artist to Watch: Isolation & Fragility Soar in Cloudbelly’s Softly Stirring Debut “Up in Smoke”

by Mitch Mosk
CARR © CJ Harvey
Artist to Watch, Features, Music, Reviews, Track-by-TrackNovember 17, 2021<January 12, 2022

“Real, Funny, & Chaotic”: Inside CARR’s Unapologetic & Exhilarating Sophomore EP ‘I’m Just Bored’

by Mitch Mosk
Taylor Swift © Beth Garrabrant
Features, Music, ReviewsNovember 17, 2021<February 7, 2022

Review: Taylor Swift Breaks the Bounds of Brilliance with “All Too Well (10 Minute Version)”

by Kelly McCafferty Dorogy
Arms Akimbo © 2021
Essays, MusicNovember 17, 2021<November 17, 2021

Essay: Arms Akimbo, the Only Band Stupid Enough to Make a TV Show

by Guest Writer
Acid Tongue © Jake Hanson
Features, Interviews, MusicNovember 17, 2021<November 17, 2021

“We’re Not Businessmen, We’re Musicians”: A Conversation with Acid Tongue

by Ben Niesen
Ben Strawn © Kaley Strawn
Music, PremieresNovember 17, 2021<November 17, 2021

Premiere: The Warmth & Wonder of Ben Strawn’s Intimately Irresistible “So Long”

by Mitch Mosk
Lightleak © Emily Dupree 9
Music, ReviewsNovember 17, 2021<November 16, 2021

Review: Lightleak’s ‘Tender Fits’ Blends Touches of Wit, Nostalgia, & Haunting Memories with Rich Sonic Texture

by Beau Hayhoe
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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