Features, Music, Reviews, Track-by-TrackFebruary 4, 2022<February 4, 2022 “It’s a Dream!”: Inside Hembree’s Refreshingly Vibrant, Layered, & Ambitious Sophomore Album by Mitch Mosk
Features, Music, Reviews, Track-by-TrackFebruary 4, 2022<February 4, 2022 “STILL LIFE”: The Slow Show Create ‘Moments of Feeling’ in Beautifully Radiant & Resonant 4th Album by Mitch Mosk
Columns, Music, Today's SongFebruary 4, 2022<February 4, 2022 Today’s Song: Hana Eid Channels Young Love’s Passion in Cinematic Anthem “Dancing to The Smiths” by Mitch Mosk
Columns, Features, Music, Weekly RoundupFebruary 4, 2022<February 4, 2022 Atwood Magazine’s Weekly Roundup: February 4, 2022 by Atwood Magazine Staff
Columns, Music, Today's SongFebruary 3, 2022<February 3, 2022 Today’s Song: Peter Raffoul Is Barely Moving on in Radiant Second Single “cigarette holes” by Mitch Mosk
Music, Music Videos, PremieresFebruary 3, 2022<February 3, 2022 Premiere: MA/SA Dwells in Grief’s Void on Aching, Ethereal New Single “In My Breath” by Mitch Mosk
MusicFebruary 3, 2022<August 12, 2025 Chasing the Sun: An Interview with Californian Surf Band Sun Room by Lilly Eason
Features, Interviews, MusicFebruary 3, 2022<February 3, 2022 Interview: Palace Get Reflective and Deep on New Lockdown-Inspired Album, ‘Shoals’ by Beau Hayhoe
Interviews, MusicFebruary 2, 2022<February 2, 2022 Interview: West Virginia’s Philip Bowen Finds Comfort in Hope for Happier Days Ahead by Chloe Robinson
Music, ReviewsFebruary 2, 2022<March 2, 2025 Review: Dijon’s ‘Absolutely’ Is a Force to Be Reckoned With by Nasim Elyasi
Music, PremieresFebruary 2, 2022<February 2, 2022 Premiere: Micah Edwards Channels His Texas Soul in “Jean Leon” by Mitch Mosk
Books, Music, ReviewsFebruary 2, 2022<February 2, 2022 Book Review: ‘Dilla Time’ Captures the Little Acknowledged Musical Revolution of the 1990s by Oliver Crook
Columns, Music, Today's SongFebruary 2, 2022<February 2, 2022 Today’s Song: Warpaint Are Still the Champions by Ben Niesen
Music, Music Videos, PremieresFebruary 1, 2022<February 1, 2022 Video Premiere: Philly’s Verb Tec & Vanderslice Hit Home on “Letter From Portsmouth,” an Epic & Dynamic Artistic Statement by Mitch Mosk
A Casual Ramble, Columns, MusicFebruary 1, 2022<April 30, 2022 A Casual Ramble: Requiem for Three Albums Involuntarily Placed on My Back-Burner by Ben Niesen
For the Love of Music
For the Love of Music
