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Typhoon © 2021
Columns, Music, Today's SongNovember 17, 2021<November 17, 2021

Today’s Song: Typhoon Takes Us Along on for the Ride with “Empire Builder”

by Nasim Elyasi
GRAE © 2021
Columns, Music, Today's SongNovember 16, 2021<November 16, 2021

Today’s Song: GRAE Dreams in Color on Love-Soaked “Outta This World”

by Mitch Mosk
Geographer © Monica Reyes
Features, Music, Reviews, Track-by-TrackNovember 16, 2021<November 16, 2021

“Particles, Separation, & Fulfillment”: Geographer Dives into His Epic Album ‘Down and Out in the Garden of Earthly Delights’

by Mitch Mosk
Music, ReviewsNovember 16, 2021<November 16, 2021

Review: Mabe Fratti & Concepción Huerta Reimagine the Composer on EP ‘Estática’

by Adrian Vargas
Mountains Like Wax © Jake White
Music, PremieresNovember 16, 2021<November 16, 2021

Premiere: On “Yes, I Grew Tired,” Nashville’s Mountains Like Wax Rise Through a Radiant Haze

by Mitch Mosk
Andy Shauf © Colin Medley
Features, Interviews, MusicNovember 16, 2021<November 16, 2021

“That feeling of your relationships falling apart”: Andy Shauf on His Seventh Album ‘Wilds’

by Kelly Liu
Squirrel Flower © 2021
Interviews, MusicNovember 15, 2021<November 15, 2021

Interview: Squirrel Flower Brings Her “Red Storm Cloud” to Life on Stirring Sophomore Album ‘Planet (i)’

by Mitch Mosk
zzzahara © Jade DeRose
Interviews, Music, PremieresNovember 15, 2021<November 15, 2021

Interview: zzzahara’s Feverish Single “they don’t know” Debuts with Frenetic Energy & Visceral Emotion

by Mitch Mosk
quelle rox
Columns, Music, Today's SongNovember 15, 2021<November 15, 2021

Today’s Song: Quelle Rox Finally Escapes a Toxic, Vicious Cycle in “i only want you when i’m f***ed up”

by Dimitra Gurduiala
Honest Men © Sam Leviton
Features, Music, Reviews, Track-by-TrackNovember 12, 2021<November 15, 2021

Track-by-Track: Austin’s Honest Men Soar on Their Vibrant, “Warm & Intentional” Sophomore LP ‘Field of Vision’

by Mitch Mosk
Katelyn Tarver © Ethan Tulley
Debut, Features, Music, Reviews, Track-by-TrackNovember 12, 2021<January 18, 2024

“Sour for Millennials”: Katelyn Tarver Dives Inside Her Brutally Honest Debut Album, ‘Subject to Change’

by Mitch Mosk
Cedric Noel © Kristina Pedersen
Columns, Music, Today's SongNovember 12, 2021<November 12, 2021

Today’s Song: Cedric Noel’s Gentle, Intimate, & Vulnerable “Bass Song” (ft. Squirrel Flower)

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 12, 2021
Columns, Features, Music, Weekly RoundupNovember 12, 2021<February 15, 2022

Atwood Magazine’s Weekly Roundup: November 12, 2021

by Atwood Magazine Staff
Grace Kay © Xkylar
MusicNovember 11, 2021<November 11, 2021

Premiere: Grace Kay Bottles the Intimacy of Friendship on “Here”

by Anthony Kozlowski
Greer © Zamar Velez
Features, Music, Reviews, Track-by-TrackNovember 11, 2021<November 11, 2021

“Angsty, Boisterous, & Cathartic”: Greer Dive Inside Their Sweet, Spirited ‘Happy People’ EP

by Mitch Mosk
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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