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Naomi Kimpenu © 2021
Debut, Features, Music, Reviews, Track-by-TrackSeptember 14, 2021<April 1, 2024

“Dark, Emotive, & Timeless”: Naomi Kimpenu’s ‘Prelude’ EP Is a Striking, Stirring Entrance

by Mitch Mosk
Charlie Hickey x MUNA © Jannick Frampton
Columns, Music, Today's SongSeptember 14, 2021<September 14, 2021

Today’s Song: Charlie Hickey and MUNA Join Forces with “Seeing Things”

by Nasim Elyasi
Lilly Hiatt © Daniel Reyes
Concerts, Music, ReviewsSeptember 14, 2021<September 14, 2021

Live Review: Lilly Hiatt Reaps What She Rocks at Harvest Music Festival 2021

by Oliver Crook
Features, Interviews, MusicSeptember 14, 2021<September 14, 2021

Interview: Glassio Discusses Pensive Sound, Thoughts on Perfection, and the Talents He Respects

by Chloe Robinson
Rett Madison © 2021
Columns, Music, Today's SongSeptember 13, 2021<September 13, 2021

Today’s Song: Rett Madison’s Stunning “Emily” Is a Gut-Punch of Eruptive, Soulful Passion

by Mitch Mosk
SHAED © Jared Zagha
Debut, Interviews, MusicSeptember 13, 2021<September 13, 2021

Interview: A Conversation with SHAED, a Pop Trio Full of Capital Pride

by Josh Weiner
Geographer © Monica Reyes
Music, Music Videos, PremieresSeptember 13, 2021<November 16, 2021

Premiere: Geographer’s Exhilarating, Cinematic “Alibi” and the Wonder of Love

by Mitch Mosk
Features, Interviews, MusicSeptember 13, 2021<September 15, 2021

“The Ridiculousness of Feelings”: A Conversation with Sloppy Jane

by Nasim Elyasi
ella jane © 2021
Features, Music, Reviews, Track-by-TrackSeptember 10, 2021<September 10, 2021

“Nostalgic, Visceral, & Electric”: Inside ella jane’s Stunning Debut EP ‘THIS IS NOT WHAT IT LOOKS LIKE!’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | September 10, 2021
Columns, Features, Music, Weekly RoundupSeptember 10, 2021<September 10, 2021

Atwood Magazine’s Weekly Roundup: September 10, 2021

by Atwood Magazine Staff
Be - Common
Columns, Music, The Collab ColumnSeptember 10, 2021<September 10, 2021

The Collab Column: Common and Kanye West’s ‘Be’

by Leo Culp
Foy Vance © Babysweet
Features, Interviews, MusicSeptember 10, 2021<October 5, 2021

Interview: Foy Vance Breaks Out of the Quiet with New Album ‘Signs of Life’ and Little, Soft Revolutions

by Erica Danielle Garcia
We Were Promised Jetpacks © Euan Robertson 8.3
Music, Our Take, ReviewsSeptember 10, 2021<November 16, 2021

Our Take: We Were Promised Jetpacks Lift Off Once Again on Evolved 5th Album ‘Enjoy the View’

by Beau Hayhoe
Navy © Pretty Boy Worldwide
Columns, Music, Today's SongSeptember 10, 2021<September 10, 2021

Today’s Song: Navy Defies Genre to Touch Our Souls on “Diamonds”

by Oliver Crook
To Bloom - Erez Zobary © Teaunna Gray
Features, Music, Reviews, Track-by-TrackSeptember 9, 2021<September 10, 2021

Feature: Toronto’s Erez Zobary Dives into Her Beautifully Intimate & Radiant ‘To Bloom’

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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