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Mild Orange © Kenzie Pigman
Features, Music, Reviews, Track-by-TrackFebruary 15, 2022<February 15, 2022

“Looking for Space”: New Zealand’s Mild Orange Revel in Life’s Depths on Warm & Wondrous Third LP

by Mitch Mosk
The Wombats © Tom Oxley
Features, Interviews, MusicFebruary 15, 2022<February 15, 2022

Interview: The Wombats on their Number One Album, ‘Fix Yourself, Not the World’

by Bethan Harper
Dawn FM - The Weeknd
A Casual Ramble, ColumnsFebruary 15, 2022<February 15, 2022

A Casual Ramble: Is ‘Dawn FM’ an Apogee or a Bookend?

by Ben Niesen
Sara-Danielle © Gaelle Leroyer
Music, PremieresFebruary 15, 2022<February 15, 2022

Premiere: Montreal’s Sara Danielle Aches & Shakes on Dreamy New Single “Away from You”

by Mitch Mosk
Coyle Girelli © Shervin Lainez
Music, Music Videos, PremieresFebruary 15, 2022<February 15, 2022

Premiere: Coyle Girelli’s Indulgent Anthem “Do You Wanna Dance?” Proves an Passionate Cut Off ‘Funland’

by Mitch Mosk
Beau © Tara Gallagher
Features, Music, Reviews, Track-by-TrackFebruary 15, 2022<February 14, 2022

Track-by-Track: NYC’s Beau Radiate Raw Emotion on Stunning EP ‘Forever’

by Mitch Mosk
Bad Suns © Elizabeth Miranda
Features, Interviews, MusicFebruary 14, 2022<February 14, 2022

Interview: Bad Suns Show Life in a New Light on Cinematic 4th Album ‘Apocalypse Whenever’

by Nasya Blackshear
Haunted Summer © Nicole Rico
Columns, Music, Today's SongFebruary 14, 2022<February 14, 2022

Haunted Summer Tribute Daniel Johnston with Heartbreaking Valentine’s Cover “You Put My Love Out the Door”

by Beau Hayhoe
Atwood Magazine's Editor's Picks 55
Columns, Editor's Picks, Features, MusicFebruary 11, 2022<February 11, 2022

Editor’s Picks 55: Arlie, Selah Sue, Orion Sun, Sports, ginla, & Call Me Loop

by Mitch Mosk
Atwood Magazine's Weekly Roundup | February 11, 2022
Columns, Features, Music, Weekly RoundupFebruary 11, 2022<February 11, 2022

Atwood Magazine’s Weekly Roundup: February 11, 2022

by Atwood Magazine Staff
Aeon Station © Ebru Yildiz
Features, Interviews, MusicFebruary 11, 2022<February 11, 2022

Interview: Kevin Whelan on The Wrens, His New Aeon Station Record, and Embracing the Mists of Time

by Beau Hayhoe
Hand Habits © Jacob Boll
Features, Interviews, MusicFebruary 11, 2022<February 15, 2022

Interview with Hand Habits: Finding the Growth in Pain & Building a ‘Fun House’ of Emotion

by Jesse Herb
B-Drop
Features, Music, PremieresFebruary 11, 2022<February 14, 2022

Premiere: B-Drop Worldwide Showcases LA’s Mehro

by Mitch Mosk
Interviews, MusicFebruary 10, 2022<February 18, 2022

“Music Is My Mother Tongue”: A Conversation with Sofiane Pamart

by Adrian Vargas
Creature Canyon © Jordan Dudenhoeffer
Music, Music Videos, PremieresFebruary 10, 2022<February 10, 2022

Premiere: Creature Canyon Feel the “Pressure” with Smoldering Strength & Sweet, Soaring Grooves

by Mitch Mosk
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Brand New

  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release

:: discover something new ::

Recent Posts

  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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