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The Lathums © Sam Crowston
Interviews, MusicJuly 30, 2021<July 30, 2021

Interview: Wigan’s The Lathums Learn Just ‘How Beautiful Life Can Be’ with Upcoming Debut LP

by Bethan Harper
wojtek the bear © Kris Boyle
Features, Interviews, MusicJuly 29, 2021<July 29, 2021

Interview: Universality and Authenticity on wojtek the bear’s ‘Heaven By The Back Door’

by Dimitra Gurduiala
CLAVVS © Lissyelle Laricchia
Features, Interviews, Music, Reviews, Track-by-TrackJuly 29, 2021<July 29, 2021

“Dance Your Feelings!”: CLAVVS Embrace Life, Joy, Love, & the Self in Wondrous Album ‘O’

by Mitch Mosk
The Greeting Committee © Elizabeth Miranda
Interviews, MusicJuly 29, 2021<July 29, 2021

Interview with The Greeting Committee: From ‘All the Boys I’ve Loved Before’ to “Can I Leave Me Too?”

by Nina Schaarschmidt
CARR © CJ Harvey
Artist to Watch, Columns, Music, Today's SongJuly 28, 2021<July 28, 2021

Artist to Watch: CARR’s Irresistible “Loser” Is an Unapologetic F-You to Fuckboys Everywhere

by Mitch Mosk
B-ahwe © Milly Hewitt
Music, PremieresJuly 28, 2021<July 28, 2021

Premiere: B-ahwe’s “Circles” Sends Us Drifting in the Whirlpool of Life

by Frankie Rose
Looking for Love (In A Major) - Lisa Crawley
Features, Music, Reviews, Track-by-TrackJuly 28, 2021<July 28, 2021

“Honest, Humorous, Reflective”: Lisa Crawley Shines Bright on ‘Looking for Love (In “A Major”)’ EP

by Mitch Mosk
NOGA © Sarah Fosco
Music, PremieresJuly 28, 2021<July 28, 2021

EP Premiere: ‘The Alchemist’ Charts NOGA’s Inner Reckoning, Passion, & Resolve

by Mitch Mosk
Hank May © 2021
Interviews, MusicJuly 27, 2021<August 19, 2021

Interview: Hank May’s First Sip, His Premier LP, ‘One More Taste of the Good Stuff’

by Lilly Eason
Pink Noise - Laura Mvula
Features, Interviews, MusicJuly 22, 2021<July 28, 2021

Interview: Laura Mvula Presents an Everlasting Bliss in Her Iconic New Album, ‘Pink Noise’

by Dimitra Gurduiala
Ali Coyle © Sarah Vargas
Debut, Features, Interviews, MusicJuly 21, 2021<July 22, 2021

Interview: Irish American Singer/Songwriter Ali Coyle Discusses Introspective Debut EP ‘Songs for My Therapist’

by Chloe Robinson
Josh Radnor © Ella Hovsepianc
Debut, Interviews, MusicJuly 21, 2021<November 8, 2023

Interview: Josh Radnor Steps Out on His Own with Debut EP ‘One More Then I’ll Let You Go’

by Nasya Blackshear
Doja Cat © David LaChapelle 8.3
Music, Our Take, ReviewsJuly 20, 2021<July 14, 2021

Our Take: Doja Cat’s ‘Planet Her’ Is an Interstellar Mission Wholly Worth the While

by Josh Weiner
Teddy Swims © Gus Black
Features, Interviews, MusicJuly 20, 2021<July 21, 2021

Learning to Unlearn: Teddy Swims Explores Life and the Human Experience on ‘Unlearning’ EP

by Anthony Kozlowski
Lucy Dacus © Ebru Yildiz
Music, ReviewsJuly 19, 2021<February 2, 2025

Review: Lucy Dacus Presents a Double Feature of Adolescence & Acceptance with ‘Home Video’

by Nasim Elyasi
Posts pagination
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Brand New

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

:: discover something new ::

Recent Posts

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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