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Town Meeting © Angela Ryan
Music, PremieresMarch 9, 2021<March 9, 2021

Premiere: Town Meeting Crack American Duality with Empathy on “The Imitator”

by Ethan James
Lucy Spraggan © Nik Bryant
Features, Music, Reviews, Track-by-TrackMarch 9, 2021<March 9, 2021

“Emotional, Wild, & Honest”: Lucy Spraggan Dives into Her Soaring 6th LP ‘Choices’

by Mitch Mosk
Mulay © Ali Kanaan
Debut, Music, Reviews, Track-by-TrackMarch 9, 2021<March 9, 2021

“A Celebration of the Darkness Within”: Mulay Dives into Her Alluring Debut EP ‘ANTRACYTE’

by Mitch Mosk
Columns, Music, Reviews, Today's SongMarch 9, 2021<March 9, 2021

Review: Japanese Breakfast Is Back to Take on the World with “Be Sweet”

by Dalia
Lava La Rue © Jack Cullis
Columns, Music, Today's SongMarch 9, 2021<March 9, 2021

Today’s Song: Lava La Rue’s “Magpie” Pays Forward the Musical Lineage of the UK Underground Scene

by Kelly Liu
Haus Party Pt. 3 - Todrick Hall
Features, Interviews, MusicMarch 9, 2021<March 10, 2021

Disney Magic, Love Songs, & ‘Haus Party 3’: A Conversation with Todrick Hall

by Mitch Mosk
Pom Pom Squad © Camilea Azar
Columns, Music, Today's SongMarch 8, 2021<March 8, 2021

Today’s Song: Pom Pom Squad’s Explosive & Impassioned “Lux” Reels Through Trauma & Turmoil with Feverish Finesse

by Mitch Mosk
Chloe Rodgers © Silvija Gec
Music, PremieresMarch 8, 2021<March 8, 2021

Premiere: Chloe Rodgers’ Captivating “Coins for Charon” Is a Slow-Burning Upheaval

by Mitch Mosk
Atwood Magazine Celebrates Women's History Month
Features, Music, Women's History MonthMarch 8, 2021<March 14, 2021

Atwood Magazine Celebrates Women’s History Month 2021, Pt. I

by Atwood Magazine Staff
Allie Crow Buckley © Nastassia Brückin
Debut, Features, Interviews, MusicMarch 8, 2021<March 14, 2021

Magic, Nature, and Adventuring in Italy: A Conversation with Allie Crow Buckley

by Frankie Rose
Wy © Lamia Karic
Music, PremieresMarch 8, 2021<March 1, 2022

Premiere: Wy Reckon with Social Media & Selfies in Unfiltered “That Picture of Me”

by Mitch Mosk
Jeremiah Fraites © Roberto Graziano Moro
Features, Interviews, MusicMarch 5, 2021<March 7, 2021

Interview: The Lumineers’ Jeremiah Fraites Presents His Solo Album ‘Piano Piano,’ Made from the Chicanes of Life

by Ilana Kalish
International Women's Day 2021
Columns, Features, Music, Weekly RoundupMarch 5, 2021<March 10, 2021

Atwood Magazine’s Weekly Roundup: International Women’s Day 2021

by Atwood Magazine Staff
The Covasettes © 2021
Music, Reviews, Today's SongMarch 5, 2021<March 5, 2021

The Covasettes’ “Modern Rapunzel” Is an Ode to the Fading of a Modern Romance 

by Bethan Harper
Debut, Music, This Just InMarch 5, 2021<March 5, 2021

This Just in: Eden Rain’s “Wake Up, You’re Stuck” Is a Soulful Debut Like No Other

by Adrian Vargas
Posts pagination
1 … 346 347 348 349 350 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Music You Should Know
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