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bob's son - R.A.P. Ferreira 7.8
Music, Our Take, Reviews, Track-by-TrackMarch 2, 2021<March 2, 2021

Jazz, Wordplay, & Oatmeal Cookies: R.A.P. Ferreira Pays Tribute to Bob Kaufman with ‘Bob’s Son’

by Nick Matthopoulos
Quarry © Sofia Boriosi
Music, Reviews, This Just InMarch 2, 2021<August 9, 2021

This Just In: Rise N’ Shine with Quarry’s Refreshing “Wake Me Up”

by Mitch Mosk
Jake Manzi © Olivia Barkett
Music, PremieresMarch 2, 2021<March 2, 2021

Premiere: Singer/Songwriter Jake Manzi Soars into View on Beautiful Single “Whatever My Heart Allows”

by Mitch Mosk
David Bowie © Andrew Kent
Features, MusicMarch 2, 2021<March 2, 2021

Dreaming of Bowie

by David Buyze
Samantha Crain © 2021
Columns, Music, Today's SongMarch 2, 2021<March 1, 2021

Today’s Song: Samantha Crain’s Glowing New Single “Bloomsday”

by Mariel Fechik
BAD CHILD © 2021
Interviews, MusicMarch 1, 2021<March 1, 2021

‘Free Trial,’ Exploring Trauma, and Diving into Raw Emotions with BAD CHILD

by Nasya Blackshear
Fela Kuti (R) and Made Kuti (L) © 2021
Columns, Essays, Music, Music You Should KnowMarch 1, 2021<March 2, 2021

Music You Should Know: Father-Son Duo Femi Kuti & Made Kuti Carry the Standard with ‘Legacy +’

by Ben Niesen
Rebecca Black © Jade DeRose
Columns, Music, Today's SongMarch 1, 2021<March 1, 2021

Today’s Song: Rebecca Black Is Getting Back with Her “Girlfriend” for the Better

by James Crowley
Black History Month 2021
Black History Month, Features, MusicFebruary 27, 2021<April 8, 2021

Atwood Magazine Celebrates Black History Month 2021

by Atwood Magazine Staff
Don’t Throw Rocks at the Moon - Planet Giza
Black History Month, Music, Reviews, Track-by-TrackFebruary 27, 2021<March 3, 2021

Track-by-Track: Planet Giza Dive into Their Astral EP ‘Don’t Throw Rocks at the Moon’

by Mitch Mosk
Samm Henshaw © Edward Cooke
Black History Month, MusicFebruary 27, 2021<March 5, 2021

Samm Henshaw Shares His Favorite Black Artists for Black History Month

by Guest Writer
WurlD
Black History MonthFebruary 27, 2021<March 4, 2021

“An Instrument of Everything”: An Essay by WurlD

by Guest Writer
Elah Hale © Jingyu Lin
Black History Month, Features, Interviews, MusicFebruary 27, 2021<March 4, 2021

Interview: Elah Hale Dives into the Buoyant Pop & Bad Romance of “Foolish”

by Mitch Mosk
Krystal Metcalfe
Black History Month, Interviews, MusicFebruary 27, 2021<March 1, 2021

Interview: Krystal Metcalfe Talks Black Artists in Rock Music & More for Black History Month

by Nicole Almeida
Minus Gravity © Sydney Belladonna
Black History Month, MusicFebruary 27, 2021<March 2, 2021

“G.O.T.”: Hip-Hop Trio Minus Gravity Dive into their Game of Thrones-Inspired Song

by Guest Writer
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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