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CHARLOTTE - Charlotte Lawrence
Features, Interviews, MusicMarch 5, 2021<April 8, 2021

Interview: Charlotte Lawrence Bares All in Her Intimate & Breathtaking ‘Charlotte’ EP

by Mitch Mosk
Interviews, MusicMarch 5, 2021<March 2, 2025

Interview: IAN SWEET’s Jilian Medford Finds Herself Again on ‘Show Me How You Disappear’

by Sophie Prettyman-Beauchamp
Atwood Editor's Picks 46
Editor's Picks, Features, MusicMarch 4, 2021<March 14, 2021

Editor’s Picks 46: Samm Henshaw, TEE, Hannah Jadagu, Jacob Banks, Kenneth Whalum, & McKinley Dixon

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicMarch 4, 2021<March 4, 2021

Breaking the Record with Roan Yellowthorn, Part 52: “Vampire”

by Guest Writer
Old Sea Brigade © Laura E. Partain
Interviews, Music, PremieresMarch 4, 2021<March 4, 2021

Interview: Old Sea Brigade Captures Love’s Tender Weight in “Nothing Clever” Off New Album ‘Motivational Speaking’

by Mitch Mosk
Grey Reverend
Features, MusicMarch 4, 2021<March 3, 2021

Grey Reverend: The Fate of a Man Who Turned Jazz into Folk

by Diego Morales
Andreww © Manuel Nagel
Columns, Music, Today's SongMarch 4, 2021<March 3, 2021

Slick N’ Stylish Andreww Explores Toxic Relationships in Genre-Bending, Eclectic “Medusa”

by Hermione Kellow
Dear Tomorrow - Jeauneil 10
Debut, Interviews, Music, Reviews, Track-by-TrackMarch 3, 2021<March 3, 2021

“Real, Relatable, & Refreshing”: Jeauneil Dives into His Smoldering Debut EP ‘Dear Tomorrow’

by Mitch Mosk
Jesse Gold © Arman Saturday
Music, ReviewsMarch 3, 2021<March 3, 2021

Jesse Gold Honors His Trademark Sounds & Longtime Creative Allies on “We Good”

by Josh Weiner
Moon Taxi © Don VanCleave
Features, Interviews, MusicMarch 3, 2021<March 3, 2021

Interview: Moon Taxi Are Ready to Remember on Their Sixth Album, ‘Silver Dream’

by Madison Vettorino
ALITA © Mason Miller
Columns, Interviews, MusicMarch 3, 2021<March 3, 2021

Interview: ALITA Talks Single Inspiration, Mothering Men and Her Many Musical Talents

by Chloe Robinson
Katie Kuffel © Kendall Rock Photography
Music, PremieresMarch 3, 2021<March 3, 2021

Premiere: Singer/Songwriter Katie Kuffel Soars on Smoldering “Love Language”

by Mitch Mosk
Interviews, MusicMarch 3, 2021<March 3, 2021

Transforming the World’s Issues & Truths Into Poetry: A Conversation With Alicia Blue

by Nina Schaarschmidt
Sam MacPherson © 2021
Columns, Music, Today's SongMarch 3, 2021<March 3, 2021

Today’s Song: Sam MacPherson’s “Routine” Is a Vulnerable Lamentation of a Past Love

by Jason Brillon
Music, Music Videos, PremieresMarch 2, 2021<March 2, 2021

Video Premiere: Greta Isaac Turns Likability on Its Head With Self-Directed “Like Me”

by Ethan James
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Weekly Roundup
    • Music You Should Know
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