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Atwood Magazine Celebrates Women's History Month
Features, Music, Women's History MonthMarch 11, 2021<September 21, 2023

Atwood Magazine Celebrates Women’s History Month 2021, Pt. II

by Atwood Magazine Staff
Grouplove © James Marcus Haney
Features, Interviews, MusicMarch 11, 2021<April 8, 2021

“The record healed us, and maybe it can heal you”: Grouplove’s ‘Healer’, One Year Later

by Mitch Mosk
Johnny Ashby © Jovanna Reyes
Columns, Music, Today's SongMarch 11, 2021<March 10, 2021

Today’s Song: Johnny Ashby is Just “Getting Started” in His Absorbing New Single

by Joe Beer
Breaking The Record 2020
Breaking the Record, Columns, MusicMarch 11, 2021<March 11, 2021

Breaking the Record with Roan Yellowthorn, Part 53: “Vampire” Video

by Guest Writer
WULF
Interviews, Music, PremieresMarch 11, 2021<March 10, 2021

Interview: London Indie Rock Trio WULF Talk “Never Giving Up,” New Music, COVID, & More

by Mitch Mosk
YINYANG
Music, Music Videos, PremieresMarch 11, 2021<November 4, 2023

Premiere: Northern Ireland’s YINYANG Talks Self-Care in Second Single “BLOODHOUND / EARTHBOUND”

by Dimitra Gurduiala
Atwood Magazine Editor's Picks 47
Columns, Editor's Picks, Features, MusicMarch 10, 2021<April 8, 2021

Editor’s Picks 47: Loviet, Baby Queen, Ysabel Bain, girlhouse, Fousheé, & Babygirl

by Mitch Mosk
Katy Kirby © Jackie Lee Young
Artist to Watch, Debut, Features, Music, Reviews, Track-by-TrackMarch 10, 2021<March 10, 2021

“Sedimentary, Nervous, & Open”: Artist-to-Watch Katy Kirby Stuns with Debut Album ‘Cool Dry Place’

by Mitch Mosk
Novi © 2021
MusicMarch 10, 2021<March 11, 2021

Novi Crafts a Refreshing Synth-Pop Antidote to Lockdown Woes with ‘For the Wild Ones’ EP

by Josh Weiner
Ryanhood © Taylor Noel Mercado
Music, PremieresMarch 10, 2021<March 10, 2021

Premiere: Ryanhood’s Breathtaking & Wondrous “Wide Awake in a Dream” Ushers in a New Season

by Mitch Mosk
LVRA © 2020
Music, Reviews, This Just InMarch 10, 2021<March 10, 2021

This Just In: Alt-Pop Empress LVRA Shines on New Single “Dead”

by Dimitra Gurduiala
Claire Reneé © Angelo Kangleon
Features, Interviews, MusicMarch 10, 2021<March 9, 2021

Interview: Claire Reneé on Saying Goodbye to Unnecessary Friends & Her Lessons Learned

by Chloe Robinson
DijahSB © Marius Jadion
Columns, Music, Today's SongMarch 10, 2021<March 9, 2021

Today’s Song: DijahSB Separates Themselves From the Rest on “By Myself”

by Oliver Crook
Cape God - Allie X
Music, ReviewsMarch 10, 2021<March 10, 2021

Review: How Allie X Started Showing Her True Colors in ‘Cape God’

by Dimitra Gurduiala
George Glew © Daniel Harris
Music, Reviews, Track-by-TrackMarch 9, 2021<March 9, 2021

An Emotional Connection: George Glew Finds His Footing & Soars on Stirring ‘Gravity’ EP

by Mitch Mosk
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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