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The Heavy Hours © 2020
Music, Music Videos, PremieresOctober 12, 2020<October 12, 2020

Premiere: Cincinnati’s The Heavy Hours Embrace a Heartfelt, Stinging “Ache” in Poignant Power Ballad

by Mitch Mosk
Taylor DeBlock © Paul Weaver
Columns, Music, Today's SongOctober 12, 2020<October 12, 2020

Today’s Song: Taylor DeBlock’s “Necesitas” Radiates Red-Hot Intensity and a Lovesick Sentiment

by Chloe Robinson
Post Fear © Thea Krulwich
Music, PremieresOctober 12, 2020<October 11, 2020

Premiere: Self-Identity & Raw Indie Rock Flow Through Post Fear’s New Single, “Feels So Familiar”

by Mitch Mosk
Features, Interviews, Music, ReviewsOctober 12, 2020<October 12, 2020

Feature: ‘Sundry Rock Song Stock’ Presents Yves Jarvis as Canada’s Next Great Folk Star

by Oliver Crook
Juletta and Ishan © Alison Dias
Music, PremieresOctober 12, 2020<October 12, 2020

Premiere: Juletta + Ishan Trust Their Instincts on New Single “Gut Feeling” Off Joint Album, ‘If I Never Hit Land’

by Erica Danielle Garcia
Columns, Features, Music, Weekly RoundupOctober 9, 2020<October 9, 2020

Atwood Magazine’s Weekly Roundup: October 9, 2020

by Atwood Magazine Staff
Fish Pond Fish - Darlingside
Features, Interviews, Music, Reviews, Track-by-TrackOctober 9, 2020<July 30, 2023

Feature: Darlingside’s Dazzling Album ‘Fish Pond Fish’ Is a Connective Triumph

by Mitch Mosk
Stables © 2020
Music, Reviews, Track-by-TrackOctober 9, 2020<October 9, 2020

Track-by-Track: London Duo Stables Enrich & Energize in 3rd Album ‘Silhouettes’

by Mitch Mosk
Neev © 2020
Music, PremieresOctober 9, 2020<October 9, 2020

Premiere: Neev Ties Up Debut EP ‘Forgiving Light’ with Magnetic Track, “Excuse Me”

by Coco Rich
Anya Marina
Music, Music Videos, PremieresOctober 9, 2020<October 9, 2020

Premiere: Anya Marina’s Moving “16 Letters” Spotlights 21st Century Communication Breakdown

by Mitch Mosk
Music, Reviews, This Just InOctober 9, 2020<August 16, 2021

This Just In: rei brown Gets Genuine About Truth in Latest Single “Honest”

by Erica Danielle Garcia
Glass Animals © Ollie Trenchard
Columns, Music, Today's SongOctober 9, 2020<October 9, 2020

Today’s Song: Glass Animals’ “Domestic Bliss” Is a Glimpse of Domestic Abuse Through a Child’s Eyes

by Dimitra Gurduiala
Must Be a Dream - Tempesst
Features, Music, Reviews, Track-by-TrackOctober 8, 2020<November 15, 2020

Colourful, Dense, & Unpredictable: Tempesst’s Wondrous Debut Album ‘Must Be a Dream’

by Mitch Mosk
in earnest © 2020
Debut, Music, Reviews, Track-by-TrackOctober 8, 2020<October 8, 2020

Track-by-Track: The Intimate Upheaval of in earnest’s Self-Titled Debut EP

by Mitch Mosk
Charli Adams © Jasmine Archie
Music, Reviews, This Just InOctober 8, 2020<November 15, 2020

Artist to Watch: Charli Adams Soars in Pulsing & Poignant New Single “Didn’t Make It”

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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