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Do You Think Of Me - Fretland
Music, PremieresDecember 2, 2020<December 2, 2020

Premiere: Fretland’s Heartfelt “Do You Think of Me” Is a Song of Utter Intimacy & Longing

by Mitch Mosk
Gracie Nash © Punch Card Films
Music, Music Videos, PremieresDecember 2, 2020<December 2, 2020

Premiere: Gracie Nash’s Soulful “Sippy Cup” Takes on Modern Romance & the Ones Who Got Away

by Mitch Mosk
Pale Waves © Niall Lea
Features, Interviews, MusicDecember 2, 2020<December 22, 2020

Interview: Pale Waves’ “Change” Anticipates an Album We’ve All Been Waiting For

by Dimitra Gurduiala
Talkboy © Sam Crowston
Columns, Music, Today's SongDecember 2, 2020<January 19, 2021

Today’s Song: A Riotous Showcasing of Pure Exhilaration on Talkboy’s “Sky Is Falling”

by Adrian Vargas
Decoration Day © Brianna Roye
Features, Music, Reviews, Track-by-TrackDecember 1, 2020<December 1, 2020

“Cathartic, Flowing, Togetherness”: Toronto’s Decoration Day Weave a ‘Makeshift Future’ on Debut Album

by Mitch Mosk
OSKA & Stu Larsen © Fabian Edelbacher
Interviews, Music, PremieresDecember 1, 2020<December 1, 2020

Interview: OSKA & Stu Larsen’s Intimate Duet “Honeymoon Phase / Wide Awake & Dreaming”

by Mitch Mosk
Embroidered Foliage - no thank you 8.7
Music, Our Take, ReviewsDecember 1, 2020<December 15, 2020

Our Take: No Thank You Chart Emotional & Sonic Depths on ‘Embroidered Foliage’

by Nick Matthopoulos
Melody Gardot © Laurence Laborie
Features, Interviews, MusicDecember 1, 2020<September 5, 2022

Interview: Melody Gardot’s ‘Sunset in the Blue’, an Open Window Amongst Closed Doors

by Ilana Kalish
Sampha © Jamie James Medina
Columns, Music, Today's SongDecember 1, 2020<March 13, 2021

Today’s Song: A Storm’s Vehemence & The Endless Ocean of Sampha’s “Treasure”

by Dalia
Liminal Space - Devin Sinha
Music, Reviews, Track-by-TrackNovember 30, 2020<November 30, 2020

“Wistful, Hopeful, Transition”: Seattle’s Devin Sinha Dives into Cinematic 4th LP ‘Liminal Space’

by Mitch Mosk
Sunday - Charlie Kaplan
Debut, Music, Reviews, Track-by-TrackNovember 30, 2020<November 30, 2020

Track-by-Track: Charlie Kaplan Meets Grief with Light in Debut Album ‘Sunday’

by Mitch Mosk
Interviews, MusicNovember 30, 2020<December 1, 2020

Interview: Tessa Kaye Is a Powerful Voice for Those Scared to Speak up About Mental Illness

by Chloe Robinson
Gaspar Narby © 2020
Columns, Music, Today's SongNovember 30, 2020<November 30, 2020

Today’s Song: Gaspar Narby Explores the Fragmentary Nature of Memory in Articulate Track “Fragments” ft. Taura

by Hermione Kellow
Atwood Magazine Roundup November 27
Features, Music, Weekly RoundupNovember 27, 2020<December 15, 2020

Atwood Magazine’s Weekly Roundup: November 27, 2020

by Atwood Magazine Staff
Beans on Toast © Aaron Parsons
Features, Interviews, MusicNovember 27, 2020<November 27, 2020

Interview with Beans on Toast: Children’s Songs, Artificial Intelligence, & the End of the World

by Diego Morales
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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