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Sabiyha © Shingi Rice
Music, PremieresJanuary 27, 2021<February 1, 2021

Premiere: Croydon’s Sabiyha Honors Guyanese Heritage, Family, & Childhood in New Single “Lullaby”

by Mitch Mosk
Charli Adams © Luke Rogers
Columns, Music, Today's SongJanuary 27, 2021<November 30, 2022

Today’s Song: Nightly Join Charli Adams in Reimagining Modern Love on “Maybe Could Have Loved”

by Jason Brillon
Lisa/Liza © Alexa Clavette
Music, Reviews, Track-by-TrackJanuary 26, 2021<May 1, 2023

“Fielded, Holding, Placement”: Lisa/Liza Evokes Stillness with Raw Folk Album ‘Shelter of a Song’

by Mitch Mosk
Sydney Sprague © 2021
MusicJanuary 26, 2021<January 26, 2021

Today’s Song: Sydney Sprague Explodes into 2021 with “object permanence,” Reckoning with Disconnect & Separation

by Mitch Mosk
Jade Bird © Charlotte Patmore
Features, Interviews, MusicJanuary 26, 2021<January 26, 2021

Interview: Artist-to-Watch Jade Bird on New Songs “Headstart” & “Houdini” and Her Upcoming Sophomore Album

by Alicia Bugallo
Wax Owls © Bernadette Marciniak
Music, PremieresJanuary 26, 2021<January 26, 2021

Premiere: LA’s Wax Owls Embrace Mental Wellness with Soaring Single “Stay Awhile”

by Mitch Mosk
uuskhy x SIFI
Music, PremieresJanuary 26, 2021<January 26, 2021

Premiere: uuskhy x SIFI Conspire Across Mediums with “Course Correct”

by Nick Matthopoulos
Trap Rabbit © 2021 8
Music, ReviewsJanuary 26, 2021<January 26, 2021

Our Take: Trap Rabbit Offer Cautious Optimism for the Year Ahead with ‘Annelida’ EP

by Adam Davidson
Animal Years © Kelsey Runge
Music, Reviews, This Just InJanuary 25, 2021<February 25, 2021

This Just In: Animal Years Light a Fire with Folk Rock Anthem “What I’m Fighting For”

by Mitch Mosk
Cigarettes - Douglas
Music, PremieresJanuary 25, 2021<January 25, 2021

Premiere: LA’s Douglas Finds Freedom in the Dark, Dreamy Shoegaze Depths of Debut “Cigarettes”

by Mitch Mosk
8.3
Music, Our Take, ReviewsJanuary 25, 2021<January 25, 2021

Our Take: A Sonically Rich & Sincere Retrospection with Typhoon’s ‘Sympathetic Magic’

by Adrian Vargas
Olivia Rodrigo © Erica Hernandez
Music, ReviewsJanuary 25, 2021<January 25, 2021

Olivia Rodrigo Breaks Hearts and 2021 with Her Debut Single “drivers license”

by Nasya Blackshear
The Martha's Vineyard Ferries © 2021
Columns, Music, Today's SongJanuary 25, 2021<January 25, 2021

The Martha’s Vineyard Ferries Understand the Impact of Brevity with “Betty Ford James”

by Nick Matthopoulos
Cry Baby © Mia Naome
Columns, Music, Today's SongJanuary 24, 2021<January 22, 2021

Today’s Song: Cry Baby Dance the Pain Away on “She Likes to Get High”

by Lowndes Commander
Days of Spring
Columns, Music, Today's SongJanuary 23, 2021<February 23, 2021

Today’s Song: Days of Spring’s “Earthbound” Gives Us a New, Hopeful Vision for the Future

by Dimitra Gurduiala
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Brand New

  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit

:: discover something new ::

Recent Posts

  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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