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The Staves © Sequoia Ziff 10
Features, Interviews, MusicFebruary 5, 2021<April 8, 2021

Feature: The Staves’ ‘Good Woman’ Is an Intimate & Breathtaking Masterpiece

by Mitch Mosk
Ruti © 2021
Columns, Music, Today's SongFebruary 4, 2021<February 5, 2021

Today’s Song: Ruti’s Radiant “My Sunrise” Is a Bright & Buoyant Vibe

by Mitch Mosk
A Common Turn - Anna B Savage
Debut, Features, Interviews, MusicFebruary 4, 2021<August 9, 2021

Steady Warmth: An Interview with Anna B Savage

by Mariel Fechik
JONAH © Bastian Kempf
Music, Music Videos, PremieresFebruary 4, 2021<February 11, 2021

Premiere: JONAH’s Hauntingly Delicate “Fallin'” Radiates with Cinematic Intimacy & Connection

by Mitch Mosk
AFSHeen © 2021
Interviews, MusicFebruary 4, 2021<February 3, 2021

Interview with AFSHeeN: An Electronica Expert Who’s Eager to Offer You Some ‘HAPPY TUNES’

by Josh Weiner
Walking Wounded - Jill Andrews
Music, PremieresFebruary 4, 2021<February 3, 2021

Premiere: Jill Andrews Takes Us on a Journey Through the Dark with Her New Song “Walking Wounded”

by Emily Frances Algar
thomTide © 2021
Interviews, MusicFebruary 4, 2021<February 3, 2021

Interview: San Diego’s thomTide Presents His Unearthly, Genreless Music

by Dimitra Gurduiala
Breaking The Record 2020
MusicFebruary 4, 2021<February 4, 2021

Breaking the Record with Roan Yellowthorn, Part 49: It’s My Birthday

by Guest Writer
Waves - Suad
Debut, Features, Interviews, Music, ReviewsFebruary 3, 2021<February 3, 2021

“Emotional, Caring, & Honest”: Finland’s SUAD Stuns with Sweeping Debut Album ‘Waves’

by Mitch Mosk
inverness © Meg Meyer
Music, ReviewsFebruary 3, 2021<February 3, 2021

Review: Inverness, Anthony Russo, & Kang Daniel Conjure a Marvelous “State of Wonder” in the Studio

by Josh Weiner
Portair © Ashley Osborn
Music, PremieresFebruary 3, 2021<February 3, 2021

Premiere: Portair Evokes Weightless Folk Pop Wonder in “Paper in the Sky”

by Mitch Mosk
flipturn © Madison Steadman
Music, Music Videos, PremieresFebruary 3, 2021<February 3, 2021

Video Premiere: flipturn’s “Glistening” Is Melting Magic

by Audrey Steeves
Bella Renee © 2021
Features, Interviews, MusicFebruary 3, 2021<February 3, 2021

One Step Back, One Leap Forward: A Conversation with Bella Renee

by Guest Writer
Unusual Demont © 2021
Columns, Music, Today's SongFebruary 3, 2021<February 3, 2021

Today’s Song: Unusual Demont Saunters onto the Scene with Dreamy RnB Banger “Pine”

by Oliver Crook
Hether © Joaquin Bartra
Features, Interviews, MusicFebruary 3, 2021<February 2, 2021

Interview: Hether Sets Out on His Own with ‘Sticky Thumb’

by Leo Culp
Posts pagination
1 … 359 360 361 362 363 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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