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Smallpools © Brandon Keith
Music, Reviews, This Just InDecember 16, 2020<December 16, 2020

This Just In: Smallpools’ “simulation” Is a Song of Sci-Fi Sanctuary, Empathy, & Depth

by Mitch Mosk
Goo Goo Dolls "Miracle Pill" promo shot © Ed Gregory
Features, Interviews, MusicDecember 16, 2020<March 2, 2025

Interview: Goo Goo Dolls Look Back on 35 Years of Rock & 25 Years of “Name”

by Mitch Mosk
Good News - Megan Thee Stallion 7.7
Debut, Music, Our Take, ReviewsDecember 16, 2020<December 16, 2020

Our Take: Megan Thee Stallion Swiftly Claims Dominance in the Rap World on Debut LP, “Good News.”

by Josh Weiner
William Harries Graham © Todd Wolfson
Columns, Music, Today's SongDecember 16, 2020<December 16, 2020

Today’s Song: William Harries Graham’s “Confidant” Is a Light Skip Through Concepts of Love

by Frankie Rose
Ane Brun © Stian Andersen
Features, Interviews, Music, Track-by-TrackDecember 15, 2020<December 22, 2020

“Presence, Passion, & Comfort”: Ane Brun on Her Two Stunning & Stirring Albums of 2020

by Mitch Mosk
Essays, MusicDecember 15, 2020<August 19, 2021

Greta Van Fleet’s Second Act: A Hopeful Skeptic’s Anticipation of ‘The Battle at Garden’s Gate’

by Lilly Eason
Noah Kahan & mxmtoon collaborate on "Pride" © Jenny Alice Watts
Music, ReviewsDecember 15, 2020<December 15, 2020

Isolation & Rejection: Noah Kahan’s “Pride” (ft. mxmtoon) Is the FOMO Song of the Year

by Mitch Mosk
POESY © 2020
Columns, Music, Today's SongDecember 15, 2020<December 15, 2020

Today’s Song: Digging Ourselves Out of Darkness with POESY’s “Diamonds”

by Hermione Kellow
French for Rabbits © Lily Paris West
Music, Reviews, This Just InDecember 14, 2020<December 14, 2020

This Just In: French for Rabbits’ “The Dark Arts” Offers Stirring Reflections on Memory & Meaning

by Mitch Mosk
This is the Deep © 2020
Debut, Interviews, MusicDecember 14, 2020<December 19, 2020

Interview with This Is The Deep: London Indie Rock Collective Dazzles with a Rare Sonic Limitlessness

by Chloe Robinson
Quiet Lives - Garrett Owen
Music, Reviews, Track-by-TrackDecember 14, 2020<December 14, 2020

Track-by-Track: Singer/Songwriter Garrett Owen on His Stirring Sophomore Album ‘Quiet Lives’

by Mitch Mosk
Sunset Rollercoaster © Sofia Lee 9.1
Features, Music, Our Take, Reviews, Track-by-TrackDecember 14, 2020<December 15, 2020

Tenderness in Chaotic Times: Taiwan’s Sunset Rollercoaster on Buoyant 3rd Album ‘SOFT STORM’

by Mitch Mosk
The Flaming Lips © George Salisbury
Features, Interviews, MusicDecember 14, 2020<December 14, 2020

Interview with The Flaming Lips: ‘American Head’, Facing Mortality, & the Healing Power of Music

by Jordan Catagnus
Interviews, MusicDecember 14, 2020<December 14, 2020

Interview: Nané Is an Energetic Texas Group with One Album in the Bag & Sights Set on Further Ambitions

by Josh Weiner
Machinery - Twist Helix
Music, Reviews, Track-by-TrackDecember 14, 2020<December 14, 2020

“Mature, Honest, & Self-Reflexive”: Twist Helix’s ‘Machinery’ Is a Bold, Sweeping Alt-Pop Culture Critique

by Mitch Mosk
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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