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Maybe I’m Just A Little Bit Broken - Richard Fairlie
Columns, Features, Music, Today's SongJanuary 20, 2021<January 21, 2021

Today’s Song: UK Artist Richard Fairlie Stuns with Intimate & Breathtaking “MAYBE I’M JUST A LITTLE BIT BROKEN”

by Mitch Mosk
Talkboy © Sam Crowston
Music, PremieresJanuary 19, 2021<January 19, 2021

Premiere: Leeds’ Talkboy Resolve to Be Happier in “Wrapped in Blue,” a Fresh Indie Rock Outpouring

by Mitch Mosk
Atwood Magazine's 2021 Artists to Watch
Features, MusicJanuary 19, 2021<April 8, 2021

Atwood Magazine’s 2021 Artists to Watch

by Atwood Magazine Staff
Passenger © Mila Austin
Features, Interviews, MusicJanuary 19, 2021<January 19, 2021

Interview with Passenger: “Future-Gazer, Past-Dweller, Storyteller”

by Kelly Liu
Music, Reviews, Track-by-TrackJanuary 19, 2021<January 19, 2021

More Than Just a Boy Band: A Track-by-Track Review of Why Don’t We’s ‘The Good Times and the Bad Ones’

by Nasya Blackshear
Donovan Days © 2021
Features, Interviews, MusicJanuary 19, 2021<January 19, 2021

Interview: Donovan Phillips Discovers a Refreshing Lane on His New Project, Donovan Days

by Ryan Feyre
Pull A James Baldwin - Ric Wilson
Music, Reviews, This Just InJanuary 15, 2021<January 15, 2021

Artist to Watch Ric Wilson Stuns with “Pull a James Baldwin”: “Two pandemics going on – one with health, one with race”

by Mitch Mosk
Spirit of the Bear © 2021 8.9
Features, Interviews, Music, Our Take, Reviews, Track-by-TrackJanuary 15, 2021<January 15, 2021

Midwestern Glitz: Spirit of the Bear’s Soaring & Stunning Eponymous Third Album

by Mitch Mosk
Buck Meek © Robbie Jeffers
Features, Interviews, MusicJanuary 15, 2021<January 29, 2021

Summery Naturalness and the Comfort of Imagination: A Conversation with Buck Meek

by Frankie Rose
Breaking The Record 2020
Breaking the Record, Columns, MusicJanuary 15, 2021<January 15, 2021

Breaking the Record with Roan Yellowthorn, Part 46: Processing

by Guest Writer
G Flip (left) and mxmtoon (right)
Music, Reviews, This Just InJanuary 15, 2021<January 15, 2021

G Flip & mxmtoon Revel in “Queen,” a Fierce Anthem of Strength, Grace, and Love

by Mitch Mosk
Champagne Butterflies - Wild Youth
Columns, Music, Today's SongJanuary 15, 2021<January 15, 2021

Today’s Song: Get Giddy on Wild Youth’s New Single “Champagne Butterflies”

by Bethan Harper
Emicida © Jeferson Delgado
Features, Interviews, MusicJanuary 14, 2021<October 5, 2021

Rewriting History with Love and AmarElo: A Conversation with Emicida

by Nicole Almeida
Denai Moore © Nadira Amrani 2020 10
Features, Interviews, Music, Our TakeJanuary 14, 2021<February 5, 2021

Interview: Denai Moore on Artistic Authenticity & Unapologetic Album ‘Modern Dread’

by Mitch Mosk
BEL © Mocha Freeman
Music, PremieresJanuary 14, 2021<January 14, 2021

Premiere: BEL’s Indie Folk Anthem “Treading Water” Is a Visceral Surrender & Existential Release

by Mitch Mosk
Posts pagination
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Brand New

  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit

:: discover something new ::

Recent Posts

  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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