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BEL © Mocha Freeman
Music, PremieresJanuary 14, 2021<January 14, 2021

Premiere: BEL’s Indie Folk Anthem “Treading Water” Is a Visceral Surrender & Existential Release

by Mitch Mosk
WILD © Cara Robbins
Debut, Features, Music, Premieres, Reviews, Track-by-TrackJanuary 14, 2021<January 14, 2021

“Magical, Uplifting, Exciting”: Folk Pop Trio WILD Shine Bright on Debut Album ‘Goin’ Back’

by Mitch Mosk
Bea Miller x Amine © Natt Lim @nattografi
Columns, Music, Today's SongJanuary 14, 2021<January 13, 2021

Today’s Song: Bea Miller & Aminé Put a Groovy Spin on an Old Classic with “FEEL SOMETHING DIFFERENT”

by Nasya Blackshear
Animal Years © Kelsey Runge
Music, Reviews, This Just InJanuary 13, 2021<January 14, 2021

NYC’s Animal Years Return with a Fiery Passion in “Talkin’ to You” & “White Flag”

by Mitch Mosk
Slaughter Beach Dog © J. Flynn
Features, Interviews, MusicJanuary 13, 2021<January 13, 2021

A Modern Lay: A Conversation with Slaughter Beach, Dog

by James Crowley
Dana Williams "You Win" © Sebastien Nuta
Columns, Music, Today's SongJanuary 13, 2021<January 13, 2021

Today’s Song: Dana Williams’ Tender “You Win” Is an Intimate & Bittersweet Breakup Song

by Mitch Mosk
9
Music, Our Take, ReviewsJanuary 13, 2021<January 13, 2021

Our Take: Neil Young Wistfully Digs Up His Past On Lost Album “Homegrown”

by Jordan Catagnus
Lùisa music © Ivan BoljatLùisa music © Ivan Boljat
Music, Music Videos, PremieresJanuary 13, 2021<January 13, 2021

Premiere: Lùisa Rises with “New Woman,” an Unapologetic Anthem for Empowerment & Change

by Mitch Mosk
Drunk Tank Pink - Shame 8.7
Music, Our Take, ReviewsJanuary 12, 2021<January 12, 2021

Review: Shame Color Life’s Grey Areas on Sophomore Album ‘Drunk Tank Pink’

by Guest Writer
Mal © Sam Weber
Columns, Music, Today's SongJanuary 12, 2021<January 12, 2021

Today’s Song: Mal’s Sweet “Bluebird” Soars on Intimate, Stirring Debut EP ‘In Free Fall’

by Mitch Mosk
Frances Luke Accord © Luke Jackson
Music, PremieresJanuary 12, 2021<January 12, 2021

Premiere: Frances Luke Accord Bring Soothing Folk to 2021 with Stirring Song “Dust to Dust”

by Mitch Mosk
Taylor Swift 'evermore' © Beth Garrabrant
Essays, MusicJanuary 12, 2021<March 2, 2025

Flipping the Switch: Will Taylor Swift’s Battle for Her Master Recordings Change the Music Industry for the Better?

by Emily Frances Algar
Radkey (L to R: Isaiah Radke, Dee Radke, Solomon Radke) © Andy Hughes
Music, ReviewsJanuary 11, 2021<January 11, 2021

Review: Radkey’s ‘Green Room’ Is a Rock Album for the 21st Century

by Ethan James
tunng © 2020
Interviews, MusicJanuary 11, 2021<January 11, 2021

Interview: You Can Find Tunng in Da ‘DEAD CLUB’

by Josh Weiner
Poppy © Sumerian Records 8.1
Music, Our Take, ReviewsJanuary 11, 2021<January 11, 2021

Our Take: Poppy’s ‘I Disagree’ Is a Raucous Ode to Artistic Freedom

by Danny Vagnoni
Posts pagination
1 … 365 366 367 368 369 … 737

Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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