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Music, This Just InSeptember 28, 2020<September 27, 2020

This Just In: Maisie Peters & JP Saxe Join on Catchy and Sweet Single “Maybe Don’t”

by Kelly McCafferty Dorogy
Didirri © Gil Gilmour 9.3
Features, Music, Our Take, Reviews, Track-by-TrackSeptember 28, 2020<December 15, 2020

Track-by-Track: Didirri Blends Heartbreak & Hope in Stunning ‘Sold for Sale’ EP

by Mitch Mosk
Lianne La Havas © Hollie Fernando
Columns, Music, Today's SongSeptember 28, 2020<September 26, 2020

Today’s Song: Lianne La Havas Brings Newfound Soul to Radiohead’s “Weird Fishes”

by Ethan Shanfeld
Navvy © Matt Hurley
Music, Music Videos, PremieresSeptember 28, 2020<September 27, 2020

Premiere: Navvy Revels in Exuberant Delight on “Somebody Else” Video

by Luke Pettican
Atwood Magazine's Weekly Roundup Sept 25 2020
Columns, Music, Weekly RoundupSeptember 25, 2020<October 6, 2020

Atwood Magazine’s Weekly Roundup: September 25, 2020

by Atwood Magazine Staff
Nicolas Michaux © Alessandro Bertoncini
Music, ReviewsSeptember 25, 2020<September 25, 2020

Nicolas Michaux’s ‘Amour Colère’ Is a Summing Up of Life in All Its Varied Ways

by Frankie Rose
Columns, Music, Today's SongSeptember 25, 2020<September 30, 2020

Today’s Song: Georgia & The Vintage Youth Anticipate the Future Through Genres of the Past on “Overthinker”

by Erica Danielle Garcia
Features, Interviews, MusicSeptember 25, 2020<September 29, 2021

Historic Moments & Grand Beginnings: A Conversation with Silvana Estrada

by Adrian Vargas
Shannen James © 2020
Debut, Features, Music, Reviews, Track-by-TrackSeptember 25, 2020<September 25, 2020

Sun-Drenched, Groovy, & Lush: Melbourne’s Shannen James Strikes Hot with Debut ‘Arrows’ EP

by Mitch Mosk
The Islas © 2020
MusicSeptember 25, 2020<September 25, 2020

Interview: Norwich, England’s The Islas Rise & Shine with an Indie Rock Flame

by Mitch Mosk
Let Yourself Be Loved Album - Joy Denalane
Music, Reviews, Track-by-TrackSeptember 25, 2020<February 19, 2021

Track-by-Track: Joy Denalane’s Effusive & Energetic Album ‘Let Yourself Be Loved’

by Mariel Fechik
Soda Blonde 2020 © Ste Murray
Music, Reviews, This Just InSeptember 24, 2020<September 24, 2020

This Just In: Soda Blonde’s Intimate New Song “Love Me World” Is an Irresistible Indulgence

by Mitch Mosk
Izzy Heltai © Joanna Chattman
Music, PremieresSeptember 24, 2020<September 24, 2020

Premiere: Izzy Heltai’s “Father” Is a Gentle, Cerebral Reminder About the Facts of Life

by Jesse Herb
Fly by Night x Shoffy © 2020 3
Music, PremieresSeptember 24, 2020<September 23, 2020

Premiere: Fly By Midnight Jolt Us Awake with a Heavy Dose of “Caffeine” ft. Shoffy

by Mitch Mosk
Atwood Magazine Editor's Picks 40
MusicSeptember 24, 2020<October 6, 2020

Editor’s Picks: COIN, McCall, Ayoni, Eve Owen, Fergus, & Close Talker!

by Mitch Mosk
Posts pagination
1 … 366 367 368 369 370 … 712

Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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