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Matilda Eyre © 2020
Columns, Music, Today's SongJanuary 5, 2021<January 5, 2021

Today’s Song: Matilda Eyre’s Enchanting & Vulnerable “Let Me Be”

by Hermione Kellow
Bruce Springsteen © Danny Clinch 8.3
Music, Our Take, ReviewsJanuary 4, 2021<January 4, 2021

Our Take: Bruce Springsteen’s ‘Letter to You’ Is a Neat Parcel of Mortality, Youth, and The Boss

by Bethan Harper
Pinc Louds © Cristina Agostini Fitch
Columns, Music, Today's SongJanuary 4, 2021<January 4, 2021

Today’s Song: Pinc Louds Offer Heart and a City’s Soul with “Spellbound”

by Oliver Crook
The Best Songs of 2020 (According to Anthony)
Lists, MusicDecember 31, 2020<December 31, 2020

The Best Songs of 2020 (According to Anthony)

by Anthony Kozlowski
3OH!3 © 2020
Columns, Music, Today's SongDecember 29, 2020<December 28, 2020

Today’s Song: 3OH!3 Have Brought Beef Back to 2020 in “LONELY MACHINES”

by James Crowley
Sufjan Stevens © 2020
Music, ReviewsDecember 29, 2020<December 28, 2020

Review: Seeking Guidance with Sufjan Stevens’ ‘The Ascension’

by Frankie Rose
cehryl © Jonny Ho
Columns, Music, Today's SongDecember 24, 2020<December 24, 2020

Today’s Song: cehryl’s Intimate Song “angels (emily)” Is a Visceral Indie Pop Upheaval

by Mitch Mosk
Atwood Magazine's 2020 Albums of the Year
Features, Lists, MusicDecember 23, 2020<February 5, 2021

Atwood Magazine’s 2020 Albums of the Year

by Atwood Magazine Staff
Columns, Music, Today's SongDecember 23, 2020<December 23, 2020

Today’s Song: Nebraska Rapper JVCKJ Spins Heartbreak into Moving Music on “You Lie”

by Josh Weiner
Songhoy Blues © Kiss Diouara
Interviews, MusicDecember 22, 2020<December 22, 2020

Interview: Songhoy Blues’ ‘Optimisme’ Provides the Hope & Groove We Need Right Now

by Oliver Crook
Atwood Magazine's Mistletones: Best New Holiday Music 2020
Features, Interviews, Lists, Mistletones, MusicDecember 22, 2020<February 5, 2021

Atwood Magazine Presents Mistletones: 2020’s Best New Holiday Songs

by Atwood Magazine Staff
Columns, Music, Today's SongDecember 22, 2020<December 22, 2020

Today’s Song: How Keesh Immortalizes Love in “Ode to Fred”

by Dimitra Gurduiala
On My Own - Lera Lynn © Alysse Gafkjen 8
Music, Our Take, ReviewsDecember 22, 2020<December 21, 2020

Our Take: Lera Lynn Settles into Herself in ‘On My Own’ & Finds Forgiveness In-Between the Bars

by Emily Frances Algar
Nothing But Thieves © Jack Bridgland
MusicDecember 22, 2020<December 21, 2020

Interview: Conor Mason on How He & Nothing But Thieves Wrote One of the Most Prescient Albums of 2020

by Adam Davidson
Atwood Magazine's Artist Discoveries of 2020
Features, Lists, MusicDecember 21, 2020<February 5, 2021

Atwood Magazine’s Top Artist Discoveries of 2020

by Atwood Magazine Staff
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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