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The Old North © 2020
Debut, Music, ReviewsDecember 21, 2020<December 21, 2020

Review: The Old North’s Self-Titled Debut EP Should Make Bostonians Proud

by Ethan James
9
Music, Our Take, ReviewsDecember 21, 2020<December 21, 2020

Our Take: The Avalanches Start a New Chapter with ‘We Will Always Love You’

by Leo Culp
Cries Real Tears! - Issy Wood
Music, Reviews, Track-by-TrackDecember 21, 2020<December 21, 2020

Track-by-Track: UK Artist Issy Wood’s Eccentric, Enthralling, & Experimental ‘Cries Real Tears!’ EP

by Mitch Mosk
La Femme © JF Julian
Features, Interviews, MusicDecember 21, 2020<May 14, 2023

Travel, Experimentation, & Collaboration: A Conversation with La Femme

by Frankie Rose
evermore - Taylor Swift
Features, Music, Reviews, RoundtableDecember 21, 2020<June 29, 2024

Roundtable Discussion: A Review of Taylor Swift’s ‘evermore’

by Atwood Magazine Staff
Matt Maltese
Columns, Music, Today's SongDecember 21, 2020<December 21, 2020

Today’s Song: Matt Maltese’s Exquisite Pop Ballad ‘hi’ is Pure Adoration

by Kelly Liu
2020 Songs of the Year Atwood Magazine
Features, Lists, MusicDecember 18, 2020<February 5, 2021

Atwood Magazine’s 2020 Songs of the Year

by Atwood Magazine Staff
Debut, Music, ReviewsDecember 18, 2020<December 18, 2020

Review: B.Miles Navigates Nostalgia on Debut ‘In Order of Appearance’

by Maggie McHale
Metamorphosed - Osees
Interviews, MusicDecember 18, 2020<December 18, 2020

Interview: Osees’ John Dwyer on ‘Metamorphosed’ and Life without Touring in 2020

by Adam Davidson
Flamingosis © Dani Brandwein
Columns, Music, Music Videos, Today's SongDecember 18, 2020<December 18, 2020

Today’s Song: Flamingosis Creates a Space of Sunshine With “Daymaker”

by Adrian Vargas
Mimi Gilbert © 2020 8.6
Debut, Interviews, Music, Our Take, Reviews, Track-by-TrackDecember 17, 2020<December 17, 2020

“Warm Traveled Forgiveness”: Mimi Gilbert Lights a Visceral Folk Fire in Debut ‘Grew Inside the Water’

by Mitch Mosk
Tems © Jerusa Nyakundi
Features, Interviews, MusicDecember 17, 2020<December 18, 2020

Music for Hard Hearts That Are About to Turn into Stone: A Conversation with Tems

by Nicole Almeida
Man on the Moon III: The Chosen - Kid Cudi 7.9
Music, Our Take, ReviewsDecember 17, 2020<December 17, 2020

Our Take: Kid Cudi Crafts a Fitting Final Chapter to His Trilogy with ‘Man on the Moon III: The Chosen’

by Josh Weiner
The Baby - Samia
Debut, Features, Interviews, MusicDecember 17, 2020<December 17, 2020

Interview: Folk Rock Up-And-Comer Samia on Her Stunning & Intimate Debut ‘The Baby’ & ‘The Baby Reimagined’

by Lowndes Commander
De Joie © 2020
Music, PremieresDecember 17, 2020<September 20, 2021

Premiere: The Ethereal Ebb & Flow of De Joie’s Poignant “Oslo (Holly’s Song)”

by Mitch Mosk
Posts pagination
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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