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Sunset Rollercoaster © Sofia Lee 9.1
Features, Music, Our Take, Reviews, Track-by-TrackDecember 14, 2020<December 15, 2020

Tenderness in Chaotic Times: Taiwan’s Sunset Rollercoaster on Buoyant 3rd Album ‘SOFT STORM’

by Mitch Mosk
The Flaming Lips © George Salisbury
Features, Interviews, MusicDecember 14, 2020<December 14, 2020

Interview with The Flaming Lips: ‘American Head’, Facing Mortality, & the Healing Power of Music

by Jordan Catagnus
Interviews, MusicDecember 14, 2020<December 14, 2020

Interview: Nané Is an Energetic Texas Group with One Album in the Bag & Sights Set on Further Ambitions

by Josh Weiner
Machinery - Twist Helix
Music, Reviews, Track-by-TrackDecember 14, 2020<December 14, 2020

“Mature, Honest, & Self-Reflexive”: Twist Helix’s ‘Machinery’ Is a Bold, Sweeping Alt-Pop Culture Critique

by Mitch Mosk
Slow Pulp © 2020
Columns, Music, Today's SongDecember 14, 2020<December 14, 2020

Today’s Song: Slow Pulp Celebrate Consistency & Change on Contemplative “Track”

by Lowndes Commander
Faith - Falcon Jane
Interviews, Music, Reviews, Track-by-TrackDecember 11, 2020<December 11, 2020

“Darkness, Power, Light”: Ontario’s Falcon Jane Goes Track-by-Track Through Her ‘Faith’

by Mitch Mosk
Gaidaa © Segraphy
Features, Interviews, MusicDecember 11, 2020<December 22, 2020

Gaidaa Meets Gaidaa, Meets the World: A Conversation with Gaidaa

by Nicole Almeida
Angelo De Augustine © Jess Collins
Columns, Music, Today's SongDecember 11, 2020<December 11, 2020

Today’s Song: The Beauty & Devastation of Angelo De Augustine’s “Blue” ft. Sufjan Stevens

by Mitch Mosk
Columns, Features, Music, Weekly RoundupDecember 11, 2020<December 22, 2020

Atwood Magazine’s Weekly Roundup: December 11, 2020

by Atwood Magazine Staff
Music, This Just InDecember 11, 2020<December 11, 2020

This Just In: Luxtides Copes with Anxiety and Uncertainty in “After”

by Maggie McHale
The Bends - Radiohead x Rosie Carney
Features, Interviews, MusicDecember 10, 2020<February 5, 2021

Interview: Rosie Carney Covers Radiohead’s ‘The Bends’ Album from End to Hauntingly Raw End

by Mitch Mosk
Haywire - Duff Thompson
Debut, Music, Premieres, Reviews, Track-by-TrackDecember 10, 2020<December 10, 2020

Album Premiere: Duff Thompson’s ‘Haywire’ Is an Enchanting American Folk Debut

by Mitch Mosk
The Rayes © 2020
Music, Premieres, Track-by-TrackDecember 10, 2020<December 10, 2020

EP Premiere: The Rayes’ ‘Two Legs’ Is a Kiss of Sonic Sunshine

by Mitch Mosk
Columns, Interviews, MusicDecember 10, 2020<December 9, 2020

A Conversation with Nu Deco Ensemble: An Innovative Orchestra Making Waves in Miami

by Josh Weiner
Breaking The Record 2020
Breaking the Record, Columns, MusicDecember 10, 2020<December 10, 2020

Breaking the Record with Roan Yellowthorn, Part 43: The Ball Is Rolling

by Guest Writer
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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