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Arlo Parks © Alexandra Waespi
Features, Interviews, MusicSeptember 16, 2020<March 2, 2025

On Turning Poems into Songs: A Conversation with Arlo Parks

by Lowndes Commander
The Sophomore Series 6
Music, Sophomore SeriesSeptember 15, 2020<October 27, 2020

The Sophomore Series: King Krule’s ‘The OOZ’ & Phoebe Bridgers’ ‘Punisher’

by Leo Culp
Fay Wildhagen © Johanna Siring
Interviews, MusicSeptember 15, 2020<September 15, 2020

Astral, Intimate, and Soaring: A Conversation with Fay Wildhagen

by Mitch Mosk
No Pressure - Logic
Music, Our Take, ReviewsSeptember 15, 2020<September 15, 2020

Our Take: Logic Has Lost None of His Gift for Entertaining Fans on ‘No Pressure’

by Josh Weiner
Photo Ops © 2020
Music, Premieres, ReviewsSeptember 15, 2020<September 14, 2020

Album Premiere: Photo Ops’ Stirring 3rd Album ‘Pure at Heart’ Is a Confessional Alt-Folk Dream

by Mitch Mosk
Columns, Music, Today's SongSeptember 15, 2020<September 15, 2020

Today’s Song: London’s Another Sky Soar on New Single “Fell in Love with the City”

by Bethan Harper
Bottler © Rick Perez
Music, PremieresSeptember 14, 2020<September 14, 2020

Premiere: Brooklyn Duo Bottler Transport Listeners to a Place of Pure Tranquility with “Soft Winds”

by Chloe Robinson
Features, Interviews, Music, ReviewsSeptember 14, 2020<September 13, 2020

Feature: Lilly Hiatt Is ‘Walking Proof’ That The Traveller’s Life Is the Fullest

by Oliver Crook
girl in red © Isak Jensen
Columns, Music, Today's SongSeptember 14, 2020<September 14, 2020

Today’s Song: girl in red’s Essential and Euphoric “rue”

by Nicole Almeida
Autumn Nicholas © 2020 1
Music, PremieresSeptember 14, 2020<September 14, 2020

Premiere: Singer/Songwriter Autumn Nicholas Elevates Equal Rights in New Single “Side by Side”

by Mitch Mosk
Fergus © Vivien Tomasello
Music, Reviews, This Just InSeptember 11, 2020<January 21, 2021

This Just In: Fergus’ Stunning Inner Reckoning “Enough for You” Is an Alt-Pop Outpouring

by Mitch Mosk
Blitzen Trapper's Eric Earley © Jason Quigley
Features, Interviews, MusicSeptember 11, 2020<October 6, 2020

Interview with Blitzen Trapper: Strumming Through the Bardo with ‘Holy Smokes Future Jokes’

by Ilana Kalish
Atwood Magazine's Weekly Roundup Sept 11 2020
Columns, Features, Music, Weekly RoundupSeptember 11, 2020<September 11, 2020

Atwood Magazine’s Weekly Roundup: September 11, 2020

by Atwood Magazine Staff
The XO
Columns, Debut, Music, Today's SongSeptember 11, 2020<September 11, 2020

Today’s Song: The XO Capture the Cold with Debut Single “November”

by Lowndes Commander
Atwood Magazine Editor's Picks 39
Columns, Editor's Picks, Features, MusicSeptember 11, 2020<September 11, 2020

Editor’s Picks 39: Timothy Nelson, TRISHES, Indiana, Kyle Dion, Tom Joshua, & The Knocks x MUNA

by Mitch Mosk
Posts pagination
1 … 370 371 372 373 374 … 712

Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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