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Paper Idol © 2020
Music, PremieresOctober 29, 2020<October 28, 2020

Premiere: Paper Idol’s “Clouds” Invites Us Into a Universe of Quirky, Carousing Dance-Pop

by Kelly Liu
All Too Well - Taylor Swift
Columns, Music, Nostalgia TracksOctober 29, 2020<October 28, 2020

Nostalgia Tracks: Reflections on Taylor Swift’s “All Too Well,” Then and Now

by Emily Frances Algar
Breaking The Record 2020
Breaking the Record, Columns, MusicOctober 29, 2020<October 28, 2020

Breaking the Record with Roan Yellowthorn, Part 38: Full Time Musician

by Atwood Magazine Staff
Erthlings © Cybele Malinowski
Music, PremieresOctober 29, 2020<October 29, 2020

Premiere: Erthlings Return with Catchy & Urgent Dream Pop Upheaval, “Irrational”

by Mitch Mosk
BANNERS © Meredith Truax
Features, Interviews, MusicOctober 28, 2020<October 28, 2020

Feature: BANNERS Enjoys Newfound Success with Viral Hit “Someone to You”

by Anthony Kozlowski
Vertigo EP - GRANT
Music, Reviews, Track-by-TrackOctober 28, 2020<November 2, 2020

Questioning, Urging, Hoping: GRANT Rises High in Effervescent ‘Vertigo’ EP

by Mitch Mosk
Junaco © Nicole Mason
Music, PremieresOctober 28, 2020<October 28, 2020

Premiere: The Seductive Serenity of Junaco’s Dreamy “In Between (Reprise)”

by Mitch Mosk
Elli Ingram © 2020
Features, Interviews, MusicOctober 28, 2020<October 28, 2020

Songs to Get You Through the “Heavy”: A Conversation with Elli Ingram

by Nicole Almeida
The Human Demands - Amy Macdonald
Features, Interviews, MusicOctober 28, 2020<October 28, 2020

Interview: Amy Macdonald Satisfies ‘The Human Demands’ with Fifth Studio Album

by Bethan Harper
Columns, Music, Today's SongOctober 28, 2020<October 28, 2020

Today’s Song: Hallan’s “Modern England” Describes a Sad But All Too Real World

by Dimitra Gurduiala
IV - The Elwins
Features, Music, Reviews, Track-by-TrackOctober 27, 2020<October 27, 2020

Guts, Guitars, & Love: The Elwins Dive Track-by-Track into Visceral Album ‘IV’

by Mitch Mosk
Over & Out, Marks - Jordan Mackampa
Columns, Music, This Just In, Today's SongOctober 27, 2020<October 27, 2020

Artist to Watch: Jordan Mackampa’s Soul-Stirring “Marks” & “Over & Out” Shine with Limitless Passion

by Mitch Mosk
Avenue Beat © Delaney Royer
Features, Interviews, MusicOctober 27, 2020<October 28, 2020

TikTok, The Music Industry, and Self-Producing: An Interview with Avenue Beat

by Frankie Rose
Well Kept © Jackson Smith
Music, PremieresOctober 27, 2020<November 4, 2021

Premiere: Well Kept’s Tranquil “Settling” Is a Heavy Meditation on Moving On

by Mitch Mosk
The Sophomore Series 7
Music, Sophomore SeriesOctober 27, 2020<October 27, 2020

The Sophomore Series: Adele’s ‘21’ and Frank Ocean’s ‘Blonde’

by Leo Culp
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Brand New

  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”

:: discover something new ::

Recent Posts

  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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