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Chris Leamy © Shervin Lainez
Columns, Music, Today's SongDecember 7, 2020<December 7, 2020

Today’s Song: Chris Leamy’s “For Your Love” Is a Grandiose, Charged Anthem

by Mitch Mosk
Routine © Eleanor Petry
Debut, Music, ReviewsDecember 7, 2020<December 7, 2020

Review: Routine’s Shimmering & Tender EP ‘And Other Things’

by Kelly Liu
Bleachers © Carlotta Kohl
Music, Reviews, This Just InDecember 7, 2020<December 7, 2020

This Just In: Bleachers Create a Nostalgia-Laced Reverie with “chinatown” & “45”

by Dalia
Interviews, MusicDecember 7, 2020<February 10, 2021

Interview: Gaining a Fresh Understanding of Miynt’s Latest Single “A bite of papaya”

by Adrian Vargas
Atwood Magazine's Weekly Roundup December 4, 2020
Columns, Features, Music, Weekly RoundupDecember 4, 2020<December 22, 2020

Atwood Magazine’s Weekly Roundup: December 4, 2020

by Atwood Magazine Staff
Canyon City © Brooke Johnson
Music, Reviews, Track-by-TrackDecember 4, 2020<December 4, 2020

“Life Keeps Expanding”: Canyon City Goes Track-by-Track Through Intimate New EP ‘Circling the Sun’

by Mitch Mosk
Emanuel "Black Woman" © Matt Barnes
Features, Interviews, Music, Reviews, Track-by-TrackDecember 4, 2020<January 30, 2025

Songs About Healing: Toronto’s Emanuel Dives into His ‘ALT THERAPY’ Project & ‘Session 2: Transformation’

by Mitch Mosk
elkyn © Mike Harrison
Music, Reviews, This Just InDecember 4, 2020<December 4, 2020

This Just In: elkyn’s New Single “If Only It Was Alright Now” Is a Beautiful Rising Tempest

by Mitch Mosk
George Holliday © 2020
Interviews, MusicDecember 4, 2020<February 24, 2025

A Conversation with George Holliday: Friendships, Creative Ties, & Memorable Music All “Made on the Road”

by Josh Weiner
Something To Say To You LP - Jordana
Interviews, MusicDecember 4, 2020<December 4, 2020

Interview: Jordana Dazzles Brightly on Sophomore Album ‘Something to Say to You’

by Lowndes Commander
Columns, Music, Today's SongDecember 4, 2020<December 4, 2020

Today’s Song: Lake Stovall Creates a Sultry Wonderland With Latest Single “She”

by Adrian Vargas
Asheville EP - Elevado
Features, Interviews, Music, Reviews, Track-by-TrackDecember 3, 2020<December 3, 2020

“Vulnerable, Personal, Liberation”: Singer/Songwriter Duo Elevado Dive into Debut ‘Asheville’ EP

by Mitch Mosk
I See Rivers © 2020
MusicDecember 3, 2020<December 3, 2020

“Honest, Melancholic & Uplifting”: I SEE RIVERS Go Track-by-Track Through Enthralling Debut ‘Deep & Rolling Green’

by Mitch Mosk
Shadow Clues - Tamar Berk
Debut, Music, PremieresDecember 3, 2020<December 4, 2020

Premiere: Tamar Berk’s Debut Single “Shadow Clues” Is a Dark & Haunting Daydream

by Mitch Mosk
Oddnesse © Lellopepper
Music, PremieresDecember 3, 2020<December 3, 2020

Artist to Watch: Oddnesse Dance with the Mystery of Death in Dreamy Song “Hot Air”

by Mitch Mosk
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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