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Music, ReviewsNovember 5, 2020<November 5, 2020

Review: Gabriel Garzón-Montano’s Eclectic and Colorful Sophomore Effort, ‘Agüita’

by Mariel Fechik
Andrea Magee © 2020
Debut, Interviews, Music, PremieresNovember 5, 2020<November 5, 2020

Interview: Andrea Magee Unveils Debut Album ‘Only Love’ Bursting with Sentimental Sincerity

by Mitch Mosk
Mishegas © Morgan Kranston, Laith Khalifeh
Debut, Music, PremieresNovember 5, 2020<November 5, 2020

Premiere: Mishegas’ “Untitled” Instrumental Radiates a Soothing Tranquility

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicNovember 5, 2020<November 5, 2020

Breaking the Record with Roan Yellowthorn, Part 39: My Story

by Guest Writer
BLACKPINK © 2020 7.5
Debut, Music, Our Take, ReviewsNovember 4, 2020<December 15, 2020

Our Take: BLACKPINK Are Sure to Please International Crowds & Do South Korea Proud with ‘THE ALBUM’

by Josh Weiner
Tate Logan © Katy Waller
Essays, MusicNovember 4, 2020<November 4, 2020

Essay: Happy.’s Tate Logan on His Transgender Identity & The Pop-Punk Scene

by Guest Writer
jeff tweedy © Sammy Tweedy
Columns, Music, Today's SongNovember 4, 2020<November 9, 2020

Today’s Song: Jeff Tweedy Reflects on Those He Loves on “Half-Asleep”

by Leo Culp
Tessa Rae © 2020
Music, Music Videos, PremieresNovember 2, 2020<November 2, 2020

Premiere: Tessa Rae’s “Tangled” Is a Dark, Dramatic, and Catchy Upheaval

by Mitch Mosk
ALL HITS © 2020
Features, Interviews, MusicNovember 2, 2020<November 2, 2020

Punk for the Pandemic: A Conversation with All Hits

by Sophie Prettyman-Beauchamp
Interviews, MusicNovember 2, 2020<November 2, 2020

Interview: With Our Nation in Turmoil, Ben Wylen’s “Skinny Jeans” Calls for Change

by Chloe Robinson
Briston Maroney © 2020
Interviews, MusicNovember 2, 2020<March 2, 2025

Interview: Briston Maroney Talks About New Single “Freeway” and Earnest Creativity

by Lowndes Commander
Seth Bogart © Alexandra Cabral
Columns, Music, Today's SongNovember 2, 2020<November 2, 2020

Today’s Song: Seth Bogart Reimagines Punk Classic “Oh Bondage! Up Yours!”

by Sophie Prettyman-Beauchamp
Atwood Magazine Editor's Picks 42
Columns, Editor's Picks, Features, MusicOctober 30, 2020<January 14, 2021

Editor’s Picks: The Staves, Antony Jeffares, TOBi, Sarah Proctor, Beau, & Lanterns on the Lake

by Mitch Mosk
Atwood Magazine's Weekly Roundup October 30 2020
Columns, Features, Music, Weekly RoundupOctober 30, 2020<November 15, 2020

Atwood Magazine’s Weekly Roundup: October 30, 2020

by Atwood Magazine Staff
"It Doesn't Have To Be This Way" – Wallace Tallman © Keegan Snyder
Debut, Features, Music, Reviews, Track-by-TrackOctober 30, 2020<October 30, 2020

American Human Nature: Wallace Tallman’s Timely & Timeless EP Captures a Fractured Nation in Need of Healing

by Mitch Mosk
Posts pagination
1 … 372 373 374 375 376 … 729

Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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