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Sir Sly 2020 © Kevin Clark
Interviews, MusicSeptember 18, 2020<October 6, 2020

Interview: Sir Sly Return with Hope, Relief, & Positivity in New Single “Material Boy”

by Mitch Mosk
Songhoy Blues © 2020
Columns, Music, Today's SongSeptember 18, 2020<September 17, 2020

Today’s Song: Mali’s Songhoy Blues Capture a Nation’s Struggle for Change in “Barre”

by Oliver Crook
Blood Root © Micah Mathewson
Music, ReviewsSeptember 17, 2020<September 17, 2020

EP Review: Embracing Intimate Upheavals with Blood Root’s Debut ‘Crux’

by Mitch Mosk
Get What's Mine for You - Jack Swing
Music, Music Videos, PremieresSeptember 17, 2020<September 18, 2020

Premiere: Pittsburgh’s Jack Swing Soak Up the Groove on Fresh & Funky “Get What’s Mine for You”

by Mitch Mosk
Kane & James
Music, PremieresSeptember 17, 2020<September 17, 2020

Premiere: Kane & James’ Reflective “Thinking of You” Is the Product of Its Environment

by Nick Matthopoulos
Columns, Music, Today's SongSeptember 17, 2020<September 17, 2020

Today’s Song: Tyson Kelly Lets Fate Run Its Course in New Single “Am I Ever Gonna See You Again”

by Joe Beer
Breaking The Record 2020
Breaking the Record, Columns, MusicSeptember 17, 2020<September 17, 2020

Breaking the Record with Roan Yellowthorn, Part 32: New Things

by Guest Writer
Campbell Sibthorpe
Features, Music, Reviews, Track-by-TrackSeptember 16, 2020<September 16, 2020

Intimate, Freeing, & Expansive: Campbell Sibthorpe Dives Deep into Himself in ‘YTown’ EP

by Mitch Mosk
Chance Peña © 2020
Music, PremieresSeptember 16, 2020<September 16, 2020

EP Premiere: Singer/Songwriter Chance Peña Embraces Life’s Trials in Stunning ‘The Inevitable’

by Mitch Mosk
EVER © Marcus Rexford
Music, PremieresSeptember 16, 2020<September 16, 2020

Premiere: EVER’s Beautifully Bittersweet “Counting Flowers” Is a Stirring, Poignant Love Letter

by Mitch Mosk
Leah Haworth
Columns, Music, Today's SongSeptember 16, 2020<September 15, 2020

Today’s Song: Leah Haworth’s “The Space He Left” Fills in the Gaps of Heartbreak

by Lexi Lane
Arlo Parks © Alexandra Waespi
Features, Interviews, MusicSeptember 16, 2020<March 2, 2025

On Turning Poems into Songs: A Conversation with Arlo Parks

by Lowndes Commander
The Sophomore Series 6
Music, Sophomore SeriesSeptember 15, 2020<October 27, 2020

The Sophomore Series: King Krule’s ‘The OOZ’ & Phoebe Bridgers’ ‘Punisher’

by Leo Culp
Fay Wildhagen © Johanna Siring
Interviews, MusicSeptember 15, 2020<September 15, 2020

Astral, Intimate, and Soaring: A Conversation with Fay Wildhagen

by Mitch Mosk
No Pressure - Logic
Music, Our Take, ReviewsSeptember 15, 2020<September 15, 2020

Our Take: Logic Has Lost None of His Gift for Entertaining Fans on ‘No Pressure’

by Josh Weiner
Posts pagination
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Brand New

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

:: discover something new ::

Recent Posts

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
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