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G Flip © 2020
Interviews, Music, Music Videos, PremieresOctober 20, 2020<November 15, 2020

Interview: Melbourne’s G Flip on Her Passionate & Unapologetic LGBTQIA+ Love Anthem “You & I”

by Mitch Mosk
Deradoorian © Elizabeth Weinberg
Columns, Music, Today's SongOctober 20, 2020<October 20, 2020

Today’s Song: Deradoorian Takes You on a Mystical Journey of Self-Discovery with “Corsican Shores”

by Jordan Catagnus
Columns, Music, Today's SongOctober 19, 2020<October 18, 2020

Today’s Song: “The Valley” is a dynamic preview of Thou and Emma Ruth Rundle’s ‘May Your Chambers Be Full’

by Danny Vagnoni
Features, Music, Weekly RoundupOctober 16, 2020<October 16, 2020

Atwood Magazine’s Weekly Roundup: October 16, 2020

by Atwood Magazine Staff
Hiroki Tanaka © Maya Bankovic
Columns, Music, Today's SongOctober 16, 2020<October 16, 2020

Today’s Song: Hiroki Tanaka’s “Bare Hallways” Is a Gently Haunting Account of Life as a Caregiver

by Frankie Rose
Columns, Music, This Just InOctober 16, 2020<October 16, 2020

This Just In: Young Rising Sons Characterize Human Relationships and Memories in “Halloween”

by Maggie McHale
Features, Interviews, MusicOctober 15, 2020<November 15, 2020

Feature: Paddy Hanna Lays Bare His Haunted Heart on ‘The Hill’

by Oliver Crook
Vansire © Clare Curry
Music, ReviewsOctober 15, 2020<October 15, 2020

Premiere: Inside The Entrancing, Evolutionary Sound of Vansire’s ‘After Fillmore County’

by Madison Vettorino
MisterWives © Matty Vogel
Music, Music Videos, PremieresOctober 15, 2020<October 15, 2020

Premiere: MisterWives Unite Fans with the Smile-Spreading “SUPERBLOOM” Official Fan Video

by Kelly McCafferty Dorogy
Hello Weakness, You Make Me Strong - Gracie and Rachel
Features, Music, Reviews, Track-by-TrackOctober 15, 2020<October 12, 2020

Curiosity, Vulnerability, & Trust: Gracie and Rachel Dive Deep into ‘Hello Weakness, You Make Me Strong’

by Mitch Mosk
Columns, Music, Today's SongOctober 15, 2020<October 15, 2020

Today’s Song: Camila Fuchs Takes us on a Psychedelic Trip on the Entrancing “Moon’s Mountain”

by Oliver Crook
Breaking The Record 2020
Breaking the Record, Columns, MusicOctober 15, 2020<October 15, 2020

Breaking the Record with Roan Yellowthorn, Part 36: You’re Never There

by Guest Writer
Tom Lumley & The Brave Liaison © Sam J Lance
Interviews, MusicOctober 14, 2020<October 14, 2020

Interview: Tom Lumley & The Brave Liaison Continue to do the Cambridgeshire Rock Scene Proud

by Josh Weiner
Dan Croll © Max Knight
Interviews, MusicOctober 14, 2020<February 21, 2024

Interview: Dan Croll’s New Album ‘Grand Plan’ & the Millennial Dilemma

by Hermione Kellow
Music, ReviewsOctober 14, 2020<December 15, 2020

Review: Town Meeting Incinerate Small-Town Woes on ‘Make Things Better’

by Ethan James
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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