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Molly Parden © Jacqueline Justice
Interviews, MusicOctober 14, 2020<October 29, 2020

Human Nature, Lost Love, and Coffee: A Conversation with Molly Parden

by Adrian Vargas
Harley Sulé © 2020
Columns, Music, Today's SongOctober 14, 2020<October 12, 2020

Today’s Song: Harley Sulé Charms on Latest Single “Love the Way It Makes You Feel”

by Lowndes Commander
Atwood Magazine's Editor's Picks October 13 2020
Columns, Editor's Picks, Features, MusicOctober 13, 2020<November 15, 2020

Editor’s Picks: Inara George x Dave Grohl, The Coronas, Alaska Reid, lindsay, Melody Federer, & Bonny Light Horseman!

by Mitch Mosk
Music, ReviewsOctober 13, 2020<October 13, 2020

Review: Rilo Kiley’s Reissue of Self-Titled Debut Proves Its Innate Timeless Charm

by Kelly Liu
Nectar- Joji
Music, ReviewsOctober 13, 2020<October 13, 2020

Review: A Look Inside Joji’s Artistic Manifesto, His Second Album ‘Nectar’

by Dimitra Gurduiala
Lake Saint Daniel © Danny Hoshino
Debut, Features, Interviews, MusicOctober 13, 2020<November 15, 2020

Sweet, Smooth, & Sad: Lake Saint Daniel’s Reflective & Stirring Solo Debut, ‘Good Things’

by Mitch Mosk
Remover - Darren Jessee
Features, Interviews, Music, PremieresOctober 13, 2020<March 27, 2023

Swoon, Deep, & Real: Darren Jessee’s ‘Remover’ Is a Tender, Quiet Tempest

by Mitch Mosk
Come Give Me Love - First Aid Kit
Columns, Music, Today's SongOctober 13, 2020<October 12, 2020

Today’s Song: Blast First Aid Kit’s ”Come Give Me Love” Cover from the Rooftops

by Ilana Kalish
Nisa © 2020
Music, PremieresOctober 13, 2020<October 12, 2020

Premiere: NYC’s Nisa Shares Blame on Indie Pop Stomper “Common Denominator”

by Ethan James
Luka Kuplowsky © Melissa Richards
Features, Music, Reviews, Track-by-TrackOctober 12, 2020<October 12, 2020

Kaurismaki, Miyazaki, Cocteau: Luka Kuplowsky Embraces Sound & Space in ‘Stardust’

by Mitch Mosk
Features, Interviews, MusicOctober 12, 2020<March 5, 2021

Turning Adversity Into Greatness: A Conversation with Cory Wong

by Adrian Vargas
Songs from After So Many Days - Jim and Sam
Debut, Features, Music, Reviews, Track-by-TrackOctober 12, 2020<October 12, 2020

Anywhere, Everywhere, Everyday: Jim and Sam Dive into Debut Album ‘Songs from After So Many Days’

by Mitch Mosk
The Heavy Hours © 2020
Music, Music Videos, PremieresOctober 12, 2020<October 12, 2020

Premiere: Cincinnati’s The Heavy Hours Embrace a Heartfelt, Stinging “Ache” in Poignant Power Ballad

by Mitch Mosk
Taylor DeBlock © Paul Weaver
Columns, Music, Today's SongOctober 12, 2020<October 12, 2020

Today’s Song: Taylor DeBlock’s “Necesitas” Radiates Red-Hot Intensity and a Lovesick Sentiment

by Chloe Robinson
Post Fear © Thea Krulwich
Music, PremieresOctober 12, 2020<October 11, 2020

Premiere: Self-Identity & Raw Indie Rock Flow Through Post Fear’s New Single, “Feels So Familiar”

by Mitch Mosk
Posts pagination
1 … 386 387 388 389 390 … 737

Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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