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Speaker Face (L-R): Trent Freeman, Ruby Randall, Eric Wright © Jen Squires
Music, PremieresJuly 22, 2020<July 22, 2020

Premiere: Speaker Face’s “Phosphorescence” Is an Ambient & Organic Immersion

by Mitch Mosk
Sarah Barrios © Cameron Postforoosh
Debut, Music, Reviews, Track-by-TrackJuly 21, 2020<July 21, 2020

Love & Heartbreak Coalesce in Sarah Barrios’ Pop-Perfect Debut ‘Letters I Never Sent’ EP

by Mitch Mosk
At Least I Tried - Marlana
Debut, Features, Music, Premieres, Track-by-TrackJuly 21, 2020<July 21, 2020

Premiere: Marlana Emerges with Passion, Perspective, & Poise on Debut EP ‘At Least I Tried’

by Mitch Mosk
Interviews, MusicJuly 21, 2020<July 22, 2020

Interview with Healing Potpourri: The Antidote to 2020’s Madness Has Arrived

by Josh Weiner
Features, Interviews, MusicJuly 21, 2020<August 23, 2020

Feature: Lianne La Havas on Independence and Incandescent Self-Titled Album

by Mariel Fechik
St. South © Liam Gillie
Music, Music Videos, PremieresJuly 21, 2020<July 21, 2020

Premiere: St. South’s Intimate, Aching “RED” and the Emotional Toll of Leaving

by Mitch Mosk
Vansire © Clare Curry
Music, PremieresJuly 21, 2020<July 21, 2020

Premiere: Vansire & Mick Jenkins’ “Central Time” Is a Love Letter for the Midwest

by Madison Vettorino
Columns, Music, Today's SongJuly 21, 2020<July 21, 2020

Today’s Song: Terrace Martin & Denzel Curry Speak Truth to Power on “Pig Feet”

by Dalia
ROSETTA - Dua Saleh
Music, ReviewsJuly 20, 2020<July 20, 2020

Review: Blackness, Queerness, and Belonging on Dua Saleh’s ‘ROSETTA’

by Urooj Ali Rizvi
Katie Wood © 2020
Interviews, MusicJuly 20, 2020<July 20, 2020

Interview: British Art Rock Artist Katie Wood Gives It to Us Straight in “Uh Huh Yeah”

by Joe Beer
Trevor Sloan © Nippun Goyal
Music, PremieresJuly 20, 2020<July 20, 2020

Premiere: Creating Mixtapes & Feeling Confused in Trevor Sloan’s Nostalgic “Green Summer”

by Nina Schaarschmidt
Prunus - New Luna
Music, Music Videos, PremieresJuly 20, 2020<July 20, 2020

Premiere: New Luna Dwell in Vulnerability & Masculinity on Grungy “Prunus”

by Mitch Mosk
Features, Interviews, MusicJuly 20, 2020<July 20, 2020

Live from ‘Denmark’: A Conversation with Daddy’s Beemer

by Lowndes Commander
Columns, Music, Today's SongJuly 20, 2020<July 20, 2020

Today’s Song: Astræa Brings Inspiration To Others in Latest Single “Tonight I Run”

by Erica Danielle Garcia
Columns, Features, Music, Weekly RoundupJuly 17, 2020<July 17, 2020

Atwood Magazine’s Weekly Roundup: July 17, 2020

by Atwood Magazine Staff
Posts pagination
1 … 386 387 388 389 390 … 712

Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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