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Gatlin © 2020
Debut, Music, Reviews, Track-by-TrackSeptember 10, 2020<September 9, 2020

“Hurts So Good”: Gatlin Embraces Intimate & Catchy Depths on Debut EP ‘Sugarcoated’

by Mitch Mosk
penelope © Genevieve Andrews
Music, PremieresSeptember 10, 2020<September 10, 2020

Premiere: penelope’s “coming home” Is a Heartfelt Homecoming

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicSeptember 10, 2020<September 9, 2020

Breaking the Record with Roan Yellowthorn, Part 31: Music, the Language of the Soul

by Guest Writer
Lorana © Arthur Coppens
Columns, Music, Today's SongSeptember 10, 2020<September 9, 2020

Today’s Song: Lorana Delves into the Complexities of Her Personality in “Moonwater”

by Alicia Bugallo
Half Truths - Grace Turner
Debut, Music, Reviews, Track-by-TrackSeptember 9, 2020<September 9, 2020

Track-by-Track: Grace Turner’s Debut EP ‘Half Truths’ Is Poetic & Bright

by Lowndes Commander
Camille Christel © Eleanor Hardwick
Debut, Music, Reviews, Track-by-TrackSeptember 9, 2020<September 9, 2020

Dreamlike, Blue, & Cinematic: Camille Christel Unveils Her Stirring “Audible Diary” Debut EP, ‘You’

by Mitch Mosk
Interviews, MusicSeptember 9, 2020<September 9, 2020

Interview: Beautiful Things and What They Mean to Porter Robinson

by Audrey Steeves
Gangstagrass performs live at the Hifi Indy presented by IndyMojo Presents, MOKB Presents, Sun King Brewery, Kolman Dental, P.C., and Do317 in Indianapolis, Indiana on Wednesday, May 15, 2019 © Melodie Yvonne
Interviews, MusicSeptember 9, 2020<September 9, 2020

Interview: Gangstagrass Continue Their Dynamic Activism in Music and Beyond

by Ryan Feyre
Interviews, MusicSeptember 9, 2020<September 9, 2020

Interview: Disco-Funk Duo Møme & Ricky Ducati Offer a Promising Look at Their Own Future with Upcoming ‘Flashback FM’

by Josh Weiner
Columns, Music, Today's SongSeptember 9, 2020<September 9, 2020

Today’s Song: tricot Are As Expressive and Dialed in As Ever on “サマーナイトタウン”

by Nick Matthopoulos
Nonsuch Park - Scott Helman
Music, Reviews, Track-by-TrackSeptember 8, 2020<September 8, 2020

Track-by-Track: Scott Helman’s Heart Soars in Sophomore Album ‘Nonsuch Park (sa)’

by Mitch Mosk
Interviews, MusicSeptember 8, 2020<September 8, 2020

Interview: TRISHES Talks New Video, UK Collaboration, and Profound Understanding of the World Around Her

by Chloe Robinson
in earnest © 2020
Music, PremieresSeptember 8, 2020<October 8, 2020

Premiere: UK Trio in earnest Enchant with Wistful Reflections on “29”

by Mitch Mosk
Alec Wigdahl © Carly Foulkes
Columns, Music, Today's SongSeptember 8, 2020<September 8, 2020

Today’s Song: Alec Wigdahl Enthralls With “Summer Is Over”

by Luke Pettican
Features, Music, Weekly RoundupSeptember 4, 2020<September 4, 2020

Atwood Magazine’s Weekly Roundup: September 4th, 2020

by Atwood Magazine Staff
Posts pagination
1 … 387 388 389 390 391 … 727

Brand New

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

:: discover something new ::

Recent Posts

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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