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Features, Interviews, MusicJuly 17, 2020<August 23, 2020

Funky, Fresh, and Taking Up Space: The Aces’ New Album ‘Under My Influence’

by Baylee Less
lemin. © 2020
Columns, Music, Today's SongJuly 17, 2020<July 9, 2020

Today’s Song: lemin. Turns a Letdown Evening into a Moving Piano Piece with “tv”

by Josh Weiner
EMIKA © Adam Krena
Features, Interviews, MusicJuly 16, 2020<July 16, 2020

A Conversation With Emika: A Neo-Classical Creative Force to be Reckoned With

by Josh Weiner
Features, Interviews, MusicJuly 16, 2020<July 16, 2020

Feature: Donna Missal Lights a Cathartic Blaze with ‘Lighter’

by Anthony Kozlowski
Features, Interviews, MusicJuly 16, 2020<July 16, 2020

On Happiness and Humanness: A Conversation With Joy Oladokun

by Lowndes Commander
Features, Interviews, MusicJuly 16, 2020<July 16, 2020

Interview: Brasstracks on Collaboration and Their ‘Golden Ticket’

by Mariel Fechik
The Clockworks © Oscar Ryan Photography
Columns, Music, Today's SongJuly 16, 2020<July 11, 2020

The Clockworks Merge Past, Future, & Reality on Hard Hitting “The Future Is Not What It Was”

by Oliver Crook
Breaking The Record 2020
Breaking the Record, Columns, MusicJuly 16, 2020<July 16, 2020

Breaking the Record with Roan Yellowthorn, Part 23: Working From the Basement

by Guest Writer
beabadoobee © 2020
Music, This Just InJuly 15, 2020<July 16, 2020

This Just In: Beabadoobee Unveils Her Vulnerability in “Care”

by Alicia Bugallo
Sebastian Paul © Alden Bone Cutter
Features, Interviews, MusicJuly 15, 2020<July 15, 2020

Interview with Sebastian Paul: Always on the Road, Always Experimenting Stylistically

by Josh Weiner
Tedadore © Chris Chaput
Debut, Music, PremieresJuly 15, 2020<July 10, 2020

Premiere: Nashville’s Tedadore Debuts with the Fun, Sweet, & Restlessly Relatable “Cooped Up”

by Mitch Mosk
Kiol © 2020
Music, PremieresJuly 15, 2020<July 11, 2020

Premiere: Kiol’s Summer Single Is Unbridled Sun-Soaked “Joy”

by Mitch Mosk
Columns, Music, Today's SongJuly 15, 2020<July 15, 2020

Today’s Song: A Dazzling Collision of Two Worlds on Ginger Root’s “Out of State”

by Adrian Vargas
Music, ReviewsJuly 14, 2020<July 14, 2020

Review: ‘Heaven To A Tortured Mind’ Proves to Be Yves Tumor’s Magnum Opus

by Ben Niesen
SUAD © Riku Pihlanto
Music, Music Videos, PremieresJuly 14, 2020<July 10, 2020

Premiere: SUAD Opens “The Door” with an Enchanting Vision of Hope & Inner Strength

by Mitch Mosk
Posts pagination
1 … 387 388 389 390 391 … 712

Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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