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HOAX
Music, Reviews, This Just InSeptember 10, 2020<September 10, 2020

This Just In: HOAX Provide Us the Perfect Remedy with “Western Medicine”

by Kelsey Fitzgerald
Gatlin © 2020
Debut, Music, Reviews, Track-by-TrackSeptember 10, 2020<September 9, 2020

“Hurts So Good”: Gatlin Embraces Intimate & Catchy Depths on Debut EP ‘Sugarcoated’

by Mitch Mosk
penelope © Genevieve Andrews
Music, PremieresSeptember 10, 2020<September 10, 2020

Premiere: penelope’s “coming home” Is a Heartfelt Homecoming

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicSeptember 10, 2020<September 9, 2020

Breaking the Record with Roan Yellowthorn, Part 31: Music, the Language of the Soul

by Guest Writer
Lorana © Arthur Coppens
Columns, Music, Today's SongSeptember 10, 2020<September 9, 2020

Today’s Song: Lorana Delves into the Complexities of Her Personality in “Moonwater”

by Alicia Bugallo
Half Truths - Grace Turner
Debut, Music, Reviews, Track-by-TrackSeptember 9, 2020<September 9, 2020

Track-by-Track: Grace Turner’s Debut EP ‘Half Truths’ Is Poetic & Bright

by Lowndes Commander
Camille Christel © Eleanor Hardwick
Debut, Music, Reviews, Track-by-TrackSeptember 9, 2020<September 9, 2020

Dreamlike, Blue, & Cinematic: Camille Christel Unveils Her Stirring “Audible Diary” Debut EP, ‘You’

by Mitch Mosk
Interviews, MusicSeptember 9, 2020<September 9, 2020

Interview: Beautiful Things and What They Mean to Porter Robinson

by Audrey Steeves
Gangstagrass performs live at the Hifi Indy presented by IndyMojo Presents, MOKB Presents, Sun King Brewery, Kolman Dental, P.C., and Do317 in Indianapolis, Indiana on Wednesday, May 15, 2019 © Melodie Yvonne
Interviews, MusicSeptember 9, 2020<September 9, 2020

Interview: Gangstagrass Continue Their Dynamic Activism in Music and Beyond

by Ryan Feyre
Interviews, MusicSeptember 9, 2020<September 9, 2020

Interview: Disco-Funk Duo Møme & Ricky Ducati Offer a Promising Look at Their Own Future with Upcoming ‘Flashback FM’

by Josh Weiner
Columns, Music, Today's SongSeptember 9, 2020<September 9, 2020

Today’s Song: tricot Are As Expressive and Dialed in As Ever on “サマーナイトタウン”

by Nick Matthopoulos
Nonsuch Park - Scott Helman
Music, Reviews, Track-by-TrackSeptember 8, 2020<September 8, 2020

Track-by-Track: Scott Helman’s Heart Soars in Sophomore Album ‘Nonsuch Park (sa)’

by Mitch Mosk
Interviews, MusicSeptember 8, 2020<September 8, 2020

Interview: TRISHES Talks New Video, UK Collaboration, and Profound Understanding of the World Around Her

by Chloe Robinson
in earnest © 2020
Music, PremieresSeptember 8, 2020<October 8, 2020

Premiere: UK Trio in earnest Enchant with Wistful Reflections on “29”

by Mitch Mosk
Alec Wigdahl © Carly Foulkes
Columns, Music, Today's SongSeptember 8, 2020<September 8, 2020

Today’s Song: Alec Wigdahl Enthralls With “Summer Is Over”

by Luke Pettican
Posts pagination
1 … 397 398 399 400 401 … 737

Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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