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Grant Pavol © Kate Killet
Music, PremieresAugust 31, 2020<August 31, 2020

Premiere: Grant Pavol Faces Tension in “Words to Say”

by Shayna Chabrow
Columns, Music, Today's SongAugust 31, 2020<August 31, 2020

Today’s Song: Elsa Birgitta Bekman Provides Snapshots Into Life’s Journey’s With “On My Way”

by Adrian Vargas
Music, Reviews, This Just InAugust 31, 2020<August 31, 2020

This Just In: Alice Glass Opens Sermon 3 Recordings’ ‘Sermon 4’ with Raw “Nightmares”

by Danny Vagnoni
Atwood's Weekly Roundup Aug 28 2020
Columns, Music, Weekly RoundupAugust 28, 2020<September 3, 2020

Atwood Magazine’s Weekly Roundup: August 28, 2020

by Atwood Magazine Staff
Sophie Sanders © 2020
Interviews, MusicAugust 28, 2020<August 28, 2020

“Dear Country Music”… A Conversation with Singer/Songwriter Sophie Sanders

by Guest Writer
The Happy Fits © 2020
Features, Interviews, Music, Reviews, Track-by-TrackAugust 28, 2020<August 28, 2020

Brash, Fast, & Made to Last: The Happy Fits’ Soaring Sophomore Album ‘What Could Be Better’

by Mitch Mosk
Half Stack © The Bait Shop
Columns, Music, Today's SongAugust 28, 2020<August 28, 2020

Today’s Song: Half Stack Evoke the Sea Breeze in Sunny Cruiser “Laguna Seca”

by Mitch Mosk
Tough Pill - Izzy Bizu Artwork
Music, PremieresAugust 28, 2020<August 28, 2020

Premiere: Izzy Bizu Spellbinds with Compelling Acoustic Version of “Tough Pill”

by Luke Pettican
Caroline Jones © Tyler Lord
Music, Music Videos, PremieresAugust 28, 2020<August 28, 2020

Premiere: Caroline Jones Is In Love & Out of Control on Seductive Song “Intimacy”

by Mitch Mosk
Old Sea Brigade & Luke Sital-Singh © Hannah Cousins
Music, Premieres, ReviewsAugust 28, 2020<August 28, 2020

Old Sea Brigade & Luke Sital-Singh Light a Peaceful, Easy Fire in ‘All the Ways You Sing in the Dark’ EP

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicAugust 27, 2020<August 27, 2020

Breaking the Record with Roan Yellowthorn, Part 29: Finding a Path

by Guest Writer
Aydin Sayer © Jeff Andersen Jnr
Music, PremieresAugust 27, 2020<August 27, 2020

Premiere: Melbourne’s Aydin Sayar Dwells in Heartache on “Missed Calls” ft. Montgomery

by Mitch Mosk
Kate Bollinger © Jonathan Roensch - @roensch_
Music, Reviews, Track-by-TrackAugust 27, 2020<August 27, 2020

Track-by-Track: Kate Bollinger’s Intimate Depths Come Alive in ‘A word becomes a sound’ EP

by Mitch Mosk
Features, Interviews, MusicAugust 27, 2020<August 27, 2020

“Strangely on the Nose”: The Accidental Prescience of Widowspeak’s ‘Plum’

by Tim Horwood
Peter Sandberg © Emma Viola Lilja
Music, Music Videos, PremieresAugust 27, 2020<August 27, 2020

Premiere: Peter Sandberg & Henry Green’s “Pinetrees” Is an Intimate, Cinematic Upheaval

by Mitch Mosk
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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