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Violence in a Quiet Mind - Haux
Features, Music, Reviews, Track-by-TrackJuly 28, 2020<July 28, 2020

Fracture & Fragility: Inside Haux’s Breathtaking Debut Album ‘Violence in a Quiet Mind’

by Mitch Mosk
Dad Bod © 2020
Debut, Music, ReviewsJuly 28, 2020<July 28, 2020

Feature: Dad Bod’s ‘Precursor’ EP Is a Raw, Intimate, & Exciting Prelude

by Mitch Mosk
Columns, Debut, Music, Today's SongJuly 28, 2020<July 28, 2020

Today’s Song: Untold Poet Makes a Strong First Impression on Debut Single “Start to Speak”

by Josh Weiner
Empty Spaces - Eliot Bronson
Features, Music, Reviews, Track-by-TrackJuly 27, 2020<July 27, 2020

Album Review: Inside the Forlorn Human Depths of Eliot Bronson’s ‘Empty Spaces’

by Mitch Mosk
Tommy Ashby © Fraser Taylor
Features, Music, Reviews, Track-by-TrackJuly 27, 2020<July 27, 2020

Review: The Tender Indie Folk Beauty of Tommy Ashby’s ‘Everywhere Is Home’ EP

by Mitch Mosk
Debut, Features, Interviews, MusicJuly 27, 2020<July 27, 2020

Feature: Silverbacks’ Debut Fad Walks the High-Wire of Modern Life Without a Single Misstep

by Oliver Crook
The Mommyheads © Juliet Rose
Music, Music Videos, PremieresJuly 27, 2020<July 27, 2020

Premiere: The Mommyheads’ Aching Open Letter “Out From Under The Glass”

by Mitch Mosk
The Sophomore Series 4
Music, Sophomore SeriesJuly 27, 2020<October 27, 2020

The Sophomore Series: Jamila Woods’ ‘Legacy! Legacy!’ & The Avalanches’ ‘Wildflower’

by Leo Culp
Dinner Party album
Columns, Debut, Music, Today's SongJuly 27, 2020<July 25, 2020

Today’s Song: Dinner Party’s “Freeze Tag” Is a Multi-Faceted Debut Offering

by Nick Matthopoulos
Skullcrusher © Silken Weinberg
Debut, Features, Interviews, MusicJuly 24, 2020<July 29, 2020

Duality, Horror, and Creative Solitude: An Interview with Skullcrusher

by Frankie Rose
Leah Capelle © Mackenzie Breeden
Debut, Music, Music Videos, PremieresJuly 24, 2020<July 24, 2020

Premiere: Leah Capelle Concludes Her ‘triptych’ Storyline with Pensive, Evocative “friends” Video

by Mitch Mosk
Cub Sport © James Caswell
Features, Interviews, MusicJuly 24, 2020<August 23, 2020

Interview with Cub Sport: Ascending from Trauma to Achieve ‘LIKE NIRVANA’

by Harper Beattie
Debut, Music, Music Videos, PremieresJuly 24, 2020<July 24, 2020

Premiere: “Backseat Swinging” Proves to Be a Stellar Debut for Coolhand Jax

by Adrian Vargas
SUPERBLOOM - MisterWives
Music, ReviewsJuly 24, 2020<July 24, 2020

Review: MisterWives Deliver with Soul Replenishing, Funk-Filled Third Album ‘SUPERBLOOM’

by Kelly McCafferty Dorogy
Ryann © Clyde Munroe
Music, PremieresJuly 24, 2020<July 24, 2020

Premiere: Ryann’s Aching “One Minute” Is a Dazzling, Poignant Post-Breakup Hit

by Mitch Mosk
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Brand New

  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
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