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AUATC - Bon Iver
Columns, Music, Today's SongAugust 27, 2020<April 8, 2021

Today’s Song: Bon Iver Evoke a New Season on “AUATC” (SEASON FIVE Episode 2.)

by Dalia
The Blam Blams © Anana Kaye
Debut, Features, Music, Premieres, ReviewsAugust 26, 2020<August 26, 2020

Album Premiere: The Blam Blams Embrace Theatricality, Excessive Rock, & Storytelling with Debut Record ‘Opening Night’

by Frankie Rose
Silver Lake EP - Jolé
Music, Reviews, Track-by-TrackAugust 26, 2020<August 26, 2020

Track-by-Track: Jolé Delves into Tender & (Bitter)Sweet Depths on ‘Silver Lake’ EP

by Mitch Mosk
Interviews, MusicAugust 26, 2020<March 2, 2025

Honouring the Heritage of the Blues: An Interview with Jazz Artist Jyoti (Georgia Anne Muldrow)

by Nina Schaarschmidt
The Brothers Landau © 2020
Music, Premieres, ReviewsAugust 26, 2020<August 25, 2020

EP Premiere: The Brothers Landau Inject Serenity & Light into ‘Haven’t Got a Name’

by Mitch Mosk
The Wailers © 2020
Features, Interviews, MusicAugust 26, 2020<August 26, 2020

Interview with The Wailers: Bob Marley’s Old Companions Deliver Their 21st Century Debut, ‘One World’

by Josh Weiner
Michael Baker © 2020
Music, PremieresAugust 26, 2020<August 26, 2020

Premiere: Michael Baker’s Haunting & Hopeful “Caught in the Crossfire”

by Mitch Mosk
Annika Rose © Aaron Sinclair
Features, Interviews, MusicAugust 26, 2020<August 25, 2020

Interview: Annika Rose Continues to Courageously Admit Her Fears in Latest Single “Butterflies”

by Chloe Robinson
Dominic Fike © Daniel Prakopcyk
Columns, Music, Today's SongAugust 26, 2020<August 25, 2020

Today’s Song: Dominic Fike Wants to Know If You’ve Ever Wondered “Why”

by Lowndes Commander
Marsicans © Sodium Films 9
Debut, Features, Interviews, Music, Our Take, ReviewsAugust 25, 2020<December 15, 2020

Feature: Marsicans on the Explosive Energy & Pure Passion of Debut Album ‘Ursa Major’

by Mitch Mosk
Thank You, I'm Sorry
Columns, Music, ReviewsAugust 25, 2020<August 25, 2020

Review: Thank You, I’m Sorry Spill Their Guts on ‘I’m Glad We’re Friends’

by James Crowley
Features, Interviews, MusicAugust 25, 2020<August 25, 2020

Interview with Busty and the Bass: Nostalgia & New Album ‘Eddie’ Under Summer Skies

by Dalia
The Sophomore Series 5
Music, Sophomore SeriesAugust 25, 2020<October 27, 2020

The Sophomore Series: Alabama Shakes’ ‘Sound & Color’ & Baby Keem’s ‘Die For My Bitch’

by Leo Culp
Cedric Noel © Isaac Vallentin
Music, ReviewsAugust 25, 2020<August 24, 2020

Review: Cedric Noel Tackles Loss & Acceptance on Stirring Album ‘Nothing Forever, Everything’

by Oliver Crook
Columns, Music, Today's SongAugust 25, 2020<August 25, 2020

Today’s Song: Jorja Smith Sings Fortitude to Life On “By Any Means”

by Erica Danielle Garcia
Posts pagination
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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