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Syd Silvair © Conner Reddan
Features, Interviews, MusicMay 26, 2020<May 26, 2020

Interview with Syd Silvair: A Skilled Card Reader Can Also Follow the Rules of Strong Song-Crafting

by Josh Weiner
Brookline © Robbie Lewis
Columns, Music, Today's SongMay 26, 2020<May 26, 2020

Today’s Song: Albany’s Brookline Combine Pop-Punk Influences & Nostalgia in “Day Trip”

by Lexi Lane
harley © 2020
Features, Interviews, Music, PremieresMay 26, 2020<May 26, 2020

Premiere: Seattle’s HARLEY Illustrate Navigating Heartsickness on “HYPNOS”

by Maggie McHale
Interviews, MusicMay 26, 2020<May 25, 2020

Interview with Party Nails: Nightlife, Sobriety, New Music, & More

by Chloe Robinson
The Sophomore Series 1
Music, Sophomore SeriesMay 25, 2020<October 27, 2020

The Sophomore Series: A$AP Rocky’s ‘AT.LONG.LAST.A$AP’ & Kanye West’s ‘Late Registration’

by Leo Culp
Katie Von Schleicher © Annie Del Hierro
Features, Interviews, MusicMay 25, 2020<May 25, 2020

Interview with Katie Von Schleicher: Turning a Creative Wheel into a New Record

by Lexi Lane
Columns, Music, Today's SongMay 25, 2020<May 25, 2020

Today’s Song: alextbh Fosters Passionate Synergy on “Between”

by Maggie McHale
Columns, Features, Music, Weekly RoundupMay 22, 2020<May 22, 2020

Atwood Magazine’s Weekly Roundup: May 22, 2020

by Atwood Magazine Staff
Neon Trees © Jen Rosenstein
Features, Music, Reviews, Track-by-TrackMay 22, 2020<May 22, 2020

Neon Trees Embrace the Crazy with Their Irresistible “New Best Friend”

by Mitch Mosk
Aubrey Haddard © Andrea Zalkin
Music, Reviews, This Just InMay 22, 2020<May 22, 2020

This Just In: Aubrey Haddard’s “Thin Line” Is The Fun, Indie Rock Song for Your Summer

by Lexi Lane
Josiah Johnson © Bradley Cox
Debut, Features, Interviews, MusicMay 22, 2020<August 23, 2020

His Head, His Heart, and a Fresh Start: An Interview with Josiah Johnson

by Mitch Mosk
Aquamadre - Victoria Reed 8.3
Music, Our Take, ReviewsMay 22, 2020<December 15, 2020

Our Take: Victoria Reed’s Healing Light Shines on Spiritual Sophomore Album ‘Aquamadre’

by Mitch Mosk
The Howl & The Hum
Debut, Features, Interviews, MusicMay 22, 2020<March 16, 2021

Human Memory, Human Contact, and Releasing a Debut Album During Lockdown: An Interview with The Howl & The Hum

by Bethan Harper
Music, Reviews, This Just InMay 22, 2020<May 22, 2020

This Just In: DBMK Celebrate Singularity in “Haunted House”

by Maggie McHale
Roos Jonker & Dean Tippet © 2020
Columns, Music, Today's SongMay 22, 2020<May 22, 2020

Today’s Song: Roos Jonker & Dean Tippet Spark Hope with “Love Like That”

by Kelly McCafferty Dorogy
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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