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Notes on a Conditional Form - The 1975 9.7
Features, Music, Our Take, ReviewsMay 22, 2020<December 15, 2020

Our Take: The 1975’s Epic ‘Notes on a Conditional Form’ Is an Odyssey of Sound & Substance

by Mitch Mosk
7.1
Music You Should Know, Our TakeMay 21, 2020<December 15, 2020

Our Take: ‘Man of the Woods’ Proves to Be a Solid Effort From JT

by Josh Weiner
Ella Isaacson x Gallant © 2020
Music, Reviews, This Just InMay 21, 2020<May 21, 2020

This Just In: Ella Isaacson Lets Go with “Expectations” featuring Gallant

by Kelly McCafferty Dorogy
Atwood Magazine Editor's Picks 35
Columns, Editor's Picks, Features, MusicMay 21, 2020<August 23, 2020

Editor’s Picks: May 21, 2020

by Mitch Mosk
LUCA WILDING © John Ogunmuyiwa
Debut, Music, PremieresMay 21, 2020<August 4, 2020

Premiere: London’s Luca Wilding Debuts with Raw, Impassioned “Heartachers”

by Mitch Mosk
Music, PremieresMay 21, 2020<May 21, 2020

Premiere: Raw and Impassioned, Desmerelda’s “Welcome to the Establishment” Provides a Much Needed Escape

by Adrian Vargas
Stonefox "Time" acoustic
Music, Music Videos, PremieresMay 21, 2020<May 21, 2020

Premiere: Melbourne’s Stonefox Are Intimate & Raw in Stripped “Time” Acoustic Video

by Mitch Mosk
Columns, Music, Today's SongMay 21, 2020<May 21, 2020

A Sweet Recall of Love Makes Christy O’Donnell’s “Remember Me Well” a Standout

by Kelly McCafferty Dorogy
Breaking The Record 2020
Breaking the Record, Columns, MusicMay 21, 2020<May 20, 2020

Breaking the Record with Roan Yellowthorn, Part 16: On Writing

by Guest Writer
Grown Ungrown - Orpine
Debut, Features, Music, Reviews, Track-by-TrackMay 20, 2020<May 20, 2020

Review: Orpine Inject Duality & Depth into Debut Album ‘Grown Ungrown’

by Mitch Mosk
I Do Not Have to Be Good - Emily Keener
Features, Music, Premieres, Track-by-TrackMay 20, 2020<May 20, 2020

Feature: Emily Keener’s Stunning & Stirring Sophomore Album ‘I Do Not Have to Be Good’

by Mitch Mosk
Interviews, MusicMay 20, 2020<May 20, 2020

Interview: Shoegaze Duo The Know on Their Evocative & Intimate Debut EP ‘wearetheknow’

by Chloe Robinson
Features, Interviews, MusicMay 20, 2020<May 21, 2020

Interview with The Fratellis: Multi-Platinum and Still Finding Ways to Improve

by Matthew Dunn
The Sea The Sea © Kiki Vassilakis
Music, Music Videos, PremieresMay 20, 2020<September 10, 2020

Premiere: The Sea The Sea’s Intimate “Parachute” Is a Beautiful, Enchanting Lullaby

by Mitch Mosk
The Hardest Part - Joe Ramsey
Columns, Music, Today's SongMay 20, 2020<May 19, 2020

Today’s Song: Joe Ramsey Embraces “The Hardest Part” in His Latest Single

by Robin Fulton
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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