• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
At Least I Tried - Marlana
Debut, Features, Music, Premieres, Track-by-TrackJuly 21, 2020<July 21, 2020

Premiere: Marlana Emerges with Passion, Perspective, & Poise on Debut EP ‘At Least I Tried’

by Mitch Mosk
Interviews, MusicJuly 21, 2020<July 22, 2020

Interview with Healing Potpourri: The Antidote to 2020’s Madness Has Arrived

by Josh Weiner
Features, Interviews, MusicJuly 21, 2020<August 23, 2020

Feature: Lianne La Havas on Independence and Incandescent Self-Titled Album

by Mariel Fechik
St. South © Liam Gillie
Music, Music Videos, PremieresJuly 21, 2020<July 21, 2020

Premiere: St. South’s Intimate, Aching “RED” and the Emotional Toll of Leaving

by Mitch Mosk
Vansire © Clare Curry
Music, PremieresJuly 21, 2020<July 21, 2020

Premiere: Vansire & Mick Jenkins’ “Central Time” Is a Love Letter for the Midwest

by Madison Vettorino
Columns, Music, Today's SongJuly 21, 2020<July 21, 2020

Today’s Song: Terrace Martin & Denzel Curry Speak Truth to Power on “Pig Feet”

by Dalia
ROSETTA - Dua Saleh
Music, ReviewsJuly 20, 2020<July 20, 2020

Review: Blackness, Queerness, and Belonging on Dua Saleh’s ‘ROSETTA’

by Urooj Ali Rizvi
Katie Wood © 2020
Interviews, MusicJuly 20, 2020<July 20, 2020

Interview: British Art Rock Artist Katie Wood Gives It to Us Straight in “Uh Huh Yeah”

by Joe Beer
Trevor Sloan © Nippun Goyal
Music, PremieresJuly 20, 2020<July 20, 2020

Premiere: Creating Mixtapes & Feeling Confused in Trevor Sloan’s Nostalgic “Green Summer”

by Nina Schaarschmidt
Prunus - New Luna
Music, Music Videos, PremieresJuly 20, 2020<July 20, 2020

Premiere: New Luna Dwell in Vulnerability & Masculinity on Grungy “Prunus”

by Mitch Mosk
Features, Interviews, MusicJuly 20, 2020<July 20, 2020

Live from ‘Denmark’: A Conversation with Daddy’s Beemer

by Lowndes Commander
Columns, Music, Today's SongJuly 20, 2020<July 20, 2020

Today’s Song: Astræa Brings Inspiration To Others in Latest Single “Tonight I Run”

by Erica Danielle Garcia
Columns, Features, Music, Weekly RoundupJuly 17, 2020<July 17, 2020

Atwood Magazine’s Weekly Roundup: July 17, 2020

by Atwood Magazine Staff
Features, Interviews, MusicJuly 17, 2020<August 23, 2020

Funky, Fresh, and Taking Up Space: The Aces’ New Album ‘Under My Influence’

by Baylee Less
lemin. © 2020
Columns, Music, Today's SongJuly 17, 2020<July 9, 2020

Today’s Song: lemin. Turns a Letdown Evening into a Moving Piano Piece with “tv”

by Josh Weiner
Posts pagination
1 … 402 403 404 405 406 … 727

Brand New

  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation

:: discover something new ::

Recent Posts

  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services