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Bad Western © 2020
Music, PremieresAugust 25, 2020<August 25, 2020

Premiere: Bad Western Bring Gratitude to Life on Latest Single “Morning Light”

by Erica Danielle Garcia
Azadeh © 2020
Debut, Music, Music Videos, PremieresAugust 25, 2020<August 24, 2020

Premiere: London’s Azadeh Debuts with Intimate Song of Healing, “The Cure”

by Mitch Mosk
How Still The River - Jamie Scott
Features, Music, Reviews, Track-by-TrackAugust 25, 2020<August 24, 2020

Track-by-Track: Jamie Scott Dives into Loss, Longing, & Connection in Stunning Sophomore Album ‘How Still the River’

by Mitch Mosk
Mating Ritual © Kevin Doan
Features, Music, Reviews, Track-by-TrackAugust 24, 2020<August 24, 2020

Track-by-Track: Mating Ritual’s ‘The Bungalow’ Is a Seductive, Groovy Embrace of the Party

by Mitch Mosk
Chris Thile, Goat Rodeo © Josh Goleman 2020
Features, Interviews, MusicAugust 24, 2020<October 6, 2020

Not His First Goat Rodeo: Chris Thile on Supergroup’s Reunion & New Album

by Mariel Fechik
Kaio Mars © Alex Shahmiri
Debut, Interviews, Music, PremieresAugust 24, 2020<August 24, 2020

Interview: Irvine’s Kaio Mars Soars with Vulnerable, Kaleidoscopic Debut “All I Need”

by Mitch Mosk
The Hunting Birds © 2020
Columns, Music, Today's SongAugust 24, 2020<August 24, 2020

Today’s Song: Get in Sync with The Hunting Birds’ Irresistible Anthem “Catch Up”

by Mitch Mosk
Blush - Maya Hawke
Debut, Music, ReviewsAugust 24, 2020<August 24, 2020

Review: The Growing Pains of Maya Hawke’s Debut Album ‘Blush’

by Nicole Almeida
New Age Norms 2 - Cold War Kids
Features, Interviews, MusicAugust 21, 2020<August 21, 2020

Wild, Loose, & Deep: Nathan Willett on Why ‘New Age Norms 2′ Is Cold War Kids’ “Best Record” Ever

by Mitch Mosk
Emi Meyer © Ayaka Yamamoto
Music, PremieresAugust 21, 2020<August 21, 2020

Premiere: Emi Meyer Lets Go to the Groove with “When I Lose Control” ft. Keb’ Mo’

by Mitch Mosk
Atwood Magazine's Weekly Roundup August 21 2020
Columns, Features, Music, Weekly RoundupAugust 21, 2020<August 21, 2020

Atwood Magazine’s Weekly Roundup: August 21, 2020

by Atwood Magazine Staff
Anna Krantz © 2020
Music, PremieresAugust 21, 2020<August 21, 2020

Premiere: Anna Krantz’s “We Could Be High” Is a Beacon of Light

by Mitch Mosk
Features, Interviews, MusicAugust 21, 2020<August 21, 2020

Interview with Lewis Del Mar: Chaos, Community and Their New Album ‘AUGUST’

by Urooj Ali Rizvi
Prince Johnny Kristina Kashtanova @backtoenough (1)
Music, PremieresAugust 20, 2020<August 20, 2020

Premiere: A Forlorn, Nursery Rhyme of Self-Loathing with Prince Johnny’s “Sex Party”

by Jesse Herb
Imploding the Mirage - The Killers 9.1
Music, Our Take, ReviewsAugust 20, 2020<December 19, 2020

Our Take: The Killers Hold the Torch High in ‘Imploding the Mirage’

by Mitch Mosk
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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