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Bastille © Matt Cronin
Music, Reviews, This Just InJuly 30, 2020<August 23, 2020

This Just In: Bastille Shock Us Out of Our Phone Screen Daze with “WHAT YOU GONNA DO???”

by Anthony Kozlowski
Opus Orange
Interviews, Music, Music VideosJuly 30, 2020<July 29, 2020

Interview: Opus Orange Discuss Isolation, Intimacy, “The Lucky Ones” & Creating in Quarantine

by Guest Writer
Breaking The Record 2020
Breaking the Record, Columns, MusicJuly 30, 2020<July 30, 2020

Breaking the Record with Roan Yellowthorn, Part 25: Rediscovered

by Guest Writer
Jon Reynolds & The Aches © Bryon White
Music, PremieresJuly 30, 2020<July 30, 2020

Premiere: New Scars Glow in Jon Reynolds & The Aches’ Catchy Song “Love Blind”

by Mitch Mosk
Columns, Music, Today's SongJuly 30, 2020<July 30, 2020

Today’s Song: The Front Bottoms Deliver a Timely Anthem with “montgomery forever”

by Lowndes Commander
Sufjan Stevens © 2020
Music, ReviewsJuly 29, 2020<July 29, 2020

Review: The Dissolution of Blind Faith, Then an Awakening in Sufjan Stevens’ “America” & “My Rajneesh”

by Nicole Almeida
Shimmer © Peach Luffe
Features, Music, Reviews, Track-by-TrackJuly 29, 2020<July 29, 2020

Feature: Toronto’s Peach Luffe Weaves Dreamy Wonders in ‘Shimmer’ EP

by Mitch Mosk
Here for Now - Louis The Child
Debut, Music, ReviewsJuly 29, 2020<July 29, 2020

Just to Be Around: Louis the Child’s Debut Album ‘Here For Now’ Stuns

by Audrey Steeves
Max Helgemo © Alyssa Stark
Music, PremieresJuly 29, 2020<July 29, 2020

Artist to Watch: Max Helgemo’s Dazzling “Uncovered” Is an Indie Folk Daydream

by Mitch Mosk
Emily Burns © Ayshe Zaifoglu
Features, Interviews, MusicJuly 29, 2020<July 29, 2020

Unrequited Love and Lockdown: An Interview with Emily Burns

by Luke Pettican
Cxpital © Kathryn Baum
Columns, Music, Today's SongJuly 29, 2020<July 29, 2020

Today’s Song: A Cohesive Explosion of Sound Makes Cxpital’s “San Francisco”

by Kelly McCafferty Dorogy
Atwood Magazine Editor's Picks 37
Columns, Editor's Picks, MusicJuly 28, 2020<July 28, 2020

Editor’s Picks 37: Ric Wilson, Loviet, Zaia, Aquilo, Erez Zobary & theMIND

by Mitch Mosk
KIRBY © Lauren Camp
Features, Interviews, MusicJuly 28, 2020<July 28, 2020

Feature: KIRBY Makes Soul Music to Heal Herself

by Guest Writer
Features, Music, Reviews, RoundtableJuly 28, 2020<June 29, 2024

Roundtable Discussion: A Review of Taylor Swift’s ‘folklore’

by Atwood Magazine Staff
Violence in a Quiet Mind - Haux
Features, Music, Reviews, Track-by-TrackJuly 28, 2020<July 28, 2020

Fracture & Fragility: Inside Haux’s Breathtaking Debut Album ‘Violence in a Quiet Mind’

by Mitch Mosk
Posts pagination
1 … 399 400 401 402 403 … 727

Brand New

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

:: discover something new ::

Recent Posts

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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