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Ari Lennox Anthony Ramos © Crown Royal
Features, Interviews, Music, This Just InSeptember 3, 2020<June 26, 2024

Interview: Anthony Ramos & Ari Lennox Enrapture with Cover of “If You Want Me to Stay”

by Luke Pettican
Zella Day © Neil Krug
Interviews, Music, Reviews, Track-by-TrackSeptember 2, 2020<September 2, 2020

Red, Purple, Bunnies: Inside Zella Day’s Soulful & Stylish ‘Where Does the Devil Hide’ EP

by Mitch Mosk
Bully © Angelina Castillo
Features, Interviews, MusicSeptember 2, 2020<October 6, 2020

With Riot Grrl Rectitude: A Conversation with Bully’s Alicia Bognanno

by Ben Niesen
you say you love me... but i don't believe you - Car Astor
Debut, Features, Interviews, Music, Premieres, Track-by-TrackSeptember 2, 2020<September 2, 2020

Album Premiere: Car Astor Finds Musical Therapy in Vulnerable Upheaval, ‘you say you love me… but i don’t believe you’

by Mitch Mosk
Columns, Music, Today's SongSeptember 2, 2020<September 2, 2020

Today’s Song: A Dive Into the Cyclical Nature of Change on Sam Tudor’s “Change My Shape”

by Adrian Vargas
Spirit of the Bear 2020
Music, PremieresSeptember 2, 2020<October 22, 2020

Premiere: Ohio’s Spirit of the Bear Unleash Their Fun, Feverish, & Hazy “Opaque”

by Mitch Mosk
Samana
Music, PremieresSeptember 2, 2020<September 1, 2020

Premiere: UK Duo Samana Return with Dusty Mountain Dream, “Passing Me By”

by Mitch Mosk
Greenhouse - Caitlin Pasko
Debut, Music, Reviews, Track-by-TrackSeptember 1, 2020<September 1, 2020

Track-by-Track: Caitlin Pasko’s Debut ‘Greenhouse’ Embraces Fragility, Tranquility & Catharsis

by Mitch Mosk
Siv Jakobsen © Jørgen Nordby
Music, Reviews, Track-by-TrackSeptember 1, 2020<September 1, 2020

Track-by-Track: Norway’s Siv Jakobsen Dives into Stunning & Timely Album, ‘A Temporary Soothing’

by Mitch Mosk
UncategorizedSeptember 1, 2020<March 2, 2025

Today’s Song: Dan + Shay Explore the Tragedy of Moving on in “I Should Probably Go to Bed”

by Erica Danielle Garcia
Bright Eyes
Music, ReviewsSeptember 1, 2020<September 1, 2020

‘Down in the Weeds, Where the World Once Was’ Is Just Bright Eyes Doing What They Do Best

by Frankie Rose
Whiskey with Angels - Gabriel Moreno
Music, PremieresSeptember 1, 2020<September 1, 2020

Premiere: Gabriel Moreno Reclaims Hope in “We Can Write England All Over Again”

by Mitch Mosk
Interviews, MusicAugust 31, 2020<August 31, 2020

Interview with Windser: Chasing Nostalgia & Finding What Was Missing

by Maggie McHale
Bendrix Littleton © ben davis
Music, PremieresAugust 31, 2020<August 31, 2020

Premiere: Bendrix Littleton Weaves a Tender, Intimate Spell in “Daylight Curls”

by Mitch Mosk
Zeshan B © Harris Ansari
Interviews, MusicAugust 31, 2020<August 31, 2020

Interview: The Passionate & Multicultural Zeshan B Gets the Rallying Cry Going on Sophomore LP ‘Melismatic’

by Josh Weiner
Posts pagination
1 … 399 400 401 402 403 … 737

Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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