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Madelline © Betsy May Smith
Music, Music Videos, PremieresAugust 18, 2020<August 18, 2020

Premiere: Madelline Stands Up for Herself in “On a Different Wave!”, a Wake Up Call to Those Who Dragged Her Down

by Alicia Bugallo
Racism on Trial © Jammcard
Concerts, Music, ReviewsAugust 18, 2020<August 18, 2020

Review: Terrace Martin, Denzel Curry, & Kamasi Washington’s Protest Masterpiece ‘Racism on Trial’

by Mariel Fechik
Big Words © Wilhelm Philipp
Interviews, MusicAugust 17, 2020<August 17, 2020

Interview with Big Words: New Mixtape Is the “Cherry” on Top of Impressive Start for Australian Alt-R&B Duo

by Josh Weiner
Columns, Music, Today's SongAugust 17, 2020<August 17, 2020

Today’s Song: METZ Give Us Hope and a Place to Recharge on the Mighty “A Boat To Drown In”

by Oliver Crook
Softee © Alex Hass
Features, Interviews, Music, Music VideosAugust 14, 2020<August 14, 2020

A Hazy, Creative, and Colourful Collaboration: A Conversation with Softee and Eliza Scanlen

by Nicole Almeida
Fantastic Negrito © Peter Koudstaal
Features, Interviews, MusicAugust 14, 2020<August 14, 2020

Power, Race, and Positivity: A Conversation with Fantastic Negrito

by Ilana Kalish
Columns, Music, Today's SongAugust 14, 2020<August 14, 2020

Today’s Song: Marie Naffah’s “The Cage” Offers a Summery Tune to Groove To

by Adrian Vargas
Columns, Music, Weekly RoundupAugust 14, 2020<August 14, 2020

Atwood Magazine’s Weekly Roundup: August 14, 2020

by Atwood Magazine Staff
Essays, Music, ReviewsAugust 13, 2020<August 13, 2020

Editorial: Duwap Kaine Experiments with Sticky Electro-Trap on ‘Underdog 2’

by Ryan Feyre
Holly Humberstone © Phoebe Fox
Debut, Features, Music, Reviews, Track-by-TrackAugust 13, 2020<August 14, 2020

“Dark, Wonky, Brutally Honest Pop”: Holly Humberstone Opens Up on Debut EP ‘Falling Asleep At the Wheel’

by Mitch Mosk
Worthitpurchase © Noah Beaty
Debut, Music, PremieresAugust 13, 2020<August 13, 2020

Premiere: Worthitpurchase Deal with the Pain of Being Nostalgic on Debut “Dizzy Age”

by Nick Matthopoulos
Yukon Blonde © 2020
Music, PremieresAugust 13, 2020<August 13, 2020

Premiere: Falling “In Love Again” with Yukon Blonde’s Seductive Summer Dream

by Mitch Mosk
Juice WRLD © Nabil Elderkin
Music, Reviews, Today's SongAugust 13, 2020<August 13, 2020

Today’s Song: Juice WRLD Would’ve Been a Pop-Punk Prince with “Come & Go”

by James Crowley
Breaking The Record 2020
Breaking the Record, Columns, MusicAugust 13, 2020<August 13, 2020

Breaking the Record with Roan Yellowthorn, Part 27: Going Indie

by Mitch Mosk
SODA - Estes + Henley
Music, PremieresAugust 13, 2020<August 11, 2020

Premiere: Estes & HENLEY Team Up for Sweet n’ Summery, Freeing n’ Feelgood ‘SODA’ EP

by Mitch Mosk
Posts pagination
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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