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Amy Shark © Nicol Biesek
Features, Interviews, MusicJuly 14, 2020<July 9, 2020

Interview: Amy Shark’s Spirited “Everybody Rise” Is a Rousing Anthem for 2020 Action

by Mitch Mosk
Features, Interviews, MusicJuly 13, 2020<April 4, 2024

Interview with Baseball Game: Bouncing Back from the Hardships of Little League

by Josh Weiner
Willows
Features, Interviews, MusicJuly 13, 2020<July 13, 2020

Language, Musical Projects, and Métis Culture: An interview with Geneviève Toupin

by Frankie Rose
Music, ReviewsJuly 13, 2020<July 11, 2020

Review: Remi Wolf Is Whimsically Heartwarming in ‘I’m Allergic to Dogs!’ EP

by Maggie McHale
The Sophomore Series 3
Music, Sophomore SeriesJuly 13, 2020<October 27, 2020

The Sophomore Series: Tame Impala’s ‘Lonerism’ & FKA twigs’ ‘MAGDALENE’

by Leo Culp
Little Kid © Will Cox
Features, Music, Reviews, Track-by-TrackJuly 10, 2020<July 10, 2020

Feature: Little Kid Dive into the Depths of Their Spellbinding ‘Transfiguration Highway’

by Mitch Mosk
L to R: Sam Backoff, Savana Santos, Sami Bearden © Delaney Royer
Columns, Music, Reviews, Today's Song, UncategorizedJuly 10, 2020<January 30, 2025

Avenue Beat’s Lowkey “F2020” Is the ‘F*** You’ Anthem of the Year

by Mitch Mosk
Mister © Gabby Baginski
Music, ReviewsJuly 10, 2020<July 10, 2020

Review: Mister & ialive Unite for Brief Thoughts on the Mundane Throughout ‘Sounds of Pets’

by Ryan Feyre
Atwood Magazine's Weekly Roundup 07102020
Columns, Features, Music, Weekly RoundupJuly 10, 2020<August 23, 2020

Atwood Magazine’s Weekly Roundup: July 10, 2020

by Atwood Magazine Staff
Music, ReviewsJuly 10, 2020<December 15, 2020

Review: The Beths Tackle the Dark Side of Living Your Dream on ‘Jump Rope Gazers’

by Oliver Crook
Interviews, MusicJuly 10, 2020<July 10, 2020

Interview: Many Beaches May Be Closed, But Iration’s New Album “Coastin'” Can Teleport You There

by Josh Weiner
karima francis © Julia Ksiazek
Columns, Music, Today's SongJuly 10, 2020<July 6, 2020

Today’s Song: Karima Francis’ “Orange Rose” Examines Mental Health & Its Toll on Relationships

by Chloe Robinson
Punisher - Phoebe Bridgers
Music, ReviewsJuly 9, 2020<December 1, 2020

On Being Gone Forever: Phoebe Bridgers’ ‘Punisher’ as a Meditation on Death

by James Crowley
Aquilo © Morgan
Features, Interviews, MusicJuly 9, 2020<August 23, 2020

Interview: Aquilo Move on in Style with Stunning ‘Sober’ EP

by Mitch Mosk
Features, Interviews, MusicJuly 9, 2020<July 11, 2020

Feature: Exploring the Depths of Roo Panes and His ‘Pacific’ EP

by Ilana Kalish
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Brand New

  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers

:: discover something new ::

Recent Posts

  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
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