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Features, Music, Weekly RoundupMay 15, 2020<May 15, 2020

Atwood Magazine’s Weekly Roundup: May 15, 2020

by Atwood Magazine Staff
Ryan Montbleau
Interviews, MusicMay 15, 2020<May 15, 2020

Ryan Montbleau Gets Personal About His Strong Connection with Tall Heights & Deep Love for Music

by Chloe Robinson
It Is What It Is - Thundercat by Eddie Alcazar 8.3
Music, Our Take, ReviewsMay 15, 2020<December 15, 2020

Our Take: ‘It Is What It Is’ Finds a Grieving Thundercat at the Height of his Craft

by Josh Weiner
Charlotte OC © Maximillian Hetherington
Features, Music, Reviews, Track-by-TrackMay 15, 2020<May 15, 2020

Feature: Charlotte OC’s ‘Oh the Agony, Oh the Ecstasy’ EP Is a Passionate, Soulful Surrender

by Mitch Mosk
The List - Maisie Peters
Music, Reviews, This Just InMay 15, 2020<May 15, 2020

This Just In: Maisie Peters’ Melodically Blissful Self-Love Anthem, “The List”

by Kelly McCafferty Dorogy
Ten Kills the Pack © 2020
Music, Music Videos, PremieresMay 15, 2020<May 15, 2020

Premiere: The Visceral, Poetic Beauty of “Relaxing Apartments” & Ten Kills the Pack’s Debut EP ‘Force Majeure’

by Mitch Mosk
Ayelle © Polly Hanrahan
Features, Interviews, MusicMay 15, 2020<May 15, 2020

Baring It All with Ayelle: An Interview with a Musical ‘NOMAD’

by Ben Beamish
Columns, Music, Today's SongMay 15, 2020<May 15, 2020

Today’s Song: Laura Gray Provides a Soothing Rumination on Latest Single “For a While”

by Adrian Vargas
Colton Dixon © Jimmy Fontaine
Music, Music Videos, PremieresMay 14, 2020<May 14, 2020

Premiere: Colton Dixon’s Intimate “Can’t Quit You” Proves a Sweetly Seductive Love Song

by Mitch Mosk
Features, Interviews, MusicMay 14, 2020<May 14, 2020

Interview with Gone West: Modern Country with an Old School Sound

by Coco Rich
Bjorn Rydhog © Fredrik Salomonsson
Music, Reviews, Track-by-TrackMay 14, 2020<May 14, 2020

Track-by-Track: Bjorn Rydhog’s ‘Give Me Sunshine’ EP Is a Dazzling Folk-Pop Oasis

by Mitch Mosk
October Tooth © Wrenne Evans
Music, PremieresMay 14, 2020<May 13, 2020

EP Premiere: October Tooth Wonder, ‘Will California Be Worth This’ on New EP

by Lowndes Commander
The National Parks © McKenna Chatterley
Music, Music Videos, PremieresMay 14, 2020<May 14, 2020

Premiere: The National Parks Come Alive with Heartland Hope in “Waiting for Lightning”

by Mitch Mosk
The New Abnormal - The Strokes
Features, Music, Reviews, RoundtableMay 14, 2020<June 29, 2024

Roundtable Discussion: A Review of The Strokes’ ‘The New Abnormal’

by Atwood Magazine Staff
Pixies © 1980s
Columns, Music, Nostalgia TracksMay 14, 2020<May 14, 2020

Nostalgia Tracks: Riding Pixies’ “Wave of Mutilation” for a Summer, 20 Years Later

by Jonny Shapiro
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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