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EMIKA © Adam Krena
Features, Interviews, MusicJuly 16, 2020<July 16, 2020

A Conversation With Emika: A Neo-Classical Creative Force to be Reckoned With

by Josh Weiner
Features, Interviews, MusicJuly 16, 2020<July 16, 2020

Feature: Donna Missal Lights a Cathartic Blaze with ‘Lighter’

by Anthony Kozlowski
Features, Interviews, MusicJuly 16, 2020<July 16, 2020

On Happiness and Humanness: A Conversation With Joy Oladokun

by Lowndes Commander
Features, Interviews, MusicJuly 16, 2020<July 16, 2020

Interview: Brasstracks on Collaboration and Their ‘Golden Ticket’

by Mariel Fechik
The Clockworks © Oscar Ryan Photography
Columns, Music, Today's SongJuly 16, 2020<July 11, 2020

The Clockworks Merge Past, Future, & Reality on Hard Hitting “The Future Is Not What It Was”

by Oliver Crook
Breaking The Record 2020
Breaking the Record, Columns, MusicJuly 16, 2020<July 16, 2020

Breaking the Record with Roan Yellowthorn, Part 23: Working From the Basement

by Guest Writer
beabadoobee © 2020
Music, This Just InJuly 15, 2020<July 16, 2020

This Just In: Beabadoobee Unveils Her Vulnerability in “Care”

by Alicia Bugallo
Sebastian Paul © Alden Bone Cutter
Features, Interviews, MusicJuly 15, 2020<July 15, 2020

Interview with Sebastian Paul: Always on the Road, Always Experimenting Stylistically

by Josh Weiner
Tedadore © Chris Chaput
Debut, Music, PremieresJuly 15, 2020<July 10, 2020

Premiere: Nashville’s Tedadore Debuts with the Fun, Sweet, & Restlessly Relatable “Cooped Up”

by Mitch Mosk
Kiol © 2020
Music, PremieresJuly 15, 2020<July 11, 2020

Premiere: Kiol’s Summer Single Is Unbridled Sun-Soaked “Joy”

by Mitch Mosk
Columns, Music, Today's SongJuly 15, 2020<July 15, 2020

Today’s Song: A Dazzling Collision of Two Worlds on Ginger Root’s “Out of State”

by Adrian Vargas
Music, ReviewsJuly 14, 2020<July 14, 2020

Review: ‘Heaven To A Tortured Mind’ Proves to Be Yves Tumor’s Magnum Opus

by Ben Niesen
SUAD © Riku Pihlanto
Music, Music Videos, PremieresJuly 14, 2020<July 10, 2020

Premiere: SUAD Opens “The Door” with an Enchanting Vision of Hope & Inner Strength

by Mitch Mosk
Sad Alex © Alex Stone
Columns, Music, Today's SongJuly 14, 2020<July 11, 2020

Sad Alex’s All Too Relatable Experience Portrayed in “Stockholm’s a Ghost Town”

by Kelsey Fitzgerald
Amy Shark © Nicol Biesek
Features, Interviews, MusicJuly 14, 2020<July 9, 2020

Interview: Amy Shark’s Spirited “Everybody Rise” Is a Rousing Anthem for 2020 Action

by Mitch Mosk
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Brand New

  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation

:: discover something new ::

Recent Posts

  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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