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MisterWives © Matty Vogel
Music, Reviews, This Just InMay 20, 2020<May 20, 2020

MisterWives Climb Out of Rock Bottom with Feel-Good Celebration, “SUPERBLOOM”

by Kelly McCafferty Dorogy
Anthony Mills © Ted Lindén
Interviews, MusicMay 19, 2020<May 19, 2020

Interview with Anthony Mills: An Ohio Native with Southern Heritage Riding High on a Swedish Indie Label

by Josh Weiner
Arther Blue © Paige Sara Wilson
Debut, Music, PremieresMay 19, 2020<May 19, 2020

Premiere: Arther Blue Evokes Rainy-Day Romance Vibes in “Wet Shoe”

by Mitch Mosk
altopalo © 2020 9.4
Features, Interviews, Music, Our Take, ReviewsMay 19, 2020<December 15, 2020

Feature: altopalo’s Cinematic, Tender, & Stunning Sophomore Album ‘farawayfromeveryoneyouknow’

by Mitch Mosk
Maude Latour © 2020
Columns, Music, Today's SongMay 19, 2020<May 18, 2020

Today’s Song: Maude Latour’s New Single “Furniture” Symbolizes a New Beginning

by Lexi Lane
My Ugly Clementine © Hana Fasching 8.9
Debut, Music, Our Take, ReviewsMay 19, 2020<December 15, 2020

Our Take: My Ugly Clementine’s Debut Album ‘Vitamin C’ Is Empowering, Fresh-Squeezed Indie Rock

by Mitch Mosk
James Gillespie © 2020
Music, Music Videos, PremieresMay 19, 2020<May 18, 2020

Premiere: James Gillespie’s “Rescue Me” Music Video Is As Atmospheric As It Is Mysterious

by Bethan Harper
tri patterns 2020
Music, ReviewsMay 18, 2020<May 19, 2020

Review: tri patterns’ Double Single “Kids” / “Grow” Is a Buoyant Indie Pop Light in the Dark

by Mitch Mosk
I'm Still Here - J.R. Wyatt 9.3
Music, Our Take, ReviewsMay 18, 2020<December 15, 2020

Our Take: J.R. Wyatt’s ‘I’m Still Here’ Sits on the Divide of Past & Present with Unmatched Lyricism

by Lowndes Commander
Moses Sumney grae
Music, ReviewsMay 18, 2020<May 18, 2020

Album Review: Moses Sumney’s Beautiful, Multitudinous ‘græ’

by Mariel Fechik
Boyish © Nicole Teckchandani
Music, Music Videos, PremieresMay 18, 2020<May 18, 2020

Premiere: Boyish’s “FUCK YOU HEATHER” Is a Stunning, Raw, & Impassioned Upheaval

by Mitch Mosk
Interviews, MusicMay 18, 2020<May 18, 2020

Dream Hunting in the Valley of the In-Between: An Interview with Man Man

by Josh Weiner
DoomFolk StarterKit © Savannah Kee
Music, PremieresMay 18, 2020<May 18, 2020

EP Premiere: DoomFolk StarterKit’s ‘SleepyGhost’ Is a Beautiful Result of Creating Within Time Constraints

by Lowndes Commander
Next Best Thing - FLOOR CRY, Vansire
Columns, Music, Today's SongMay 18, 2020<May 18, 2020

Today’s Song: FLOOR CRY and Vansire’s “Next Best Thing” Is Here

by Madison Vettorino
Nevermind - NAWAS
Columns, Music, Today's SongMay 17, 2020<May 17, 2020

Today’s Song: “Nevermind” Proves an Emotionally Raw, Vocally Alluring Number for NAWAS

by Josh Weiner
Posts pagination
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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