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EMIKA © Adam Krena
Features, Interviews, MusicJuly 16, 2020<July 16, 2020

A Conversation With Emika: A Neo-Classical Creative Force to be Reckoned With

by Josh Weiner
Features, Interviews, MusicJuly 16, 2020<July 16, 2020

Feature: Donna Missal Lights a Cathartic Blaze with ‘Lighter’

by Anthony Kozlowski
Features, Interviews, MusicJuly 16, 2020<July 16, 2020

On Happiness and Humanness: A Conversation With Joy Oladokun

by Lowndes Commander
Features, Interviews, MusicJuly 16, 2020<July 16, 2020

Interview: Brasstracks on Collaboration and Their ‘Golden Ticket’

by Mariel Fechik
The Clockworks © Oscar Ryan Photography
Columns, Music, Today's SongJuly 16, 2020<July 11, 2020

The Clockworks Merge Past, Future, & Reality on Hard Hitting “The Future Is Not What It Was”

by Oliver Crook
Breaking The Record 2020
Breaking the Record, Columns, MusicJuly 16, 2020<July 16, 2020

Breaking the Record with Roan Yellowthorn, Part 23: Working From the Basement

by Guest Writer
beabadoobee © 2020
Music, This Just InJuly 15, 2020<July 16, 2020

This Just In: Beabadoobee Unveils Her Vulnerability in “Care”

by Alicia Bugallo
Sebastian Paul © Alden Bone Cutter
Features, Interviews, MusicJuly 15, 2020<July 15, 2020

Interview with Sebastian Paul: Always on the Road, Always Experimenting Stylistically

by Josh Weiner
Tedadore © Chris Chaput
Debut, Music, PremieresJuly 15, 2020<July 10, 2020

Premiere: Nashville’s Tedadore Debuts with the Fun, Sweet, & Restlessly Relatable “Cooped Up”

by Mitch Mosk
Kiol © 2020
Music, PremieresJuly 15, 2020<July 11, 2020

Premiere: Kiol’s Summer Single Is Unbridled Sun-Soaked “Joy”

by Mitch Mosk
Columns, Music, Today's SongJuly 15, 2020<July 15, 2020

Today’s Song: A Dazzling Collision of Two Worlds on Ginger Root’s “Out of State”

by Adrian Vargas
Music, ReviewsJuly 14, 2020<July 14, 2020

Review: ‘Heaven To A Tortured Mind’ Proves to Be Yves Tumor’s Magnum Opus

by Ben Niesen
SUAD © Riku Pihlanto
Music, Music Videos, PremieresJuly 14, 2020<July 10, 2020

Premiere: SUAD Opens “The Door” with an Enchanting Vision of Hope & Inner Strength

by Mitch Mosk
Sad Alex © Alex Stone
Columns, Music, Today's SongJuly 14, 2020<July 11, 2020

Sad Alex’s All Too Relatable Experience Portrayed in “Stockholm’s a Ghost Town”

by Kelsey Fitzgerald
Amy Shark © Nicol Biesek
Features, Interviews, MusicJuly 14, 2020<July 9, 2020

Interview: Amy Shark’s Spirited “Everybody Rise” Is a Rousing Anthem for 2020 Action

by Mitch Mosk
Posts pagination
1 … 413 414 415 416 417 … 737

Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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