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Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

Today’s Song: The Birds Outside My Window Deliver Mind-Bending Sounds with “Chirp”

by Adrian Vargas
Cormac O Caoimh © 2020
Music, PremieresMarch 31, 2020<April 5, 2020

Premiere: Cormac O Caoimh’s Poignant & Upbeat Ode “When My Kids Grow Too Old to Hold Hands”

by Mitch Mosk
The Sweater Set © Plume Photography (Amanda Reynolds)
Music, PremieresMarch 31, 2020<March 31, 2020

Premiere: DC Duo The Sweater Set Weave Sweet Folk & Romance into “Hostage”

by Mitch Mosk
Debut, Music, Our Take, ReviewsMarch 31, 2020<December 15, 2020

Acoustics, Electropop & Inner Turmoil Add up to Leila Sunier’s Successful Debut EP ‘If Only to Bleed Out the White Noise’

by Josh Weiner
Debut, Interviews, MusicMarch 31, 2020<March 31, 2020

Transporting to a Wistful World: Polartropica Dives into Debut Album ‘Dreams Come True’

by Chloe Robinson
Brian Bradley 'Nocturnes' © 2020
Features, Interviews, MusicMarch 31, 2020<March 30, 2020

Interview: Environment Is Sound for Brian Bradley and His New EP ‘Nocturnes’

by Coco Rich
Waxahatchee © Molly Matalon
Columns, Music, Today's SongMarch 31, 2020<March 31, 2020

Today’s Song: Waxahatchee’s “Can’t Do Much” Is an Apt Blend of Reality and Dreaminess

by Frankie Rose
The Jacks © Paige Sara
Music, Reviews, Track-by-TrackMarch 30, 2020<March 31, 2020

Heart, Soul, & Ignition: The Jacks’ ‘Remember You’ EP Is Pure 21st Century Indie Rock

by Mitch Mosk
Interviews, MusicMarch 30, 2020<March 30, 2020

Interview: Minneapolis Collective Doomtree Re-Establish Their Genre-Defying Aesthetic on “Five Alive”

by Ryan Feyre
All You're Not - FERGUS
Music, PremieresMarch 30, 2020<March 30, 2020

Premiere: FERGUS’ Vulnerable & Bittersweet Song “All You’re Not” Unveils a Heavy, Aching Wound

by Mitch Mosk
Rocket - Rose Betts
Music, PremieresMarch 30, 2020<March 30, 2020

Premiere: Rose Betts’ Timely “Rocket” Ignites with Childlike Optimism, Urgency, and Hope

by Mitch Mosk
Features, Interviews, MusicMarch 30, 2020<March 30, 2020

Interview: Peach Pit Tackle Challenging Themes with Satire on Sophomore Album ‘You and Your Friends’

by Harper Beattie
Future Nostalgia - Dua Lipa 9
Music, Our Take, ReviewsMarch 30, 2020<December 15, 2020

Our Take: All Queue Up for the Party of the Year on Dua Lipa’s ‘Future Nostalgia’

by Josh Weiner
MAVICA © Sofía Boriosi
Music, PremieresMarch 30, 2020<March 30, 2020

Premiere: Mavica Returns to Her Roots, Bringing It Back Home with “Ada Road”

by Alicia Bugallo
Rachel Levin © Riker Brothers Photography
Columns, Interviews, Music, Today's SongMarch 30, 2020<March 30, 2020

Today’s Song: YouTuber Rachel Levin Launches Music Career with “Myself,” a Positive Anthem of Self-Acceptance

by Josh Weiner
Posts pagination
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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