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Ruthless - JJ Wilde 8.1
Features, Music, Our Take, Reviews, Track-by-TrackJune 24, 2020<December 15, 2020

Feature: JJ Wilde’s Debut Album Is a ‘Ruthless’, Spirited, & Energizing Rock Affair

by Mitch Mosk
Features, Interviews, MusicJune 24, 2020<June 24, 2020

The Power of Music in a Time of Unrest: A Conversation with Marshall Law Band

by Adrian Vargas
Features, Interviews, MusicJune 24, 2020<June 24, 2020

Feature: ZZ Ward Shepherds in a Ray of Light through “The Dark”

by Anthony Kozlowski
Grace Ludmila © 2020
Columns, Music, Today's SongJune 24, 2020<June 24, 2020

Today’s Song: Grace Ludmila’s New Single “Hollow” Stars Raw, Gripping Vocals

by Matthew Dunn
Ocie Elliott © Dustin Rabin
Music, PremieresJune 24, 2020<June 23, 2020

Premiere: Ocie Elliott’s Beautifully Raw, Fresh Folk Shines in “Tracks”

by Mitch Mosk
Malia Civetz © Dennis Leupold
Features, Interviews, MusicJune 23, 2020<June 23, 2020

Interview: Malia Civetz’s “Heart Broke” Revives the Studio 54 Sound for 2020 

by Lexi Lane
Backstreets of America - Echotape
Features, Interviews, MusicJune 23, 2020<June 23, 2020

Interview: UK’s Echotape Begin a New Era with Impassioned Protest Anthem “Backstreets of America”

by Mitch Mosk
Petals for Armor - Hayley Williams
Features, Music, Reviews, RoundtableJune 23, 2020<June 29, 2024

Roundtable Discussion: A Review of Hayley Williams’ ‘Petals for Armor’

by Atwood Magazine Staff
How I'm Feeling Now - Charli XCX 7.9
Music, Our Take, ReviewsJune 23, 2020<December 15, 2020

Our Take: Charli XCX Remains the Queen of Electropop Love Tunes on ‘How I’m Feeling Now’

by Josh Weiner
Nightly © Zach Pigg
Music, Music Videos, PremieresJune 23, 2020<June 23, 2020

Premiere: Nightly Find Escapist Fun in Video for ‘you should probably just hang up’

by Luke Pettican
Space Kamp © 2020
Music, PremieresJune 23, 2020<June 23, 2020

Premiere: Space Kamp’s Passionate Anthem “Home Grown” Is a Heartfelt, Upbeat Rebel Hippie Reflection

by Mitch Mosk
Columns, Music, Today's SongJune 23, 2020<June 23, 2020

Today’s Song: Fusilier Finds Hope in the Little Things on “Upstream”

by Oliver Crook
Sunbather © 2020
Music, PremieresJune 23, 2020<June 25, 2020

Premiere: Brisbane’s Sunbather Bring Forth Heavy Emotion on Debut EP ‘Brown Bread’

by Matthew Dunn
Supernaive © 2020
Music, PremieresJune 22, 2020<June 22, 2020

Premiere: Lose Yourself in Supernaive’s Seductive & Feverish “Under Control” ft. NAL

by Mitch Mosk
Heather Mae and Crys Matthews
Interviews, MusicJune 22, 2020<June 22, 2020

Interview: With “Six Feet Apart,” Crys Matthews & Heather Mae Promote Social Distance Love and a Tour for PRIDE

by Joe Beer
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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