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7.1
Music You Should Know, Our TakeMay 21, 2020<December 15, 2020

Our Take: ‘Man of the Woods’ Proves to Be a Solid Effort From JT

by Josh Weiner
Ella Isaacson x Gallant © 2020
Music, Reviews, This Just InMay 21, 2020<May 21, 2020

This Just In: Ella Isaacson Lets Go with “Expectations” featuring Gallant

by Kelly McCafferty Dorogy
Atwood Magazine Editor's Picks 35
Columns, Editor's Picks, Features, MusicMay 21, 2020<August 23, 2020

Editor’s Picks: May 21, 2020

by Mitch Mosk
LUCA WILDING © John Ogunmuyiwa
Debut, Music, PremieresMay 21, 2020<August 4, 2020

Premiere: London’s Luca Wilding Debuts with Raw, Impassioned “Heartachers”

by Mitch Mosk
Music, PremieresMay 21, 2020<May 21, 2020

Premiere: Raw and Impassioned, Desmerelda’s “Welcome to the Establishment” Provides a Much Needed Escape

by Adrian Vargas
Stonefox "Time" acoustic
Music, Music Videos, PremieresMay 21, 2020<May 21, 2020

Premiere: Melbourne’s Stonefox Are Intimate & Raw in Stripped “Time” Acoustic Video

by Mitch Mosk
Columns, Music, Today's SongMay 21, 2020<May 21, 2020

A Sweet Recall of Love Makes Christy O’Donnell’s “Remember Me Well” a Standout

by Kelly McCafferty Dorogy
Breaking The Record 2020
Breaking the Record, Columns, MusicMay 21, 2020<May 20, 2020

Breaking the Record with Roan Yellowthorn, Part 16: On Writing

by Guest Writer
Grown Ungrown - Orpine
Debut, Features, Music, Reviews, Track-by-TrackMay 20, 2020<May 20, 2020

Review: Orpine Inject Duality & Depth into Debut Album ‘Grown Ungrown’

by Mitch Mosk
I Do Not Have to Be Good - Emily Keener
Features, Music, Premieres, Track-by-TrackMay 20, 2020<May 20, 2020

Feature: Emily Keener’s Stunning & Stirring Sophomore Album ‘I Do Not Have to Be Good’

by Mitch Mosk
Interviews, MusicMay 20, 2020<May 20, 2020

Interview: Shoegaze Duo The Know on Their Evocative & Intimate Debut EP ‘wearetheknow’

by Chloe Robinson
Features, Interviews, MusicMay 20, 2020<May 21, 2020

Interview with The Fratellis: Multi-Platinum and Still Finding Ways to Improve

by Matthew Dunn
The Sea The Sea © Kiki Vassilakis
Music, Music Videos, PremieresMay 20, 2020<September 10, 2020

Premiere: The Sea The Sea’s Intimate “Parachute” Is a Beautiful, Enchanting Lullaby

by Mitch Mosk
The Hardest Part - Joe Ramsey
Columns, Music, Today's SongMay 20, 2020<May 19, 2020

Today’s Song: Joe Ramsey Embraces “The Hardest Part” in His Latest Single

by Robin Fulton
MisterWives © Matty Vogel
Music, Reviews, This Just InMay 20, 2020<May 20, 2020

MisterWives Climb Out of Rock Bottom with Feel-Good Celebration, “SUPERBLOOM”

by Kelly McCafferty Dorogy
Posts pagination
1 … 428 429 430 431 432 … 737

Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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