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Genevieve Stokes © Abbie Pitre
Columns, Features, Interviews, Music, Today's SongApril 29, 2020<April 28, 2020

Interview: Genevieve Stokes on Creating Distance, Staying Dreamy, and “Running Away”

by Erica Danielle Garcia
The Bergamot © 2020
Features, Music, Reviews, Track-by-TrackApril 28, 2020<April 28, 2020

Track-by-Track: The Bergamot Dive into the Depths of ‘Mayflies’, an Album Full of Passion, Space, & Depth

by Mitch Mosk
Kevin Garrett © 2020
Features, Interviews, MusicApril 28, 2020<April 28, 2020

Interview with Kevin Garrett: Songwriting as a Form of Confrontational Expression

by Luke Pettican
Seafret © Kris Kesiak
Features, Interviews, MusicApril 28, 2020<April 28, 2020

Feature: Seafret’s Sophomore Album ‘Most of Us Are Strangers’ Connects Us in a Disconnected World

by Ilana Kalish
teepee © David Broda
Music, Music Videos, PremieresApril 28, 2020<April 28, 2020

Premiere: teepee’s Breathtaking “hazel trees” Video Is a Cinematic, Hopeful, & Awe-Inspiring Spectacle

by Mitch Mosk
Night Flight © 2020
Features, Music, Reviews, Track-by-TrackApril 27, 2020<April 28, 2020

Feature: London’s Night Flight Soar with Majestic Energy in ‘White Noise’ EP

by Mitch Mosk
Dror © 2020
Music, Music Videos, PremieresApril 27, 2020<April 29, 2020

Premiere: Dror’s Western Dream Chase “Bloodline”

by Kelly McCafferty Dorogy
East Coast Blonde © 2020
Music, ReviewsApril 27, 2020<April 27, 2020

Artist to Watch: Chicago’s East Coast Blonde Enter the Scene with a Striking Sound

by Coco Rich
Day Wave © Daniel Topete
Features, Interviews, MusicApril 27, 2020<April 27, 2020

Interview: Day Wave Is Starting Again with New EP ‘Crush’

by Lowndes Commander
JXST J © Roman Koval
Columns, Debut, Music, Today's SongApril 27, 2020<April 26, 2020

JXST J Takes Us to the Tropics with Debut Single & Cheeky Video “Like U Used 2”

by Kelsey Fitzgerald
Ok Moon
Debut, Features, Interviews, MusicApril 27, 2020<April 27, 2020

Musical Chairs & Organic Indie Folk Magic: An Interview with Australian Supergroup Ok Moon

by Mitch Mosk
Columns, Features, Music, Weekly RoundupApril 24, 2020<May 15, 2020

Atwood Magazine’s Weekly Roundup: April 24, 2020

by Atwood Magazine Staff
Only Human Natural - Human Natural
Debut, Music, Reviews, Track-by-TrackApril 24, 2020<March 2, 2025

Feature: Human Natural Debut with Sweet Jamz & Groovy Vibes in ‘Only Human Natural’

by Mitch Mosk
Lauran Hibberd © Emily Marcovecchio
Music, Reviews, This Just InApril 24, 2020<April 24, 2020

This Just In: Lauran Hibberd Radiates with Electrifying Energy in “Old Nudes”

by Luke Pettican
Breaking The Record 2020
Breaking the Record, Columns, MusicApril 24, 2020<April 24, 2020

Breaking the Record with Roan Yellowthorn, Part 12: What Now?

by Guest Writer
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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