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Melody Federer - Matthew Berinato
Music, PremieresMarch 2, 2020<March 2, 2020

Premiere: Melody Federer Unravels Trapped Feelings in New Single “This Town”

by Erica Danielle Garcia
Columns, Music, Today's SongMarch 2, 2020<March 2, 2020

Today’s Song: Aussies Willaris. K & Gordi Unite for a Startling Sonic Exploration of the “Indifferent” Mindset

by Josh Weiner
Features, Music, Weekly RoundupFebruary 28, 2020<February 28, 2020

Atwood Magazine’s Weekly Roundup: February 28, 2020

by Atwood Magazine Staff
Overcoats © Shervin Lainez
Features, Interviews, MusicFebruary 28, 2020<March 6, 2020

Interview: Brooklyn Duo Overcoats Ignite with an Urgent and Irresistible “Fire & Fury”

by Mitch Mosk
Cameo - Swan Levitt
Music, Reviews, This Just InFebruary 28, 2020<February 28, 2020

Singer/Songwriter Swan Levitt Returns with Stunningly Visceral Song “Cameo”

by Mitch Mosk
Tunes and Tumblers © Chandler Juliet Pedro Isaac Chairez
Music, Podcast, Tunes & TumblersFebruary 28, 2020<April 30, 2023

Podcast: Tunes & Tumblers Learn Their “Love Language” with Chandler Juliet

by Anthony Kozlowski
otta 8.1
Debut, Music, Our Take, ReviewsFebruary 28, 2020<December 15, 2020

Our Take: otta’s ‘after it all blew over’ Is a Smart & Captivating Debut EP

by Tim Horwood
Music, ReviewsFebruary 28, 2020<February 28, 2020

Review: Big Thief’s ‘Two Hands’ is a Raw, Authentic, and Earthy Experience

by Nina Schaarschmidt
RLUMR
Debut, Features, Interviews, MusicFebruary 28, 2020<February 28, 2020

A Conduit for Codifying Honesty: A Conversation with R.LUM.R

by Maggie McHale
Emotional Oranges
Columns, Music, Today's SongFebruary 28, 2020<February 28, 2020

Today’s Song: Emotional Oranges Quench Your Morning Thirst with “Sundays”

by Kelsey Fitzgerald
EDEN © Drew Escriva
Features, Interviews, MusicFebruary 27, 2020<March 16, 2021

Feature: Chaos, Hope, and EDEN’s Intimate 2nd Album ‘no future’

by Dalia
Cailin Russo © Naserin Bogado
Features, Interviews, MusicFebruary 27, 2020<February 27, 2020

Making the Most Out of ‘The Drama’: A Conversation with Cailin Russo

by Nicole Almeida
Heartracer - Main Press shot (credit Chapin Mathews) - hi res
Music, Music Videos, PremieresFebruary 27, 2020<February 27, 2020

Premiere: Heartracer’s Pulsing Power-Ballad “Darling” Conveys a Universal Truth

by Mitch Mosk
A Brighter Day - Grant Earl Lavalley
Music, PremieresFebruary 27, 2020<February 27, 2020

Album Premiere: Grant Earl LaValley’s ‘A Brighter Day’ Is a Haunting Celebration of Psychedelic Sound

by Chloe Robinson
Taylor Swift © Valheria Rocha
Essays, Features, MusicFebruary 27, 2020<February 27, 2020

If I Was The Man, Then I’d Be The Man: An Essay Inspired by Taylor Swift

by Lexi Lane
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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