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Turn Around - Ester
Music, Premieres, ReviewsMarch 23, 2020<March 23, 2020

Album Premiere: Ester’s Visceral Sophomore Record ‘Turn Around’ Is a Turbulent Coming-of-Age Experience

by Mitch Mosk
Peco McLoughlin
Columns, Music, Today's SongMarch 23, 2020<March 26, 2020

Today’s Song: Peco’s Timely & Relevant “Some Folk” Is a Call for Empathy

by Kelly McCafferty Dorogy
Atwood Magazine's Weekly Roundup March 21 2020
Columns, Features, Music, Weekly RoundupMarch 21, 2020<March 21, 2020

Atwood Magazine’s Weekly Roundup: March 21, 2020

by Atwood Magazine Staff
Caution - The Killers
Music, Reviews, This Just InMarch 20, 2020<May 15, 2020

This Just In: The Killers Throw “Caution” to the Wind in a Restless, Impassioned Upheaval

by Mitch Mosk
Interviews, MusicMarch 20, 2020<November 9, 2021

The Life & Times of a Quarantined Artist: A Conversation with Alexandra Stréliski

by Adrian Vargas
Bury the Moon - Asgeir
Features, Interviews, MusicMarch 20, 2020<March 20, 2020

Finding Oneself Deep Down Inside the Mind: Ásgeir Discusses His New Album ‘Bury the Moon’

by Ilana Kalish
Two Feet © Republic Records
Debut, Features, Interviews, MusicMarch 20, 2020<March 20, 2020

Interview: Two Feet’s Zachary Dess Dives into Heartfelt Debut Album ‘Pink’

by Ben Beamish
Falling Asleep at the Wheel - Holly Humberstone
Columns, Debut, Music, Today's SongMarch 20, 2020<March 20, 2020

Artist to Watch: Holly Humberstone’s Second Single “Falling Asleep at the Wheel” Is a Hauntingly Intimate Upheaval

by Mitch Mosk
Eclipse - addy 10
Debut, Music, Our Take, Reviews, Track-by-TrackMarch 19, 2020<December 15, 2020

Track-by-Track: Inside addy’s Beautifully Haunting, Introspective Debut ‘Eclipse’

by Mitch Mosk
JST FRNDS © Zachary Deloach
Breaking the Record, Music, PremieresMarch 19, 2020<March 19, 2020

Premiere: JST FRNDS’ Aching “Long Nights” Is an Intimate Anthem for Social Distancing Times

by Mitch Mosk
Features, Interviews, MusicMarch 19, 2020<March 19, 2020

Escaping Monotony: An Interview with Alfie Templeman

by Baylee Less
Lastlings © 2020
Columns, Music, Today's SongMarch 19, 2020<March 21, 2020

Today’s Song: Gold Coast’s Lastlings Hold on Tight in Pulsing “Take My Hand,” Their First with Astralwerks

by Josh Weiner
Blonder © 2020
Music, Music Videos, PremieresMarch 19, 2020<March 19, 2020

Premiere: Blonder Holds Together an Idea of Love with “Glue”

by Maggie McHale
Breaking The Record 2020
Breaking the Record, Columns, MusicMarch 19, 2020<March 16, 2020

Breaking the Record with Roan Yellowthorn, Part 7: Mastering & More

by Guest Writer
Izzy Thomas © Dorota Szostek
Interviews, MusicMarch 18, 2020<March 18, 2020

Interview: Izzy Thomas Is “Mad” as Hell on Fierce New Single

by Anthony Kozlowski
Posts pagination
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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