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Neon Trees © Grace Pickering
Features, Interviews, MusicNovember 14, 2019<January 30, 2020

Interview: Neon Trees Return with Electrifying Anthem “Used to Like”

by Mitch Mosk
Novemberism - Oliver Spalding
Debut, Interviews, Music, PremieresNovember 13, 2019<November 14, 2019

Album Premiere: Oliver Spalding Mesmerizes on Ethereal Debut ‘Novemberism’

by Adrian Vargas
Interviews, Music, Music Videos, PremieresNovember 13, 2019<November 14, 2019

Video Premiere: KaiL Baxley Evokes Grit and Beauty on “Beneath the Bones”

by Adrian Vargas
Frank Ocean 2019
Music, ReviewsNovember 13, 2019<November 21, 2019

Review: So, Did Frank Ocean Just ‘Save’ 2019 with Three New Songs?

by Urooj Ali Rizvi
Caravan Palace © Florent Drillon
Features, Interviews, MusicNovember 13, 2019<November 13, 2019

Retro-Futurism, Phenomenology, and Scatting Gibberish: A Conversation with Caravan Palace

by Danny Vagnoni
Dirty Dollhouse © Rob Swift
Music, PremieresNovember 13, 2019<November 13, 2019

Premiere: Nashville Vibe Meets Modern Pop in Dirty Dollhouse’s “Honey, They’re onto Us”

by Nina Schaarschmidt
The Rare Occasions © Ari Soto
Features, Music, PremieresNovember 13, 2019<November 13, 2019

Premiere: The Rare Occasions Claw for “Control” in Explosive Song on Xinjiang & Injustice

by Mitch Mosk
Hoger © 2019
Debut, Music, This Just InNovember 13, 2019<May 28, 2020

Rotterdam’s Hoger Enthralls with the Utterly Absorbing “Can’t Stand Not Loving You”

by Luke Pettican
Miles Mosley
Columns, Music, Today's SongNovember 13, 2019<November 13, 2019

Today’s Song: Miles Mosley’s “BROTHER” Will Catapult You Through the Funk’esphere

by Ilana Kalish
Surf Rock Is Dead © Shamshawan Scott
Features, Interviews, MusicNovember 12, 2019<November 12, 2019

Interview with Surf Rock Is Dead: How to Put “Surfgaze” on the Indie Map

by Josh Weiner
Hanging Valleys © Max Stanley
Music, PremieresNovember 12, 2019<November 12, 2019

Premiere: Hanging Valleys Inspire Awe in Cinematic, Ambient Song “The Shining Mountain”

by Mitch Mosk
Nick Cianci © Ben Zucker
Features, Interviews, MusicNovember 12, 2019<November 12, 2019

Loud Indie Rock Confessionals: An Interview with New York’s Nick Cianci

by Mitch Mosk
Rob Simonsen © Brad Torchia
Interviews, Music, PremieresNovember 12, 2019<November 12, 2019

Premiere: Rob Simonsen Captures Echoes of Family in “Refraction”

by Coco Rich
Sam Johnson © Jim Homes
Music, PremieresNovember 12, 2019<August 16, 2021

Premiere: Sam Johnson Remains Unafraid of Perseverance in “Lost in the Mail”

by Erica Danielle Garcia
Overcoats
Columns, Music, Today's SongNovember 12, 2019<December 5, 2019

Overcoats’ “Leave If You Wanna” Captures Restlessness & the Burning Desire for Change

by Nina Schaarschmidt
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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