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Jack Sledge © Giancarlo D'Agostaro
Music, PremieresMarch 16, 2020<March 16, 2020

Premiere: “Drifter” Offers a Melodic Road Trip with Jack Sledge

by Kelly McCafferty Dorogy
Hannah Georgas © Vanessa Heins
Columns, Music, Today's SongMarch 16, 2020<March 16, 2020

Today’s Song: Hannah Georgas Dares to Be Vulnerable in Latest Single “That Emotion”

by Erica Danielle Garcia
Atwood Magazine Weekly Roundup March 13, 2020
Columns, Features, Music, Weekly RoundupMarch 13, 2020<May 15, 2020

Atwood Magazine’s Weekly Roundup: March 13, 2020

by Atwood Magazine Staff
Rental House William Wild 1
Music, Music Videos, PremieresMarch 13, 2020<March 13, 2020

Premiere: William Wild Haunts on the Intimate & Immediate “Rental House” off New Album ‘Push Ups’

by Mitch Mosk
Debut, Features, Interviews, MusicMarch 13, 2020<March 13, 2020

Ever-Evolving, Figuring Things Out, and Reaching ‘Something Better’: A Conversation with Loose Buttons

by Maggie McHale
Magdalena Bay © Kate Biel lr
Features, Interviews, MusicMarch 13, 2020<March 13, 2020

Escapist Music from an Evocative Vibe: Magdalena Bay Discuss EP ‘A Little Rhythm and a Wicked Feeling’

by Jesse Herb
Jenny Dee © 2020
Debut, Music, Reviews, Track-by-TrackMarch 13, 2020<March 12, 2020

Review: Jenny Dee Dazzles with Debut Album ‘Dancing from a Distance’

by Kelly McCafferty Dorogy
Curren$y & Fendi P
Columns, Music, Today's SongMarch 13, 2020<March 12, 2020

Today’s Song: Curren$y & Fendi P Epitomize Loyalty and Swagger on “Strategize”

by Ryan Feyre
Music, ReviewsMarch 12, 2020<April 16, 2020

Review: Aoife O’Donovan’s Stunning, Poetic EP, ‘Bull Frogs Croon (And Other Songs)’

by Mariel Fechik
Gatlin © Hannah Hall
Music, PremieresMarch 12, 2020<March 12, 2020

Premiere: The Subtle Brilliance of Gatlin’s “I Think About You All The Time”

by Baylee Less
Beauty Queen © Taylor Thompson
Columns, Music, Today's SongMarch 12, 2020<March 12, 2020

Today’s Song: Beauty Queen’s Dreamy “Sweet Memory” Evokes Seductive Wonder

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicMarch 12, 2020<March 12, 2020

Breaking the Record with Roan Yellowthorn, Part 6: Premastering

by Guest Writer
Superstar by Caroline Rose 9
Music, Our Take, ReviewsMarch 11, 2020<December 15, 2020

Rooted in Cinema & Satire, Caroline Rose’s ‘Superstar’ is a Brilliant Ode to Unbridled Ambition

by Tim Horwood
Lucid State © Jona Boender
Interviews, MusicMarch 11, 2020<March 11, 2020

Charting Their Musical Voyage: A Conversation with Lucid State

by Adrian Vargas
Imbalances - Micah McCaw
Music, Premieres, ReviewsMarch 11, 2020<March 11, 2020

Premiere: Micah McCaw Injects Urgent Energies into Dynamic Sophomore Album ‘Imbalances’

by Mitch Mosk
Posts pagination
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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