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Luc Seacroft © 2019
Columns, Music, Today's SongJanuary 17, 2020<January 16, 2020

Today’s Song: Luc Seacroft Takes Listeners on Journey of Self-Discovery on “Unplatonic Sun”

by Alicia Bugallo
KYTES © Marc Heinemann
Music, PremieresJanuary 16, 2020<January 17, 2020

Premiere: Munich’s KYTES Deliver Bright, Buoyant Indie Pop in “Go Out”

by Mitch Mosk
9
Music, Our Take, ReviewsJanuary 16, 2020<December 15, 2020

A Catharsis for the Weary Soul: A Track-by-Track Review of Keaton Henson’s ‘Six Lethargies’

by Adrian Vargas
Hurts EP - Hedara
Music, PremieresJanuary 16, 2020<August 16, 2021

EP Premiere: Hedara Echoes Truth & Healing in Brand New ‘Hurts’ EP

by Erica Danielle Garcia
Marigold - Pinegrove
Music, ReviewsJanuary 16, 2020<January 17, 2020

Review: Pinegrove Touch on Themes of Isolation & Monotony in 4th Album ‘Marigold’

by Bethan Harper
Gary Clark Jr © Frank Maddocks
Columns, Music, Today's SongJanuary 16, 2020<January 16, 2020

Today’s Song: Gary Clark Jr. Beautifully Reimagines “Pearl Cadillac” with the Help of Andra Day

by Oliver Crook
The Aces © Alexander Bortz
Debut, Features, Interviews, MusicJanuary 16, 2020<March 4, 2020

Cool, Young, Fresh, and Fun: An Interview with The Aces

by Mitch Mosk
No Man's Land - Frank Turner
Music, ReviewsJanuary 15, 2020<January 15, 2020

Discovering Some of History’s Hidden Figures in Frank Turner’s ‘No Man’s Land’

by Guest Writer
North Parade © Howling Bassett Photography
Music, PremieresJanuary 15, 2020<January 15, 2020

Premiere: North Parade Astound with Awe-Inspiring Song “An Accommodation”

by Luke Pettican
Larkins
Columns, Music, Today's SongJanuary 15, 2020<January 15, 2020

Today’s Song: Larkins Search for Human Connections During Turbulent Times on New Song “Flood”

by Bethan Harper
Tom West © Isabella Cuan
Music, PremieresJanuary 14, 2020<January 14, 2020

Premiere: Tom West Burns Out in Mellow & Brooding Song “Stuck on Repeat”

by Mitch Mosk
Hazlett © Emil Daniel
Music, PremieresJanuary 14, 2020<January 14, 2020

Premiere: Basking in the Young & Free Energy of Hazlett’s “Monsters”

by Mitch Mosk
Atwood Magazine Editor's Picks 26
Columns, Editor's Picks, Features, MusicJanuary 14, 2020<January 14, 2020

Editor’s Picks: January 14, 2020

by Mitch Mosk
Bubba - Kaytranada 8.7
Music, Our Take, ReviewsJanuary 14, 2020<December 15, 2020

Our Take: Kaytranada Delivers the Last Great Dance Record of the 2010s

by Josh Weiner
Music, ReviewsJanuary 14, 2020<January 14, 2020

Review: Willie J Healey Creates Evocative Splendor with New EP ‘Hello Good Morning’

by Nina Schaarschmidt
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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