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ialive 2020 music
Music, ReviewsFebruary 18, 2020<February 18, 2020

Review: Philly’s ialive Embraces Collaboration & Raw Energy on ‘I’ll Wait Forever’

by Ryan Feyre
Features, Interviews, MusicFebruary 18, 2020<February 18, 2020

On Intent and Isolation: A Conversation with Post Animal

by Ben Niesen
Brother Moses © Lowndes Commander
Columns, Music, Today's SongFebruary 18, 2020<February 18, 2020

Today’s Song: Brother Moses Wonders What It Takes to Be Wanted

by Lowndes Commander
Emily Afton
Music, Music Videos, PremieresFebruary 17, 2020<February 17, 2020

Premiere: The Political Protest in Emily Afton’s Outspoken “The Veil”

by Mitch Mosk
The Saxophones © Conner Sorenson
Music, Music Videos, Premieres, ReviewsFebruary 17, 2020<February 17, 2020

Premiere: Dreamy Notes of Joy & Sorrow Collide on The Saxophones’ “Forgot My Mantra”

by Adrian Vargas
Michael Dunstan © 2020
Columns, Music, Today's SongFebruary 17, 2020<February 17, 2020

Today’s Song: Michael Dunstan Lets Go with “Smoulder or Ignite”

by Kelly McCafferty Dorogy
Music, Podcast, Tunes & TumblersFebruary 14, 2020<May 14, 2024

Podcast: Tunes & Tumblers Celebrate Valentine’s Day Over Justin Timberlake’s Mid-’00s Classic ‘FutureSex/LoveSounds’

by Anthony Kozlowski
Columns, Features, Music, Weekly RoundupFebruary 14, 2020<February 14, 2020

Atwood Magazine’s Weekly Roundup: February 14, 2020

by Atwood Magazine Staff
Caity Krone © 2020
Music, This Just InFebruary 14, 2020<February 14, 2020

This Just In: Caity Krone Astounds with “Thank You for the Sunday Paper”

by Luke Pettican
Hit and Run EP - Larkins
Music, ReviewsFebruary 14, 2020<February 14, 2020

EP Review: Larkins’ ‘Hit and Run’ Is the Perfect Mash-Up of the Old, New, and Unexpected

by Bethan Harper
Love & Heartbreak Valentine's Day 2020
Features, Music, PlaylistsFebruary 14, 2020<April 21, 2023

Valentine’s Day 2020: Songs of Love & Heartache

by Atwood Magazine Staff
Interviews, MusicFebruary 14, 2020<February 13, 2020

Embracing the Future & Remembering the Past: A Conversation with Wild Nothing

by Madison Vettorino
Leena Culhane
Columns, Music, Today's SongFebruary 14, 2020<February 14, 2020

Today’s Song: Leena Culhane Practices Self-Love with “Ring the Bell”

by Kelly McCafferty Dorogy
Interviews, Music, ReviewsFebruary 13, 2020<February 13, 2020

The Lasting Impressions of Ephemeral Beauty: A Conversation with Rafiq Bhatia

by Adrian Vargas
KOOLKID © Robbie Bannerman
Music, PremieresFebruary 13, 2020<February 13, 2020

Premiere: Getting All Up in Our “Feelings” with Glasgow’s Pop Provocateur KOOLKID

by Mitch Mosk
Posts pagination
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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