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$ean Wire
Columns, Music, Today's SongJanuary 22, 2020<January 22, 2020

Today’s Song: $ean Wire Creates a Mystical Landscape on “Pull Up”

by Ryan Feyre
Chris Mardini © Royce Gorsuch
Music, PremieresJanuary 22, 2020<January 21, 2020

Premiere: 17-Year-Old Chris Mardini’s Intoxicating 3rd Single, “Sleepless”

by Kelly McCafferty Dorogy
Cuntrie © Ebba G. Ågren
Debut, Interviews, Music, PremieresJanuary 22, 2020<March 8, 2021

Cuntrie Soars in Her Intimate, Spirited & Fragile Debut EP ‘Scrapbooking’

by Mitch Mosk
Color Study artists 2020
Features, Interviews, NewsJanuary 21, 2020<January 21, 2020

Introducing Color Study: An Indie Record Label Championing “Personal Pop” Music

by Mitch Mosk
Nancy © 2020
Music, PremieresJanuary 21, 2020<January 21, 2020

Premiere: UK Duo NANCY Tap into Raw, Emotional Vulnerability on “It’s Just You”

by Mitch Mosk
Tunes & Tumblers Holander Banner © XKLYAR & Pedro Isaac Chairez
Music, Podcast, Tunes & TumblersJanuary 21, 2020<April 30, 2023

Podcast: Tunes & Tumblers Sip Some “Boy Tears” with Glittery Pop Artist Holander

by Anthony Kozlowski
Khruangbin & Leon Bridges © Pooneh Ghana
Columns, Music, Today's SongJanuary 21, 2020<January 21, 2020

Today’s Song: Leon Bridges & Khruangbin Combine to Take a Trip Back in Time & Down South on “Texas Sun”

by Oliver Crook
Features, Interviews, MusicJanuary 20, 2020<January 24, 2020

From the Perspective of the Wallflower: A Conversation with Andy Shauf

by Adrian Vargas
Romance - Camila Cabello 7.4
Music, Our Take, ReviewsJanuary 20, 2020<December 15, 2020

No Sophomore Slump Here: Our Take on Camila Cabello’s ‘Romance’

by Josh Weiner
Archie Faulks © 2020
Music, PremieresJanuary 20, 2020<January 20, 2020

Premiere: Archie Faulks’ “What For” Uses Smooth Warmth to Address Rough Misery

by Frankie Rose
Wild Nothing © Ryan Patterson
Columns, Music, Today's SongJanuary 20, 2020<January 19, 2020

Today’s Song: Wild Nothing Leaves Some Questions Unanswered on “Foyer”

by Madison Vettorino
Atwood Magazine Weekly Roundup 2020 January 17
Columns, Features, Music, Weekly RoundupJanuary 17, 2020<January 17, 2020

Atwood Magazine’s Weekly Roundup: January 17, 2020

by Atwood Magazine Staff
Circles - Mac Miller
Music, ReviewsJanuary 17, 2020<January 17, 2020

Review: Mac Miller’s Beautiful Posthumous Album ‘Circles’

by Mariel Fechik
Navvy © Scarlett Casciello
Features, Interviews, MusicJanuary 17, 2020<January 17, 2020

Poignant Pitch-Perfect Pop: An Interview with Navvy

by Luke Pettican
Athena - Sudan Archives 9
Debut, Music, Our Take, ReviewsJanuary 17, 2020<May 13, 2024

Sudan Archives’ ‘Athena’: Lessons for Mere Mortals from a Thoroughly Modern Violinist

by Tim Horwood
Posts pagination
1 … 458 459 460 461 462 … 729

Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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