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Goldenbloom music 2020
Columns, Music, Today's SongJanuary 14, 2020<January 9, 2020

Today’s Song: London’s goldenbloom Taste the Sour Side of “LOVE”

by Robin Fulton
Tayla Parx 2020
Debut, Features, Interviews, MusicJanuary 13, 2020<January 13, 2020

We Need to Talk: Tayla Parx on Empathy, Energies, and Stories

by Mariel Fechik
Features, Interviews, MusicJanuary 13, 2020<January 13, 2020

Expansive Sounds from Intimate Moments: An Interview with Boniface

by Luke Pettican
Columns, Music, Today's SongJanuary 13, 2020<January 13, 2020

Today’s Song: Faye Enchants on Her Devastatingly Beautiful New Single “Heat”

by Adrian Vargas
Atwood Magazine's 2020 Artists to Watch
Features, MusicJanuary 10, 2020<May 15, 2020

Atwood Magazine’s 2020 Artists to Watch

by Atwood Magazine Staff
John Mayer
Columns, Music, Nostalgia TracksJanuary 10, 2020<January 9, 2020

Nostalgia Tracks: John Mayer’s “Vultures” Is a Truly Timeless Song

by Bethan Harper
Elisapie © Le Pigeon
Columns, Music, Today's SongJanuary 10, 2020<January 10, 2020

Today’s Song: Elisapie’s “Ton Vieux Nom” Is a Cultural Love Letter Amongst Many

by Frankie Rose
Stu Larsen © Nadia Meli
Music, PremieresJanuary 9, 2020<December 1, 2020

Premiere: Stu Larsen’s Heavy Heart Aches in Lovelorn “Phone Call From My Lover”

by Mitch Mosk
Mirei
Interviews, Music, PremieresJanuary 9, 2020<January 9, 2020

Premiere: MIREI Gets Honest in Latest Single “Lazy Boy”

by Erica Danielle Garcia
E Scott Lindner
Music, PremieresJanuary 9, 2020<January 9, 2020

Premiere: E Scott Lindner Balances Emotion and Math with “8”

by Coco Rich
Navy Blue © Supreme
Columns, Music, Today's SongJanuary 9, 2020<January 9, 2020

Today’s Song: Finding Self-Actualization with Navy Blue on “Higher Self”

by Ryan Feyre
Mouth Breather
Music, PremieresJanuary 8, 2020<January 8, 2020

Premiere: Mouth Breather Creates a Hazy, Swirling Anthem on True Love with “After All We’ve Been Through”

by Adrian Vargas
Features, Interviews, MusicJanuary 8, 2020<January 8, 2020

Interview: The Mowgli’s Keep the Dream Alive a Decade In with “Fighting with Yourself” & “Wasting Time”

by Anthony Kozlowski
Columns, Music, Today's SongJanuary 8, 2020<January 8, 2020

Today’s Song: Love Is Still So Hard for The Millennial Club on “Coffee in the Morning”

by Josh Weiner
Of the Wild © Craig Clement (Ten23 Productions)
Debut, Music, PremieresJanuary 7, 2020<January 8, 2020

Premiere: Of the Wild Explode onto the Scene with Alt-Rock Verve in Debut EP ‘Banshee & Hope’

by Mitch Mosk
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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