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Maude Latour © Lola Lafia
Features, Interviews, MusicDecember 6, 2019<December 6, 2019

Interview: Maude Latour Talks New EP and Her University Life

by Lexi Lane
Our Favorite Albums of 2018
Albums of the Decade, Columns, Features, MusicDecember 6, 2019<January 9, 2020

Our Favorite Albums of the Decade: 2018

by Atwood Magazine Staff
2019 - Lucy Dacus
Music, ReviewsDecember 6, 2019<January 2, 2020

Reflection, Introspection, & Irony: The Secular Liturgy of Lucy Dacus’ ‘2019’ EP

by Guest Writer
Wallows x Clairo "Are You Bored Yet?"
Columns, Music, Today's SongDecember 6, 2019<December 6, 2019

Today’s Song: Wallows and Clairo Ask “Are You Bored Yet?” on First Collab

by Madison Vettorino
Moby Rich © Jack Dytrych
Music, PremieresDecember 5, 2019<December 5, 2019

Premiere: Tap into the High Highs of Moby Rich’s #Winning “Loser” (Broods Remix)

by Mitch Mosk
Honey Mooncie © Louis Bryant
Music, PremieresDecember 5, 2019<December 5, 2019

Premiere: Honey Mooncie Breathes Absolute Splendor on Second Single “Nice to Have a Break”

by Adrian Vargas
Leddra Chapman
Music, PremieresDecember 5, 2019<December 11, 2019

Premiere: Leddra Chapman Explores a Heartbreaking Loss with “Ghosts”

by Kelly McCafferty Dorogy
Cellar Door Moon Crow
Music, ReviewsDecember 4, 2019<December 4, 2019

Northern England’s Rock Scene Proudly Repp’ed by Cellar Door Moon Crow

by Josh Weiner
Columns, Music, Today's SongDecember 4, 2019<December 4, 2019

Today’s Song: Half Wolf Creates Swirling Beauty on Newest Single “My Stranger”

by Adrian Vargas
Jordan Mackampa
Features, Interviews, MusicDecember 4, 2019<January 9, 2020

Interview with Jordan Mackampa: A Timeless Soul Singer with a Modern Sensibility

by Luke Pettican
Everybody Breaks - Ivan & Alyosha
Music, Music Videos, PremieresDecember 3, 2019<December 4, 2019

Premiere: Everybody Bends & “Everybody Breaks” in Ivan & Alyosha’s Fiery New Music Video

by Mitch Mosk
Tall Heights
Features, Interviews, MusicDecember 3, 2019<December 2, 2019

Interview: Keeping It Light with Dream Folk Duo Tall Heights

by Chloe Robinson
Lolo Zouaï © Grant Spanier
Columns, Music, Today's SongDecember 3, 2019<December 2, 2019

Today’s Song: Lolo Zouaï Sparkles on “Money Diamonds Roses”

by Lexi Lane
Will Joseph Cook
Columns, Music, Today's SongDecember 2, 2019<December 2, 2019

Today’s Song: Will Joseph Cook Playfully Addresses Societal Issues in His Single “The Dragon”

by Bethan Harper
Jake Bugg © Sarah Piantadosi
Music, ReviewsDecember 2, 2019<December 2, 2019

Review: “Kiss Like the Sun” Sees Jake Bugg Back at His Best

by Luke Pettican
Posts pagination
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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