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Mokita
Music, ReviewsNovember 15, 2019<November 14, 2019

Mokita Tackles Depression Head-On in Haunting Song “colorblind”

by Mitch Mosk
Mt. Joy © Andrew Keyser
Interviews, Mistletones, MusicNovember 15, 2019<November 15, 2019

Interview: Mt. Joy Talk Tour, New Music, and Their Blue Christmas Song “Every Holiday”

by Mitch Mosk
Lil Tjay © Daniel Prakopcyk
Columns, Music, Today's SongNovember 15, 2019<November 13, 2019

Today’s Song: Lil Tjay Sings His Heart Out on “Hold On”

by Ryan Feyre
Tunes & Tumblers Banner © Pedro Isaac Chairez
Music, Podcast, Tunes & TumblersNovember 15, 2019<April 30, 2023

Podcast: Tunes & Tumblers Leave the Box Behind with Bradford Reed’s “What’s Good for the Goose Is Good”

by Anthony Kozlowski
Julia Jonas
Music, PremieresNovember 14, 2019<November 14, 2019

Premiere: Julia Jonas Will “Lift You High” in Soaring New Song

by Mitch Mosk
LITTLE DUME © Tynan Daniels
Music, PremieresNovember 14, 2019<November 13, 2019

Premiere: Little Dume Glow Like the Northern Lights in “As Always”

by Mitch Mosk
Clairo © Nicole Almeida
Concerts, Music, ReviewsNovember 14, 2019<November 14, 2019

Live Review: Clairo is a Force to Reckon With at Philadelphia’s Union Transfer

by Nicole Almeida
Modern Vampires of the City - Vampire Weekend
Columns, Music, Nostalgia Tracks, ReviewsNovember 14, 2019<December 17, 2020

Nostalgia Tracks: Vampire Weekend’s Pilgrimage on “Hannah Hunt”

by Dalia
Micky James © Bamby
Columns, Music, Today's SongNovember 14, 2019<November 14, 2019

Today’s Song: Micky James Unravels the Drama of Unhealthy Relationships in “Crybaby”

by Chloe Robinson
Neon Trees © Grace Pickering
Features, Interviews, MusicNovember 14, 2019<January 30, 2020

Interview: Neon Trees Return with Electrifying Anthem “Used to Like”

by Mitch Mosk
Novemberism - Oliver Spalding
Debut, Interviews, Music, PremieresNovember 13, 2019<November 14, 2019

Album Premiere: Oliver Spalding Mesmerizes on Ethereal Debut ‘Novemberism’

by Adrian Vargas
Interviews, Music, Music Videos, PremieresNovember 13, 2019<November 14, 2019

Video Premiere: KaiL Baxley Evokes Grit and Beauty on “Beneath the Bones”

by Adrian Vargas
Frank Ocean 2019
Music, ReviewsNovember 13, 2019<November 21, 2019

Review: So, Did Frank Ocean Just ‘Save’ 2019 with Three New Songs?

by Urooj Ali Rizvi
Caravan Palace © Florent Drillon
Features, Interviews, MusicNovember 13, 2019<November 13, 2019

Retro-Futurism, Phenomenology, and Scatting Gibberish: A Conversation with Caravan Palace

by Danny Vagnoni
Dirty Dollhouse © Rob Swift
Music, PremieresNovember 13, 2019<November 13, 2019

Premiere: Nashville Vibe Meets Modern Pop in Dirty Dollhouse’s “Honey, They’re onto Us”

by Nina Schaarschmidt
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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