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MisterWives 2019 © Shervin Lainez
Music, ReviewsNovember 8, 2019<April 21, 2020

Review: MisterWives’ ‘Mini Bloom’ EP Is Soul-Filled & Poetically Perfect

by Kelly McCafferty Dorogy
Lennon Stella by CeCe Dawson
Columns, Music, Today's SongNovember 8, 2019<November 8, 2019

Today’s Song: Lennon Stella Proves Healing Power Exists in “Kissing Other People”

by Erica Danielle Garcia
Our Favorite Albums of 2014
Albums of the Decade, Columns, Features, MusicNovember 8, 2019<December 5, 2019

Our Favorite Albums of the Decade: 2014

by Atwood Magazine Staff
Leif Vollebekk © Vanessa Heins
Features, Interviews, MusicNovember 7, 2019<November 9, 2019

The Songwriter’s Songwriter: A Conversation with Leif Vollebekk

by Mitch Mosk
Walrus © 2019
Features, Interviews, MusicNovember 7, 2019<November 7, 2019

Feature: Halifax’s Walrus Continue to Evolve on New Record ‘Cool to Who’

by Oliver Crook
Freya Ward © Anna Gallifent
Music, PremieresNovember 7, 2019<November 7, 2019

Singer/Songwriter Freya Ward Finds Renewal in Beautiful EP ‘Written with Hindsight’

by Mitch Mosk
Birch © Tim Seguin
Columns, Music, Today's SongNovember 7, 2019<November 7, 2019

Today’s Song: Birch Chases the Dream in Glittering “Your Gold”

by Mitch Mosk
Flyte © Lucas Donaud
Features, Interviews, MusicNovember 6, 2019<December 5, 2019

Interview: Flyte Take Off with Majestic, Dazzling ‘White Roses’ EP

by Mitch Mosk
Anson Seabra © Kelby Reck
Music, Music Videos, PremieresNovember 6, 2019<December 5, 2019

Premiere: Anson Seabra Stuns with Intimate Heartbreak Ballad “Last Time”

by Mitch Mosk
Lady Clementine's Fantastic Party © Toni Williams
Music, PremieresNovember 6, 2019<November 6, 2019

Premiere: The Raw Love of “Keep Me Up” by Lady Clementine’s Fantastic Party

by Mitch Mosk
Chandler Juliet © Raz Azraai
Features, Interviews, MusicNovember 6, 2019<April 16, 2020

Interview: Chandler Juliet’s Self-Love Mantra Is as Simple as “Take It or Leave It!”

by Anthony Kozlowski
Christopher Paul Stelling © Chris Phelps
Columns, Music, Today's SongNovember 6, 2019<November 6, 2019

Today’s Song: Christopher Paul Stelling Negates Doubt with “Trouble Don’t Follow Me”

by Kelly McCafferty Dorogy
'A Dobritch Did As A Dobritch Should' - The Hackles
Music, Premieres, ReviewsNovember 5, 2019<November 5, 2019

Unveiling The Hackles’ Elegant Indie Folk Album ‘A Dobritch Did As A Dobritch Should’

by Mitch Mosk
Bora York © Bethany Shrock
Features, Music, PremieresNovember 5, 2019<November 5, 2019

Bora York Present Shimmering Heartbreak Pop in 3rd Album ‘Emotion Vertigo’

by Mitch Mosk
Lindsey Stirling "Artemis"
Features, Interviews, MusicNovember 5, 2019<November 5, 2019

Goddess of the Moon: A Conversation with Lindsey Stirling

by Ben Beamish
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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