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The Rare Occasions © Ari Soto
Features, Music, PremieresNovember 13, 2019<November 13, 2019

Premiere: The Rare Occasions Claw for “Control” in Explosive Song on Xinjiang & Injustice

by Mitch Mosk
Hoger © 2019
Debut, Music, This Just InNovember 13, 2019<May 28, 2020

Rotterdam’s Hoger Enthralls with the Utterly Absorbing “Can’t Stand Not Loving You”

by Luke Pettican
Miles Mosley
Columns, Music, Today's SongNovember 13, 2019<November 13, 2019

Today’s Song: Miles Mosley’s “BROTHER” Will Catapult You Through the Funk’esphere

by Ilana Kalish
Surf Rock Is Dead © Shamshawan Scott
Features, Interviews, MusicNovember 12, 2019<November 12, 2019

Interview with Surf Rock Is Dead: How to Put “Surfgaze” on the Indie Map

by Josh Weiner
Hanging Valleys © Max Stanley
Music, PremieresNovember 12, 2019<November 12, 2019

Premiere: Hanging Valleys Inspire Awe in Cinematic, Ambient Song “The Shining Mountain”

by Mitch Mosk
Nick Cianci © Ben Zucker
Features, Interviews, MusicNovember 12, 2019<November 12, 2019

Loud Indie Rock Confessionals: An Interview with New York’s Nick Cianci

by Mitch Mosk
Rob Simonsen © Brad Torchia
Interviews, Music, PremieresNovember 12, 2019<November 12, 2019

Premiere: Rob Simonsen Captures Echoes of Family in “Refraction”

by Coco Rich
Sam Johnson © Jim Homes
Music, PremieresNovember 12, 2019<August 16, 2021

Premiere: Sam Johnson Remains Unafraid of Perseverance in “Lost in the Mail”

by Erica Danielle Garcia
Overcoats
Columns, Music, Today's SongNovember 12, 2019<December 5, 2019

Overcoats’ “Leave If You Wanna” Captures Restlessness & the Burning Desire for Change

by Nina Schaarschmidt
Davis John Patton © Audrey Ward
Music, PremieresNovember 11, 2019<November 11, 2019

Singer/Songwriter Davis John Patton’s Stirring Homecoming “We Can Find a Place”

by Mitch Mosk
Lauran Hibberd
Features, Music, Reviews, Track-by-TrackNovember 11, 2019<November 11, 2019

Unapologetically Herself: Lauran Hibberd Rises & Rages with ‘Everything Is Dogs’

by Atwood Magazine Staff
Ezra Furman © Jessica Lehrman
Features, Interviews, MusicNovember 11, 2019<December 5, 2019

Putting Words into Action: An Interview with Ezra Furman

by Frankie Rose
Lhasa © Kate Oatway
Columns, Music, Today's SongNovember 11, 2019<November 11, 2019

Today’s Song: Lhasa’s “Birdsong” Is a Folksy Dream

by Kelly McCafferty Dorogy
Jesus Is King - Kanye West 7.3
Music, Our Take, ReviewsNovember 8, 2019<December 15, 2020

Our Take: Kanye West Combines Hip-Hop and Gospel Surprisingly Well on ‘Jesus Is King’

by Josh Weiner
Sorcha Richardson by Cáit Fahey
Debut, Interviews, Music, ReviewsNovember 8, 2019<November 8, 2019

Transitions and the Memories They Bring: A Conversation with Sorcha Richardson

by Adrian Vargas
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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