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Indiana music
Features, Interviews, MusicNovember 20, 2019<November 20, 2019

Interview: Breaking the Habit with Dazzling UK Pop Starlet Indiana

by Mitch Mosk
More Brilliant Is the Hand that Throws the Coin - Margaux
Music, ReviewsNovember 20, 2019<November 20, 2019

Artist to Watch: Dive into Margaux’s Dazzling Dream Pop Debut ‘More Brilliant Is the Hand that Throws the Coin’

by Mitch Mosk
Columns, Music, Today's SongNovember 20, 2019<November 20, 2019

Today’s Song: THe LYONZ “Fall” into Jazz-Tinged Self-Reflections

by Anthony Kozlowski
Big Fox © Anna Brånhede
Music, PremieresNovember 19, 2019<November 19, 2019

Premiere: The Raw Folk Beauty of Big Fox’s Love Song “All I’m Trying”

by Mitch Mosk
Weird Milk
Essays, Music, ReviewsNovember 19, 2019<November 19, 2019

Artist to Watch: Weird Milk Distinguish Themselves as One of UK’s Finest with “Time Machine”

by Adrian Vargas
Hypersonic Missiles - Sam Fender 8.3
Debut, Music, Our Take, ReviewsNovember 19, 2019<December 15, 2020

Our Take: Sam Fender’s ‘Hypersonic Missiles’ Is a Protest Piece Tailor-Made for the 21st Century

by Alicia Bugallo
Marie Lang © Mahir Jahmal
Columns, Music, Today's SongNovember 19, 2019<November 19, 2019

Today’s Song: Marie Lang Transcends with Soulful Dive “Body”

by Ben Beamish
HAIM © Grant Spanier
Music, Reviews, This Just InNovember 18, 2019<November 18, 2019

This Just In: HAIM’s “Hallelujah” Is a Breathtaking Ode to Love, Connection & Support

by Mitch Mosk
Loote © 2019
Music, Music Videos, PremieresNovember 18, 2019<November 16, 2019

Video Premiere: Nostalgia & Rocking Out Make Loote’s “All The F*cking Time”

by Kelly McCafferty Dorogy
The Ballroom Thieves © Shervin Lainez
Music, PremieresNovember 18, 2019<November 18, 2019

Premiere: The Ballroom Thieves Liberate Us with “Unlovely” (ft. Darlingside)

by Kelly McCafferty Dorogy
Will Killen © 2019
Columns, Music, Today's SongNovember 18, 2019<November 16, 2019

Today’s Song: Leeds Singer/Songwriter Will Killen Simplifies with New Single “Overthinking”

by Kelly McCafferty Dorogy
Glass Animals © Elliott Arndt
Music, Reviews, This Just InNovember 18, 2019<December 4, 2019

Review: Glass Animals Still Got It on Fiery “Tokyo Drifting” ft. Denzel Curry

by Audrey Steeves
Fyah Son Bantu
Essays, MusicNovember 15, 2019<January 2, 2020

Setting the World on Fyah: The Reggae Magnificence of Fyah Son Bantu

by Guest Writer
Bomethius © Brandon Moore
Music, PremieresNovember 15, 2019<November 15, 2019

Premiere: Bomethius Finds Peace in the Wake of Destruction with “Tornados in Dallas”

by Anthony Kozlowski
Atwood Magazine's Albums of the Decade: 2015
Albums of the Decade, Columns, Features, MusicNovember 15, 2019<December 5, 2019

Our Favorite Albums of the Decade: 2015

by Atwood Magazine Staff
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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