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If the World Was Ending - JP Saxe & Julia Michaels
Columns, Music, Today's SongOctober 30, 2019<October 30, 2019

Today’s Song: JP Saxe & Julia Michaels Mesmerize with “If The World Was Ending”

by Luke Pettican
Mail The Horse © Shervin Lainez
Music, PremieresOctober 29, 2019<October 29, 2019

Premiere: Mail the Horse’s Bluesy “Kid Gloves” Is a Mantra on Toxic Masculinity

by Mitch Mosk
Lenkie © Matt Gajewski
Music, PremieresOctober 29, 2019<October 29, 2019

Premiere: Lenkie Embraces Unrequited Love in Second Single “Waterfall”

by Mitch Mosk
Scott Ruth © Taylor Mosby
Music, PremieresOctober 29, 2019<October 29, 2019

Premiere: Scott Ruth’s ‘Telephone’ EP Is Intimate Rock with a Heart of Gold

by Mitch Mosk
Tunes and Tumblers Dudes halloween © Pedro Isaac Chairez
Music, Podcast, Tunes & TumblersOctober 29, 2019<April 30, 2023

Podcast: Tunes & Tumblers Celebrate a Gothic Halloween with Bauhaus

by Anthony Kozlowski
Cailin Russo © Rebecca Hearn
Columns, Music, Today's SongOctober 29, 2019<October 29, 2019

Today’s Song: Cailin Russo Atones on “Declaration”

by Nicole Almeida
Fascinations Grand Chorus © Kelli McGuire
Debut, Music, PremieresOctober 28, 2019<October 28, 2019

Premiere: Bubblegum Pop Reigns in Fascinations Grand Chorus’ Debut Album ‘Presentations of Electrical Confectionery’

by Mitch Mosk
Shura © Nicole Almeida
Concerts, Music, ReviewsOctober 28, 2019<October 28, 2019

Live Review: Shura Transports Philly’s Johnny Brenda’s into the World of Forevher

by Nicole Almeida
Space Cadet - beabadoobee
Music, ReviewsOctober 28, 2019<October 28, 2019

Review: beabadoobee Breaks Bedroom Pop Bubble on Grunge-Inspired EP ‘Space Cadet’

by Harper Beattie
MisterWives 2019 © Shervin Lainez
Features, Interviews, MusicOctober 28, 2019<October 28, 2019

Real Songs, Real Talk, and Real People: A Conversation with MisterWives

by Kelly McCafferty Dorogy
Opia © 2019
Columns, Music, Today's SongOctober 28, 2019<October 28, 2019

Today’s Song: Opia Make Cynicism Sound Sexy with “Beverly Blues”

by Anthony Kozlowski
Blaenavon - Everything that Makes You Happy
Music, Reviews, This Just InOctober 25, 2019<October 25, 2019

Review: Blaenavon’s Chaotically Human and Gorgeous ‘Everything That Makes You Happy’

by Nicole Almeida
Hanorah © GRL Photographie
Features, Interviews, MusicOctober 25, 2019<October 25, 2019

The Good, The Bad, and Everything in Between: A Conversation with Hanorah

by Nicole Almeida
Our Favorite Albums of 2012
Albums of the Decade, Columns, Features, MusicOctober 25, 2019<December 5, 2019

Our Favorite Albums of the Decade: 2012

by Atwood Magazine Staff
Without Fear - Dermot Kennedy
Debut, Music, ReviewsOctober 25, 2019<October 24, 2019

Review: Dermot Kennedy Forges His Own Path on Debut Album ‘Without Fear’

by Erica Danielle Garcia
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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