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Winnie Raeder
Music, PremieresOctober 30, 2019<October 30, 2019

Premiere: UK Singer/Songwriter Winnie Raeder Stuns with “She”

by Luke Pettican
If the World Was Ending - JP Saxe & Julia Michaels
Columns, Music, Today's SongOctober 30, 2019<October 30, 2019

Today’s Song: JP Saxe & Julia Michaels Mesmerize with “If The World Was Ending”

by Luke Pettican
Mail The Horse © Shervin Lainez
Music, PremieresOctober 29, 2019<October 29, 2019

Premiere: Mail the Horse’s Bluesy “Kid Gloves” Is a Mantra on Toxic Masculinity

by Mitch Mosk
Lenkie © Matt Gajewski
Music, PremieresOctober 29, 2019<October 29, 2019

Premiere: Lenkie Embraces Unrequited Love in Second Single “Waterfall”

by Mitch Mosk
Scott Ruth © Taylor Mosby
Music, PremieresOctober 29, 2019<October 29, 2019

Premiere: Scott Ruth’s ‘Telephone’ EP Is Intimate Rock with a Heart of Gold

by Mitch Mosk
Tunes and Tumblers Dudes halloween © Pedro Isaac Chairez
Music, Podcast, Tunes & TumblersOctober 29, 2019<April 30, 2023

Podcast: Tunes & Tumblers Celebrate a Gothic Halloween with Bauhaus

by Anthony Kozlowski
Cailin Russo © Rebecca Hearn
Columns, Music, Today's SongOctober 29, 2019<October 29, 2019

Today’s Song: Cailin Russo Atones on “Declaration”

by Nicole Almeida
Fascinations Grand Chorus © Kelli McGuire
Debut, Music, PremieresOctober 28, 2019<October 28, 2019

Premiere: Bubblegum Pop Reigns in Fascinations Grand Chorus’ Debut Album ‘Presentations of Electrical Confectionery’

by Mitch Mosk
Shura © Nicole Almeida
Concerts, Music, ReviewsOctober 28, 2019<October 28, 2019

Live Review: Shura Transports Philly’s Johnny Brenda’s into the World of Forevher

by Nicole Almeida
Space Cadet - beabadoobee
Music, ReviewsOctober 28, 2019<October 28, 2019

Review: beabadoobee Breaks Bedroom Pop Bubble on Grunge-Inspired EP ‘Space Cadet’

by Harper Beattie
MisterWives 2019 © Shervin Lainez
Features, Interviews, MusicOctober 28, 2019<October 28, 2019

Real Songs, Real Talk, and Real People: A Conversation with MisterWives

by Kelly McCafferty Dorogy
Opia © 2019
Columns, Music, Today's SongOctober 28, 2019<October 28, 2019

Today’s Song: Opia Make Cynicism Sound Sexy with “Beverly Blues”

by Anthony Kozlowski
Blaenavon - Everything that Makes You Happy
Music, Reviews, This Just InOctober 25, 2019<October 25, 2019

Review: Blaenavon’s Chaotically Human and Gorgeous ‘Everything That Makes You Happy’

by Nicole Almeida
Hanorah © GRL Photographie
Features, Interviews, MusicOctober 25, 2019<October 25, 2019

The Good, The Bad, and Everything in Between: A Conversation with Hanorah

by Nicole Almeida
Our Favorite Albums of 2012
Albums of the Decade, Columns, Features, MusicOctober 25, 2019<December 5, 2019

Our Favorite Albums of the Decade: 2012

by Atwood Magazine Staff
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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