Debut, Music, Premieres, ReviewsJuly 31, 2019<July 31, 2019 Album Premiere: Female Energy Fuels So Sensitive’s Alluring Debut ‘Bedroom Drama’ by Mitch Mosk
Music, PremieresJuly 31, 2019<July 31, 2019 Premiere: Memory, Love, & Hope Permeate Carriers’ Heart-Rending “Heaven’s People” by Mitch Mosk
Columns, Music, Today's SongJuly 31, 2019<July 31, 2019 Today’s Song: The Sonder Bombs Break the BS on “I Don’t Have One Anymore” by James Crowley
Features, Interviews, MusicJuly 30, 2019<August 22, 2019 Feature: Thunderpussy Sink Their Claws into Rock and Roll by Anthony Kozlowski
Music, PremieresJuly 30, 2019<July 30, 2019 Premiere: Trenton’s Stirring “Answers” Makes Peace with Uncertainty by Mitch Mosk
Debut, Music, PremieresJuly 30, 2019<July 30, 2019 Premiere: Stella Emmett Basks in Euphoric Breakup Song “Done W U” by Mitch Mosk
Concerts, Music, ReviewsJuly 30, 2019<July 30, 2019 Live Review: Mdou Moctar Takes Crowd on Magical Journey at Halifax Jazz Fest by Oliver Crook
Columns, Music, Today's SongJuly 30, 2019<July 25, 2019 Today’s Song: Adam Melchor’s Bittersweet Summer Joyride by Audrey Steeves
Music, Music Videos, PremieresJuly 29, 2019<July 29, 2019 Premiere: FENCES’ Stirring American Western “Same Blues” by Mitch Mosk
Features, Interviews, MusicJuly 29, 2019<July 29, 2019 Naked & Deep Pop: A Conversation with Temptress by Kelsey Fitzgerald
Music, ReviewsJuly 29, 2019<July 29, 2019 Requiem for a Poor Mathô: A Review of MARINA’s ‘Love + Fear’ by Ben Niesen
Concerts, Festival, Music, ReviewsJuly 29, 2019<July 29, 2019 The Ultimate Matriarchal Experience: British Summertime Festival 2019 by Hermione Kellow
Columns, Music, Today's SongJuly 29, 2019<August 17, 2019 Taylor Swift’s “The Archer” Is an Emotionally Self-Reflective Preview for ‘Lover’ by Melanie Lustig
Columns, Features, Music, Weekly RoundupJuly 26, 2019<July 26, 2019 Atwood Magazine’s Weekly Roundup: July 26, 2019 by Atwood Magazine Staff
Features, Interviews, MusicJuly 26, 2019<September 19, 2019 The Glimmering Light of Our ‘Doom Days’: A Conversation with Bastille by Mitch Mosk
For the Love of Music
For the Love of Music
