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Lady Lazarus © Nick Chao
Music, PremieresSeptember 3, 2019<September 3, 2019

Premiere: Lady Lazarus’ “I Recall July” Makes Us Ponder the One Who Got Away

by Oliver Crook
BERG © NKT Studios
Debut, Music, PremieresSeptember 3, 2019<September 3, 2019

Premiere: BERG Ponders Lost Potential Love with “What If”

by Madison Vettorino
Frankie Cosmos
Features, Interviews, MusicSeptember 3, 2019<September 3, 2019

Why ‘Close It Quietly’ Is an Album like No Other: A Conversation with Frankie Cosmos

by Adrian Vargas
Features, Music, Weekly RoundupAugust 30, 2019<August 30, 2019

Atwood Magazine’s Weekly Roundup: August 30, 2019

by Atwood Magazine Staff
Cortney Dixon © Michael Sreenan
Debut, Music, Music Videos, PremieresAugust 30, 2019<August 30, 2019

Premiere: Cortney Dixon Dramatises Post-Relationship Alone Time with “Summer’s Eyes”

by Frankie Rose
Taylor Swift © Valheria Rocha
Essays, MusicAugust 30, 2019<August 30, 2019

Editorial: Welcome to the New Era of Taylor Swift

by Jack Mason-Brase
Golden Age Thinking - Wylder
Music, ReviewsAugust 30, 2019<August 30, 2019

Review: Wylder Shine in ‘Golden Age Thinking’ with Cinematic Folk & Majestic Rock

by Mitch Mosk
Lou Stone © Manon Ouimet 2019
Columns, Music, Today's SongAugust 30, 2019<August 30, 2019

Lou Stone Defends Love Everywhere on New Track “Truth Toy”

by Oliver Crook
Spooky Mansion
Interviews, Music, ReviewsAugust 29, 2019<August 29, 2019

Acting Like a “Real Jerk”: A Conversation with Spooky Mansion

by Adrian Vargas
Columns, Editor's Picks, Features, MusicAugust 29, 2019<August 29, 2019

Editor’s Picks: August 29, 2019

by Mitch Mosk
Sophie Colette - "Would You Like It?"
Music, Music Videos, PremieresAugust 29, 2019<August 29, 2019

Premiere: Sophie Colette Unravels Intimate Vulnerability in “Would You Like It?”

by Mitch Mosk
Little Monarch © Emmy Pickett, Adam Brown
Music, PremieresAugust 29, 2019<August 29, 2019

Premiere: Little Monarch Sings of Self-Discovery & Sacrifice in Wondrous “See You”

by Mitch Mosk
Kit Sebastian © Munéyuki Sugiyama 2019
Debut, Music, ReviewsAugust 29, 2019<August 29, 2019

Review: Kit Sebastian’s ‘Mantra Moderne’ Is a Postcard From Anatolia with Love

by Ben Niesen
7.4
Debut, Music, Our Take, ReviewsAugust 29, 2019<December 15, 2020

Our Take: Red Hearse Debut Their Genre-Defying Self-Titled Record

by Meredith Nardino
Butter the band
Music, Premieres, ReviewsAugust 29, 2019<August 29, 2019

EP Premiere: Dance Away Your Troubles with Butter’s ‘Nicotine’

by Ditta Demeter
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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    • Music You Should Know
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