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Columns, Features, Music, Weekly RoundupMay 31, 2019<May 31, 2019

Atwood Magazine’s Weekly Roundup: May 31, 2019

by Atwood Magazine Staff
Tommy Ashby © Fraser Taylor
Features, MusicMay 31, 2019<May 30, 2019

Interview: Tommy Ashby Stuns with his Illuminating Golden Arrow EP

by Luke Pettican
Great Good Fine Ok © Shervin Lainez
Features, Interviews, Music, PremieresMay 31, 2019<May 31, 2019

First Look: Great Good Fine Ok and Transviolet are Transcendent with “Gone”

by Caitlin Ison
Alec Chambers © Phil Silverberg
Music, PremieresMay 30, 2019<May 30, 2019

Premiere: Alec Chambers’ “Boston” Finds Bittersweet Beauty in Closure

by Mitch Mosk
Sub-Radio © Sub-Radio 2019
Music, PremieresMay 30, 2019<May 30, 2019

Premiere: Sub-Radio Let Memories Rush in with “Room For You”

by James Crowley
CatB The Balance Artwork
Music, ReviewsMay 30, 2019<May 30, 2019

Our Take: Catfish and the Bottlemen Have Found Their Success Formula, and Stick to It on ‘The Balance’

by Alicia Bugallo
Nora Rothman © Emily Knecht
Music, PremieresMay 30, 2019<May 31, 2019

Premiere: Nora Rothman Shines in the Rain with Dreamy Folk-Pop Single “fifteen / feet”

by Nick Baron
Disintegration - The Cure Album Art
Features, Music, ReviewsMay 30, 2019<May 30, 2019

Ruminations in the Abyss: A Look Back On The Cure’s ‘Disintegration’ Thirty Years On

by Kareem Ghezawi
Jack Gray © Allegra Messina
Debut, Features, Interviews, Music, PremieresMay 29, 2019<July 3, 2019

EP Premiere: Jack Gray’s Debut ‘Nights Like This’ Navigates Life with an Open & Honest Lens

by Atwood Magazine Staff
Blossom © Ashley Walt
Features, Music, PremieresMay 29, 2019<April 16, 2020

Album Premiere: Blossom Shares Restless Nights and Fever Dreams on ‘Maybe’

by Anthony Kozlowski
Bailen © Shervin Lainez
Features, Interviews, MusicMay 29, 2019<July 3, 2019

All About Connecting: A Conversation with BAILEN

by Maggie McHale
Amelie Patterson © Sebastian Buzzalino
Music, PremieresMay 29, 2019<May 29, 2019

Premiere: Amelie Patterson’s “The Patient Kind” Is a Sparkly Encapsulation of Fate

by Frankie Rose
Amyl and The Sniffers Album Cover
Music, ReviewsMay 28, 2019<May 28, 2019

Review: Amyl and The Sniffers’ Self-Titled Debut Album is a Punk Masterpiece

by Danielle Chelosky
SPRINTS © Dan Silva
Debut, Features, InterviewsMay 28, 2019<May 28, 2019

Interview: Meet SPRINTS, The Band With A Plan To Have All Your Friends Talking About Them

by Oliver Crook
Christian Lee Hutson © Gus Black
Columns, Music, Today's SongMay 28, 2019<June 5, 2019

Today’s Song: Christian Lee Hutson’s “Northsiders” Exemplifies a Classic Kind of Storytelling

by Frankie Rose
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Brand New

  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health”
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love April 15, 2026
  • Devil’s in the Details: Inside Esme Rose’s Bewitching ‘x3’ EP April 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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